101. 前景为悬崖的景观——Cuyp和s原则(第3条)前景树木,远处群山——两者都s原则` Landscape with Large Cliff in Foreground – Cuyps Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance – Boths Principle by Thomas Sully 高清作品[16%]

`
Landscape with Large Cliff in Foreground – Cuyps Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance – Boths Principle-

图片文件尺寸: 2854 x 4096px

前景为悬崖的景观——Cuyp和s原则(第3条)前景树木,远处群山——两者都s原则-托马斯·萨利

` Landscape with Large Cliff in Foreground – Cuyps Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance – Boths Principle--Thomas Sully (美国艺术家, 1783-1872)

105. 公爵夫人奥尔加·尼古拉耶夫纳(Olga Nikolaevna)的肖像,后来沃尔滕堡的王后` Portrait Of Grand Duchess Olga Nikolaevna, Later Queen Consort Of Württemberg (1856) by Franz Xaver Winterhalter 高清作品[16%]

~
Portrait Of Grand Duchess Olga Nikolaevna, Later Queen Consort Of Württemberg (1856) -

图片文件尺寸: 3134 x 4000px

公爵夫人奥尔加·尼古拉耶夫纳(Olga Nikolaevna)的肖像,后来沃尔滕堡的王后-弗朗兹·克萨韦尔·温特哈尔特

~ Portrait Of Grand Duchess Olga Nikolaevna, Later Queen Consort Of Württemberg (1856) --Franz Xaver Winterhalter (德国艺术家, 1805-1873)

106. 对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密沿着方位角进入爱情(总已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她英尺高的时候……),2020年 by objet A.D 高清作品[16%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密沿着方位角进入爱情(总已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她英尺高的时候……),2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

107. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[16%]

~
Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

108. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[16%]

~
Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

109. 拉特拉诺的圣乔瓦尼教堂,前景密涅瓦·梅卡神庙` The Basilica of San Giovanni in Laterano, with the Temple of Minerva Medica in the Foreground (c. 1809 ~ c. 1812) by Josephus Augustus Knip 高清作品[15%]

~
The Basilica of San Giovanni in Laterano, with the Temple of Minerva Medica in the Foreground (c. 1809 ~ c. 1812) -

图片文件尺寸: 3988 x 2858px

拉特拉诺的圣乔瓦尼教堂,前景密涅瓦·梅卡神庙-约瑟夫斯·奥古斯都·克尼普

~ The Basilica of San Giovanni in Laterano, with the Temple of Minerva Medica in the Foreground (c. 1809 ~ c. 1812) --Josephus Augustus Knip (荷兰艺术家, 1777-1847)

110. 路易五镀金青铜装中国漆器和乌木便桶,18世纪的棺材,19世纪的坐骑,可能19世纪添加的漆器面板 - A-LOUIS-XV-GILT-BRONZE-MOUNTED-CHINESE-漆器和乌木-便桶-THE-CARCASE-18世纪-THE-MOUNTS-19世纪-THE-漆器面板-可能在19世纪添加的 高清作品[15%]

A LOUIS XV GILT BRONZE-MOUNTED CHINESE LACQUER AND EBONIZED WOOD COMMODE, THE CARCASE 18TH CENTURY, THE MOUNTS 19TH CENTURY, THE LACQUER PANELS PROBABLY ADDED IN THE 19TH CENTURY-A-LOUIS-XV-GILT-BRONZE-MOUNTED-CHINESE-LACQUER-AND-EBONIZED-WOOD-COMMODE-THE-CARCASE-18TH-CENTURY-THE-MOUNTS-19TH-CENTURY-THE-LACQUER-PANELS-PROBABLY-ADDED-IN-THE-19TH-CENTURY

A LOUIS XV GILT BRONZE-MOUNTED CHINESE LACQUER AND EBONIZED WOOD COMMODE, THE CARCASE 18TH CENTURY, THE MOUNTS 19TH CENTURY, THE LACQUER PANELS PROBABLY ADDED IN THE 19TH CENTURY-A-LOUIS-XV-GILT-BRONZE-MOUNTED-CHINESE-LACQUER-AND-EBONIZED-WOOD-COMMODE-THE-CARCASE-18TH-CENTURY-THE-MOUNTS-19TH-CENTURY-THE-LACQUER-PANELS-PROBABLY-ADDED-IN-THE-19TH-CENTURY
(路易五镀金青铜装中国漆器和乌木便桶,18世纪的棺材,19世纪的坐骑,可能19世纪添加的漆器面板-A-LOUIS-XV-GILT-BRONZE-MOUNTED-CHINESE-漆器和乌木-便桶-THE-CARCASE-18世纪-THE-MOUNTS-19世纪-THE-漆器面板-可能在19世纪添加的)