91. 一位女士和一个孩子肖像,传统上认为鲁伯特王子(1619-1682)和他母亲波希米亚伊丽莎白(1596-1662) by Marcus Gheeraerts the Younger 高清作品[31%]

Portrait of a Lady and Child, traditionally identified as Prince Rupert (1619-1682) and his mother Elizabeth of Bohemia (1596-1662)

材质 :Oil on canvas 尺寸 :216.9 × 125.1 cm Painting

一位女士和一个孩子肖像,传统上认为鲁伯特王子(1619-1682)和他母亲波希米亚伊丽莎白(1596-1662)-小马库斯·盖尔茨(Anglo - Flemish, 1561–1636)

英文名称:Portrait of a Lady and Child, traditionally identified as Prince Rupert (1619-1682) and his mother Elizabeth of Bohemia (1596-1662)-Marcus Gheeraerts the Younger

92. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时对女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[31%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时对女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

95. 废墟中有人物两个经典场景:A)土耳其人洗劫城市中一座废弃宫殿大厅(RECTO);建筑物平面图和人物研究(VERSO)B)前景泳池边土耳其古典遗迹随想曲 - PIERRE-NICOLAS-LEGRAND-DE-LÉRANT- 高清作品[30%]

 A PAIR OF CLASSICAL SCENES WITH FIGURES AMONG RUINS: A) A RUINED PALATIAL HALL IN A CITY SACKED BY TURKS (RECTO); A PLAN OF THE BUILDING WITH STUDIES OF FIGURES (VERSO) B) A CAPRICCIO OF CLASSICAL RUINS WITH TURKS BY A POOL IN THE FOREGROUND-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-

A PAIR OF CLASSICAL SCENES WITH FIGURES AMONG RUINS: A) A RUINED PALATIAL HALL IN A CITY SACKED BY TURKS (RECTO); A PLAN OF THE BUILDING WITH STUDIES OF FIGURES (VERSO) B) A CAPRICCIO OF CLASSICAL RUINS WITH TURKS BY A POOL IN THE FOREGROUND-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-
(废墟中有人物两个经典场景:A)土耳其人洗劫城市中一座废弃宫殿大厅(RECTO);建筑物平面图和人物研究(VERSO)B)前景泳池边土耳其古典遗迹随想曲-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-)

100. 德里克·乔宁19岁时曾在俄克拉荷马州一所州立监狱服刑4年半,他说:“我没有关进监狱,主要因为我不想遇到比现在更多问题。看起来你很软弱,这你在监狱里最不想打电话事情。”。(2018年) by Jamil Hellu 高清作品[30%]

“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

德里克·乔宁19岁时曾在俄克拉荷马州一所州立监狱服刑4年半,他说:“我没有关进监狱,主要因为我不想遇到比现在更多问题。看起来你很软弱,这你在监狱里最不想打电话事情。”。(2018年)-Jamil灯

英文名称:“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale-Jamil Hellu