1016. 对我来说,透明度就是知道艾玛,我艾玛,为我做一个特别蛋糕,没有任何糖霜,即使没有人看到它(渔民岛纪事)(2021年) by Joeun Aatchim 高清作品[18%]

Transparency for Me is Knowing Emma, My Emma, Made a Special Cake for Me Without Any Frosting  Even if No One Sees It (Fishers Island Chronicle) (2021)

材质 :Crushed stone, sea shell, mineral pigment, mica, and refined pine soot ink on silk in artist;s frame 尺寸 :44.5 × 39.4 × 3.8 cm Painting

对我来说,透明度就是知道艾玛,我艾玛,为我做一个特别蛋糕,没有任何糖霜,即使没有人看到它(渔民岛纪事)(2021年)-朱恩·阿奇姆

英文名称:Transparency for Me is Knowing Emma, My Emma, Made a Special Cake for Me Without Any Frosting Even if No One Sees It (Fishers Island Chronicle) (2021)-Joeun Aatchim

1019. 伟大黑水是我名字。我形态是凯普里形态,阿图姆叶子。重复我以一个无知身份进入;我以akh身份出发。[一] 将以我形式永远被视为人类。”索贝克莫斯纸莎草提取物 - 佐赫拉·奥波克 高清作品[18%]

Great Black Water is my name. My forms (are) the forms of Khepri, the foliage of Atum. Repeat. I entered as one who was ignorant; I have gone forth as an akh. [I] shall be seen in my form as a human forever.’ Extract from The Papyrus of Sobekmose-Zohra-Opoku

Great Black Water is my name. My forms (are) the forms of Khepri, the foliage of Atum. Repeat. I entered as one who was ignorant; I have gone forth as an akh. [I] shall be seen in my form as a human forever.’ Extract from The Papyrus of Sobekmose-Zohra-Opoku
(伟大黑水是我名字。我形态是凯普里形态,阿图姆叶子。重复我以一个无知身份进入;我以akh身份出发。[一] 将以我形式永远被视为人类。”索贝克莫斯纸莎草提取物-佐赫拉·奥波克)

1020. 在去京都路上,水本无赖ō在佐贺米省阿什加拉山遇到海丸,并把他当作一名家臣` On the Way to Kyoto, Minamoto no Raikō Meets Kaidōmaru in the Ashigara Mountains of Sagami Province and Takes Him as a Retainer (circa late1830s) by Utagawa Kuniyoshi 高清作品[18%]

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On the Way to Kyoto, Minamoto no Raikō Meets Kaidōmaru in the Ashigara Mountains of Sagami Province and Takes Him as a Retainer (circa late1830s) -

图片文件尺寸: 2319 x 3471px

在去京都路上,水本无赖ō在佐贺米省阿什加拉山遇到海丸,并把他当作一名家臣-Utagawa Kuniyoshi

~ On the Way to Kyoto, Minamoto no Raikō Meets Kaidōmaru in the Ashigara Mountains of Sagami Province and Takes Him as a Retainer (circa late1830s) --Utagawa Kuniyoshi (Japanese, 1797-1861)