101. 从1992年到现在，几乎所有的电影和视频作品都是如此。可以在显示器上看到，一些人戴着耳机，其他人安静地同时运行。（1999年进行中） by Douglas Gordon 高清作品[22%]

Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)

材质 :Multi-channel video installation, black-and-white and color, on monitors 尺寸 :San Francisco Museum of Modern Art (SFMOMA) Installation

从1992年到现在，几乎所有的电影和视频作品都是如此。可以在显示器上看到，一些人戴着耳机，其他人安静地同时运行。（1999年进行中）-道格拉斯·戈登(Scottish, b. 1966)

英文名称:Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)-Douglas Gordon

102. 这部电影是牛仔汤姆的特技表演。他讲故事的方式，以及他真正做了什么。` The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) by Goes Litho. Co. 高清作品[21%]

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) -

图片文件尺寸: 5545 x 10519px

这部电影是牛仔汤姆的特技表演。他讲故事的方式，以及他真正做了什么。-去石像馆。有限公司。

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) --Goes Litho. Co.

103. 在巴黎郊区，我的军队遭到了殴打。我我只是到处跑，可以我什么也不做` On The Outskirts Of Paris My Army Is Being Beaten Up. Im Just Running Around And Cant Do A Thing (1914~1915) by Kazimir Malevich 高清作品[20%]

~ On The Outskirts Of Paris My Army Is Being Beaten Up. Im Just Running Around And Cant Do A Thing (1914~1915) -

图片文件尺寸: 6832 x 4624px

在巴黎郊区，我的军队遭到了殴打。我我只是到处跑，可以我什么也不做-卡齐米尔·马列维奇

~ On The Outskirts Of Paris My Army Is Being Beaten Up. Im Just Running Around And Cant Do A Thing (1914~1915) --Kazimir Malevich (Russian, 1879 – 1935)

104. 伊姆雷·基尔菲《威尼斯，奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[20%]

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯，奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

105. 伊姆雷·基尔菲《威尼斯，奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[20%]

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯，奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

106. 表演参与者的肖像，准备感受一条L.B.项链，苏西·戈梅兹在其中提议试验一条项链，这是路易丝·布尔乔亚的作品，具有明确的女权主义内涵，创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[19%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像，准备感受一条L.B.项链，苏西·戈梅兹在其中提议试验一条项链，这是路易丝·布尔乔亚的作品，具有明确的女权主义内涵，创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

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