材质 :Black pigment on tracing paper 尺寸 :44 × 62 cm Drawing, Collage or other Work on Paper
目的地三(2018年)-海伦·琼斯(British, b. 1969)
英文名称:Destination III (2018)-Helen Jones
A PAIR OF CLASSICAL SCENES WITH FIGURES AMONG RUINS: A) A RUINED PALATIAL HALL IN A CITY SACKED BY TURKS (RECTO); A PLAN OF THE BUILDING WITH STUDIES OF FIGURES (VERSO) B) A CAPRICCIO OF CLASSICAL RUINS WITH TURKS BY A POOL IN THE FOREGROUND-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-
(废墟中有人物的两个经典场景:A)被土耳其人洗劫的城市中一座废弃的宫殿大厅(RECTO);建筑物平面图和人物研究(VERSO)B)前景泳池边的土耳其古典遗迹随想曲-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-)
材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography
表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)
英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez
材质 :Cotton on silk petit point 尺寸 :11.2 × 15.5 × 2.7 cm Other
1929年巴塞罗那世界博览会德国馆,建筑师密斯·范德罗(Mies van der Rohe)用乔治·科尔贝(Georg Kolbe)的青铜雕塑。最初的展馆被装载到一艘从未到达目的地的船上(2013年)-纳雷尔·朱伯林(Australian, b. 1960)
英文名称:German Pavilion for the 1929 Barcelona World’s Fair, architect Mies van der Rohe with bronze sculpture by Georg Kolbe. The original pavilion was loaded onto a ship that never reached its destination (2013)-Narelle Jubelin