91. 这最蓝形态,这片海洋,在这无月之夜最黑暗时刻,被褐色地球运动和夜间变化唤醒,最微小看不见生物,可见生物,信使一样在人们身上翻滚,他们知道更多是什么,在下面,看不见 by Rina Banerjee 高清作品[27%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝形态,这片海洋,在这无月之夜最黑暗时刻,被褐色地球运动和夜间变化唤醒,最微小看不见生物,可见生物,信使一样在人们身上翻滚,他们知道更多是什么,在下面,看不见-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

92. “有一个季节,我橡子一样出生/倒下/我是唯一一棵树/每个人都离开了/我必须离开你/蓓蕾在我身边长大/我看到一张怨恨脸/一道刺眼光似乎在诅咒你/是因为我是你吗?”-罗氏(2021) by Marisa Takal 高清作品[27%]

“One season I was born/ Fell down like an acorn/ I am the only tree/ And everybody leaves/ I’ve got to get away from you/ Bud growing up at me/ Resentful face I see/ A harsh light seems to damn you/ Is it because I am you?”-The Roches (2021) | Available for Sale

材质 :Oil on canvas 尺寸 :177.8 × 152.4 cm Painting

“有一个季节,我橡子一样出生/倒下/我是唯一一棵树/每个人都离开了/我必须离开你/蓓蕾在我身边长大/我看到一张怨恨脸/一道刺眼光似乎在诅咒你/是因为我是你吗?”-罗氏(2021)-玛丽莎·塔卡尔(American, b. 1991)

英文名称:“One season I was born/ Fell down like an acorn/ I am the only tree/ And everybody leaves/ I’ve got to get away from you/ Bud growing up at me/ Resentful face I see/ A harsh light seems to damn you/ Is it because I am you?”-The Roches (2021) | Available for Sale-Marisa Takal

93. 澗聲系列:A:記得我腳從地面抬起時;B:河流一樣;C:山澗聲;D:光琳金(四幅作品) 感性系列:答:我记得我脚轻轻地离开地面时候——科林菊花;B:河流一样流动;C:山间溪流声音;D:Korin Gold(四件作品) - 村上隆-Takashi-Murakami- 高清作品[27%]

 澗聲系列:A: 記得我<em>的</em>腳從地面抬起時;B:<em>像</em>河流一樣;C:山澗聲;D:光琳金(四幅作品) Kansei Series: A: I Recall The Time When My Feet Lifted Off The Ground, Ever So Slightly- Korin Chrysanthemum; B: Like The Rivers Flow; C: Voice of the Mountain Stream; D: Korin Gold (four works)-村上隆-Takashi-Murakami-

澗聲系列:A: 記得我腳從地面抬起時;B:河流一樣;C:山澗聲;D:光琳金(四幅作品) Kansei Series: A: I Recall The Time When My Feet Lifted Off The Ground, Ever So Slightly- Korin Chrysanthemum; B: Like The Rivers Flow; C: Voice of the Mountain Stream; D: Korin Gold (four works)-村上隆-Takashi-Murakami-
(澗聲系列:A:記得我腳從地面抬起時;B:河流一樣;C:山澗聲;D:光琳金(四幅作品) 感性系列:答:我记得我脚轻轻地离开地面时候——科林菊花;B:河流一样流动;C:山间溪流声音;D:Korin Gold(四件作品)-村上隆-Takashi-Murakami-)

98. 冬季驾驶就一头背着钢琴、穿着溜冰鞋大象一样危险` Winter driving is as perilous as an elephant on ice skates with a piano strapped to its back by National Institutes of Health 高清作品[26%]

~
Winter driving is as perilous as an elephant on ice skates with a piano strapped to its back-

图片文件尺寸: 2142 x 3156px

冬季驾驶就一头背着钢琴、穿着溜冰鞋大象一样危险-美国国立卫生研究院

~ Winter driving is as perilous as an elephant on ice skates with a piano strapped to its back--National Institutes of Health (美国艺术家, 1887-)

100. 1946年,纽约,库纳德线码头,一群码头工人走到码头上工作,其他人则站在那里希望自己能他们一样幸运 by Andreas Feininger 高清作品[26%]

A gang of longshoremen walk to work on dock, while others stand around hoping they will be as lucky, Cunard Line Pier, New York, 1946

材质 :Gelatin silver print 尺寸 :This work is part of a limited edition set. Photography

图片文件尺寸 : 5630 x 4332px

1946年,纽约,库纳德线码头,一群码头工人走到码头上工作,其他人则站在那里希望自己能他们一样幸运-安德烈亚斯·费宁格(American, 1906–1999)

英文名称:A gang of longshoremen walk to work on dock, while others stand around hoping they will be as lucky, Cunard Line Pier, New York, 1946-Andreas Feininger