图片文件尺寸: 8183×5100 px

1917年《牧神的下午》-克尔·泽维尔·卢塞尔

-Afternoon of a Faun, 1917 (Oil on Canvas), by Ker-Xavier Roussel

Gartenbild (Picture of a Garden) | 《花園畫》-Paul-Klee
（花园图片（花园图片）-保罗·克莱）

图片文件尺寸: 6000×4500 px

酒神节-卡尔·布吕洛夫

-Bacchanalia (Oil on Canvas), by Karl Bryullov

图片文件尺寸: 6000×4722 px

酒神节-巴托洛梅奥·比斯凯诺

-Bacchanalia (Oil on Canvas), by Bartolomeo Biscaino

图片文件尺寸: 3021 x 5200px

酒神-威廉·布盖罗

~ Bacchante (1894) --William Bouguereau (法国艺术家, 1825-1905)

图片文件尺寸: 7000×4167 px

酒神节-科林特

-Bacchanalia (Oil on Canvas), by Lovis Corinth

BUST OF A BACCHANTE-ANTONIO-CEDOLA-
（酒神半身像-安东尼奥·塞多拉-）

图片文件尺寸 : 6600×4444 px

滑稽宴会，1550年-Jan Mandijn

-Jan Mandijn or Jan Mandyn (1500-1560) was a Dutch Renaissance painter, who worked in Antwerp after 1530.

This motley banquet is a satirical depiction of a peasant wedding to which a number of guests have been invited, all equally bizarre and absurd. The scene, packed with anecdotes and symbols, unfolds in an interior in which the guests, following mediaeval custom, are seated at one side only of the tables, according to their rank. The main character is a stout and slovenly bride wearing a crown of wooden spoons, the symbol of gluttony, and eggshells, the symbol of crassitude and lechery. Behind her a red drapery is vaulted like a baldachin on which rests a crown of laurel, both of which were customary elements in Flemish peasant weddings of the 16th and 17th centuries, while the rattle hanging from the crown of laurel is another reference to foolishness.

Burlesque Feast, 1550 (Oil on Canvas), by Jan Mandijn

材质 :Infused dyes sublimated on aluminum 尺寸 :121.9 × 152.4 cm Photography

2008年（威尼斯）宴会厅发售-迈克尔·伊斯曼()

英文名称:Ballroom, Venice (2008) | Available for Sale-Michael Eastman

图片文件尺寸: 3600 x 3020px

酒神与谷神星、酒神与维纳斯-年轻的简·布吕盖尔

~ A Bacchanal With Ceres, Bacchus And Venus--Jan Brueghel the Younger (Flemish, 1601 - 1678)