102. 形态,这片海洋,在这无月之夜黑暗时刻,被褐色地球运动和夜间变化唤醒,微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见 by Rina Banerjee 高清作品[30%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

形态,这片海洋,在这无月之夜黑暗时刻,被褐色地球运动和夜间变化唤醒,微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

103. 伊姆雷·基尔菲今天在奥林匹亚威尼斯伟大现实主义表现` Imre Kiralfys great realistic representation of Venice of to~day at Olympia (1891) by Strobridge and Co. Lith. 高清作品[30%]

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Imre Kiralfys great realistic representation of Venice of to`day at Olympia (1891) -

图片文件尺寸: 1886 x 2880px

伊姆雷·基尔菲今天在奥林匹亚威尼斯伟大现实主义表现-斯特罗布里奇公司。

` Imre Kiralfys great realistic representation of Venice of to`day at Olympia (1891) --Strobridge and Co. Lith. (美国艺术家, 19th/20th Century)

104. 伊姆雷·基尔菲今天在奥林匹亚威尼斯伟大现实主义表现` Imre Kiralfys great realistic representation of Venice of to~day at Olympia (1891) by Strobridge and Co. Lith. 高清作品[30%]

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Imre Kiralfys great realistic representation of Venice of to~day at Olympia (1891) -

图片文件尺寸: 1886 x 2880px

伊姆雷·基尔菲今天在奥林匹亚威尼斯伟大现实主义表现-斯特罗布里奇公司。

~ Imre Kiralfys great realistic representation of Venice of to~day at Olympia (1891) --Strobridge and Co. Lith. (美国艺术家, 19th/20th Century)

107. 伟大黑水名字。我形态凯普里形态,阿图姆叶子。重复我以一个无知身份进入;我以akh身份出发了。[一] 将以我形式永远被视为人类。”索贝克莫斯纸莎草提取物 - 佐赫拉·奥波克 高清作品[30%]

Great Black Water is my name. My forms (are) the forms of Khepri, the foliage of Atum. Repeat. I entered as one who was ignorant; I have gone forth as an akh. [I] shall be seen in my form as a human forever.’ Extract from The Papyrus of Sobekmose-Zohra-Opoku

Great Black Water is my name. My forms (are) the forms of Khepri, the foliage of Atum. Repeat. I entered as one who was ignorant; I have gone forth as an akh. [I] shall be seen in my form as a human forever.’ Extract from The Papyrus of Sobekmose-Zohra-Opoku
伟大黑水名字。我形态凯普里形态,阿图姆叶子。重复我以一个无知身份进入;我以akh身份出发了。[一] 将以我形式永远被视为人类。”索贝克莫斯纸莎草提取物-佐赫拉·奥波克)

109. 左边一个留胡子男人头像,可能诗人乔治·安塞尔米肖像` Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (1503~40) by Parmigianino 高清作品[29%]

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Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (1503`40) -

图片文件尺寸: 3405 x 2278px

左边一个留胡子男人头像,可能诗人乔治·安塞尔米肖像-帕尔米贾尼诺

` Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (1503`40) --Parmigianino (Italian, 1503-1540)

110. 这不超人问题,而整体性问题。可能“辩证人道主义”人性必须综合体(1950) by Roberto Matta 高清作品[29%]

材质 :Graphite and color crayon on paper 尺寸 :29 × 109 × 7.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

这不超人问题,而整体性问题。可能“辩证人道主义”人性必须综合体(1950)-罗贝托·马塔(Chilean, 1911–2002)

英文名称:It\'s Not A Question of Superman but of integREAL the possible \\\"dialectical humanism\\\" humanity must be the synthesis (1950) | Available for Sale-Roberto Matta