106. 越南人奥夫冈广场和过渡中的圆圈越南人奥夫冈/过渡中的广场和圆圈,1970年 by Ad Dekkers 高清作品[21%]

Vierkant en cirkel in overgang Square and circle in transitionVierkant en cirkel in overgang / Square and circle in transition, 1970

材质 :Stainless steel 尺寸 :184.5 × 183.5 × 6.6 cm Sculpture

图片文件尺寸 : 5630 x 4332px

越南人奥夫冈广场和过渡中的圆圈越南人奥夫冈/过渡中的广场和圆圈,1970年-艾德·德克思(Dutch, 1938–1974)

英文名称:Vierkant en cirkel in overgang Square and circle in transitionVierkant en cirkel in overgang / Square and circle in transition, 1970-Ad Dekkers

107. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[21%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez