101. 他们在南特威德运动人俱乐部一流的扑克机休息室见面，但直到第二天早上她付了早餐和房间费后，他才意识到她是真正的梅格·瑞安，一个著名的人，比他大15岁，2020年 by Dale Frank 高清作品[20%]

They meet in the Premier First Class Poker Machine Lounge of the South Tweed Sportmans Club but it was not till the next morning after she paid for breakfast and the room that he realised she was the real Meg Ryan, someone famous and 15 years older than him, 2020

材质 :Pigments in easycast resin, epoxyglass on perspex 尺寸 :200 × 200 cm Painting

图片文件尺寸 : 5630 x 4332px

他们在南特威德运动人俱乐部一流的扑克机休息室见面，但直到第二天早上她付了早餐和房间费后，他才意识到她是真正的梅格·瑞安，一个著名的人，比他大15岁，2020年-戴尔·弗兰克(Australian, b. 1959)

英文名称:They meet in the Premier First Class Poker Machine Lounge of the South Tweed Sportmans Club but it was not till the next morning after she paid for breakfast and the room that he realised she was the real Meg Ryan, someone famous and 15 years older than him, 2020-Dale Frank

103. 当我还是个孩子的时候，我爱我的动物同伴，渴望看到、触摸和闻到每一个新的动物，即使是在马戏团，我知道那是一个悲伤的地方。当我骑着大象去那里时，我哭了，同时也为我感到的兴奋而感到内疚（2021年） by Andrea Joyce Heimer 高清作品[20%]

I Loved My Animal Companions As A Child And Was Eager To See, Touch, And Smell Each New One, Even At The Circus, Which I Knew Was A Sad Place, And I Cried When I Rode The Elephant There, All The While Feeling Guilty For The Exhilaration I Felt Too (2021)

材质 :Acrylic and oil stick on panel 尺寸 :101.6 × 152.4 cm Painting

当我还是个孩子的时候，我爱我的动物同伴，渴望看到、触摸和闻到每一个新的动物，即使是在马戏团，我知道那是一个悲伤的地方。当我骑着大象去那里时，我哭了，同时也为我感到的兴奋而感到内疚（2021年）-安德里亚·乔伊斯·海默(American, b. 1981)

英文名称:I Loved My Animal Companions As A Child And Was Eager To See, Touch, And Smell Each New One, Even At The Circus, Which I Knew Was A Sad Place, And I Cried When I Rode The Elephant There, All The While Feeling Guilty For The Exhilaration I Felt Too (2021)-Andrea Joyce Heimer

104. 圣特蕾莎，第二位女性圣徒和慈善机构（可能是祭坛画的初步研究）` Saint Theresa, a second female saint and Charity (possibly preliminary study for an altarpiece) (18th Century) by Venetian School 高清作品[20%]

~ Saint Theresa, a second female saint and Charity (possibly preliminary study for an altarpiece) (18th Century) -

图片文件尺寸: 2014 x 3150px

圣特蕾莎，第二位女性圣徒和慈善机构（可能是祭坛画的初步研究）-威尼斯学校

~ Saint Theresa, a second female saint and Charity (possibly preliminary study for an altarpiece) (18th Century) --Venetian School

105. 佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年） by Jamil Hellu 高清作品[19%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年）-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

107. 对于海洛因和女主人公来说，维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情（总是已经失去）的入口；或者，如何使用符号逻辑在迈克尔湾攻击两栖动物，同时在广场完工时保持坐姿（否则，就去问爱丽丝……当她十英尺高的时候……），2020年 by objet A.D 高清作品[19%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因和女主人公来说，维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情（总是已经失去）的入口；或者，如何使用符号逻辑在迈克尔湾攻击两栖动物，同时在广场完工时保持坐姿（否则，就去问爱丽丝……当她十英尺高的时候……），2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

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