1021. 从日本广岛观看。经度:132o27\'oo“纬度:34o24\'00”1945年6月6日晚上8:30(当地时间)。凝视:Az:93O7.126\'高度90O0.000\'。(摘自《空气图片》),2001年 - 维克·穆尼兹-(B-1961) 高清作品[13%]

Viewing from Hiroshima, Japan. Longitude: 132o 27\'oo

  • Muniz
  • Viewing from Hiroshima, Japan. Longitude: 132o 27\'oo\" Latitude: 34o 24\'00\" 06/06/1945 8:30 PM (Local). Gaze: Az: 93o 7.126\'Alt. 90o 0.000\'. (From Pictures of Air), 2001
  • Viewing from Hiroshima, Japan. Longitude: 132o 27\'oo\" Latitude: 34o 24\'00\" 06/06/1945 8:30 PM (Local). Gaze: Az: 93o 7.126\'Alt. 90o 0.000\'. (From Pictures of Air), 2001-VIK-MUNIZ-(B.-1961)
    (从日本广岛观看。经度:132o27\'oo“纬度:34o24\'00”1945年6月6日晚上8:30(当地时间)。凝视:Az:93O7.126\'高度90O0.000\'。(摘自《空气图片》),2001年-维克·穆尼兹-(B-1961))

    1022. 从日本广岛观看。经度:132o27\'oo“纬度:34o24\'00”1945年6月6日晚上8:30(当地时间)。凝视:Az:93O7.126\'高度90O0.000\'。(摘自《空气图片》),2001年 - 维克·穆尼兹-(B-1961) 高清作品[13%]

    Viewing from Hiroshima, Japan. Longitude: 132o 27\'oo

  • Muniz
  • Viewing from Hiroshima, Japan. Longitude: 132o 27\'oo\" Latitude: 34o 24\'00\" 06/06/1945 8:30 PM (Local). Gaze: Az: 93o 7.126\'Alt. 90o 0.000\'. (From Pictures of Air), 2001
  • Viewing from Hiroshima, Japan. Longitude: 132o 27\'oo\" Latitude: 34o 24\'00\" 06/06/1945 8:30 PM (Local). Gaze: Az: 93o 7.126\'Alt. 90o 0.000\'. (From Pictures of Air), 2001-VIK-MUNIZ-
    (从日本广岛观看。经度:132o27\'oo“纬度:34o24\'00”1945年6月6日晚上8:30(当地时间)。凝视:Az:93O7.126\'高度90O0.000\'。(摘自《空气图片》),2001年-维克·穆尼兹-(B-1961))

    1028. 顺佳,在镜子`Shunga, Before the Mirror by Isoda Koryusai 高清作品[13%]

    AF-Shunga, Before the Mirror

    图片文件尺寸: 6284×3946 px

    顺佳,在镜子-Isoda Koryusai

    -Isoda Koryūsai (礒田 湖龍斎, 1735-1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790.
    Shunga (春画) is a Japanese term for erotic art. Most shunga are a type of ukiyo-e, usually executed in woodblock print format. While rare, there are extant erotic painted handscrolls which predate ukiyo-e. Translated literally, the Japanese word shunga means picture of spring; \"spring\" is a common euphemism for sex.
    A woman covers her face with her kimono sleeves her lover looks over his shoulder to see their reflection in a mirror for added narcissistic stimulation. As is the case in most ukiyo-e prints or paintings utilizing a mirror, the reflection depicted would be impossible from that position.