101. 阿德里安坑(1860-1944)。阿姆斯特丹荷兰历史与艺术物馆馆长` Adriaan Pit (1860~1944). Directeur van het Nederlands Museum voor Geschiedenis en Kunst te Amsterdam (1880 ~ 1921) by Marinus van der Maarel 高清作品[29%]

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Adriaan Pit (1860~1944). Directeur van het Nederlands Museum voor Geschiedenis en Kunst te Amsterdam (1880 ~ 1921) -

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阿德里安坑(1860-1944)。阿姆斯特丹荷兰艺术家历史与艺术物馆馆长-马林努斯·范德马雷尔

~ Adriaan Pit (1860~1944). Directeur van het Nederlands Museum voor Geschiedenis en Kunst te Amsterdam (1880 ~ 1921) --Marinus van der Maarel (荷兰艺术家, 1857-1921)

102. 广告艺术。德国联邦德国物馆的法兰克福a.M.和奥芬巴赫本地团体Gebrauchsgrafiker e.V.在德国格沃贝物馆展出。5月至5日。六月` Werbekunst. Ausstellung der Ortsgruppe Frankfurt a.M. und Offenbach des Bundes deutscher Gebrauchsgraphiker e.V. im Gewerbemuseum von 8. Mai – 5. Juni (circa 1920) by Rudolf Koch 高清作品[29%]

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Werbekunst. Ausstellung der Ortsgruppe Frankfurt a.M. und Offenbach des Bundes deutscher Gebrauchsgraphiker e.V. im Gewerbemuseum von 8. Mai – 5. Juni (circa 1920) -

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广告艺术。德国联邦德国物馆的法兰克福a.M.和奥芬巴赫本地团体Gebrauchsgrafiker e.V.在德国格沃贝物馆展出。5月至5日。六月-鲁道夫·科赫

~ Werbekunst. Ausstellung der Ortsgruppe Frankfurt a.M. und Offenbach des Bundes deutscher Gebrauchsgraphiker e.V. im Gewerbemuseum von 8. Mai – 5. Juni (circa 1920) --Rudolf Koch (德国艺术家, 1876-1934)

103. 墙壁图纸#701:墙壁用12英寸(30厘米)的带子垂直分为两个相等的部分。在每个部分中,叠加了彩色墨水洗涤的对角左或右条纹,首先绘制者:Manfredo de Souzanetto,Jo Watanabe;第一套装置:里约热内卢国家艺术物馆;1992年6月 by Sol LeWitt 高清作品[28%]

Wall Drawing #701: The wall is bordered and divided vertically into two equal parts by 12-inch (30 cm) bands. Within each part, diagonal left or right bands with color ink washes superimposed, First drawn by: Manfredo de Souzanetto, Jo Watanabe; First installation: Museu Nacional de Belas Artes, Rio de Janeiro; June 1992

材质 :Color ink wash 尺寸 :Paula Cooper Gallery Installation

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墙壁图纸#701:墙壁用12英寸(30厘米)的带子垂直分为两个相等的部分。在每个部分中,叠加了彩色墨水洗涤的对角左或右条纹,首先绘制者:Manfredo de Souzanetto,Jo Watanabe;第一套装置:里约热内卢国家艺术物馆;1992年6月-索尔·莱维特(American, 1928–2007)

英文名称:Wall Drawing #701: The wall is bordered and divided vertically into two equal parts by 12-inch (30 cm) bands. Within each part, diagonal left or right bands with color ink washes superimposed, First drawn by: Manfredo de Souzanetto, Jo Watanabe; First installation: Museu Nacional de Belas Artes, Rio de Janeiro; June 1992-Sol LeWitt

104. 德米特里·普里戈夫(Dmitri Prigov)、伊利亚·卡巴科夫(Ilya Kabakov)和安德烈·埃罗菲夫(Andrei Erofeev)出席了苏联及其他地区的奥运会开幕式。77位俄罗斯艺术家。1970年至1990年,阿姆斯特丹斯特德利克物馆,1990年9月22日(1990年) by Vadim Zakharov 高清作品[28%]

Dmitri Prigov, Ilya Kabakov, and Andrei Erofeev at the opening of In the USSR and Beyond. Seventy-Seven Russian Artists. 1970–1990 at Stedelijk Museum in Amsterdam, September 22, 1990 (1990)

材质 : 尺寸 : Video\\\\u002FFilm\\\\u002FAnimation

德米特里·普里戈夫(Dmitri Prigov)、伊利亚·卡巴科夫(Ilya Kabakov)和安德烈·埃罗菲夫(Andrei Erofeev)出席了苏联及其他地区的奥运会开幕式。77位俄罗斯艺术家。1970年至1990年,阿姆斯特丹斯特德利克物馆,1990年9月22日(1990年)-瓦迪姆·扎哈罗夫(Russian, b. 1959)

英文名称:Dmitri Prigov, Ilya Kabakov, and Andrei Erofeev at the opening of In the USSR and Beyond. Seventy-Seven Russian Artists. 1970–1990 at Stedelijk Museum in Amsterdam, September 22, 1990 (1990)-Vadim Zakharov

107. 大门房 - 7008×4574px 高清作品[25%]

AF1590869-house Du Portail

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大门房-house Du Portail

-The Pearl S. Buck House at Green Hills Farm, an example of 19th century (built 1825[4]) Pennsylvanian architecture, is constructed of coursed fieldstone. It is four bays wide and two deep with the main entrance located in the second bay. Two gable dormers are located on the front and rear slope of the roof. Chimneys are located on each gable end. When Buck purchased the farmstead, she made extensive alterations and additions to the 19th century farmhouse, including a two-story fieldstone wing added to the east gable and two libraries. Today, visitors can tour twelve rooms of the home and visit the pre-Revolutionary War cottage on the property and the barn built in 1827.

In the large library, two Pennsylvania jugs serve as lamp bases upon a hand carved Chinese hardwood desk, at which Buck wrote her breakthrough novel The Good Earth. Buck filled her home with works of original art by Chen Chi and Freeman Elliot[citation needed], iron works of art produced by exiled artisans in China, Peking Fetti carpets that survived revolutions in China, and some of her own sculptures