101. 今年早些时候,也就是3月17日,他在2018年的多夫梅耶·罗宾逊·帕内尔玫瑰园(Dove Meyer Robinson Parnell Rose garden)失去了童贞、公交通行证iPhone by Dale Frank 高清作品[20%]

Earlier this year, March 17, he lost his virginity, bus pass and iPhone in Dove-Meyer Robinson Parnell Rose garden, 2018

材质 :Varnish, spray enamel and Epoxyglass on Perspex 尺寸 :200 × 200 cm Painting

图片文件尺寸 : 5630 x 4332px

今年早些时候,也就是3月17日,他在2018年的多夫梅耶·罗宾逊·帕内尔玫瑰园(Dove Meyer Robinson Parnell Rose garden)失去了童贞、公交通行证iPhone-戴尔·弗兰克(Australian, b. 1959)

英文名称:Earlier this year, March 17, he lost his virginity, bus pass and iPhone in Dove-Meyer Robinson Parnell Rose garden, 2018-Dale Frank

103. 城市里什么都没有,只有死亡;卡斯特尔的巴黎公主街14号;如果没有恶魔[三部作品];1964-65 - 安迪·沃霍尔(1928-1987)杰拉德·马兰加(1943年) 高清作品[20%]

Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65

  • Andy Warhol (1928 - 1987) and Gerard Malanga (b. 1943)
  • Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65
  • Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65-ANDY-WARHOL-(1928---1987)-AND-GERARD-MALANGA-(B.-1943)
    (城市里什么都没有,只有死亡;卡斯特尔的巴黎公主街14号;如果没有恶魔[三部作品];1964-65-安迪·沃霍尔(1928-1987)杰拉德·马兰加(1943年))

    104. 安吉拉·丽贝卡·拉斐拉·罗伯斯·华孔·德维拉爱迪生·奥利弗·维拉·阿尔西瓦尔(凝固汽油弹)(2021年) by Edison Peñafiel 高清作品[20%]

    Angela Rebeca Rafaela Robles Huacón de Vera y Edison Oliver Vera Alcivar (Napalm)  (2021) | Available for Sale

    材质 :Digital print on Hahnemuhle Photo Rag Baryta 315 gr. paper 尺寸 :107 × 155 cm Photography

    安吉拉·丽贝卡·拉斐拉·罗伯斯·华孔·德维拉爱迪生·奥利弗·维拉·阿尔西瓦尔(凝固汽油弹)(2021年)-爱迪生·佩纳菲尔(Ecuadorian, b. 1985)

    英文名称:Angela Rebeca Rafaela Robles Huacón de Vera y Edison Oliver Vera Alcivar (Napalm) (2021) | Available for Sale-Edison Peñafiel

    105. 塔图因的双彩虹(开普勒16b):缩短的时间线抑制了我们对我们是谁、在哪里什么的理解(2021) by George Bolster 高清作品[20%]

    The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)

    材质 :Jacquard tapestry 尺寸 :396.2 × 487.7 × 0.6 cm Textile Arts

    塔图因的双彩虹(开普勒16b):缩短的时间线抑制了我们对我们是谁、在哪里什么的理解(2021)-乔治·波姆(Irish, b. 1972)

    英文名称:The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)-George Bolster

    107. 对于海洛因女主人公来说,维纳斯间的复活静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年 by objet A.D 高清作品[19%]

    Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

    材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

    图片文件尺寸 : 5630 x 4332px

    对于海洛因女主人公来说,维纳斯间的复活静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年-目标A.D(b. 1993)

    英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

    110. 华盛顿拉斐特在弗农山,1784年(战后华盛顿的故乡)` Washington and Lafayette at Mount Vernon, 1784 (The Home of Washington after the War) (1859) by Thomas Prichard Rossiter 高清作品[18%]

    `
Washington and Lafayette at Mount Vernon, 1784 (The Home of Washington after the War) (1859) -

    图片文件尺寸: 3589 x 2114px

    华盛顿拉斐特在弗农山,1784年(战后华盛顿的故乡)-托马斯·普里查德·罗西特

    ` Washington and Lafayette at Mount Vernon, 1784 (The Home of Washington after the War) (1859) --Thomas Prichard Rossiter (美国艺术家, 1818 – 1871)