92. 组合的管道,装饰战斧管和邮袋属于黑鹰,索克和福克斯酋长`Portfolio of Pipes, Decorated Tomahawk Pipe and Pouch belonging to Black Hawk, Sauk and Fox Chief by George Catlin 高清作品[14%]

AF-Portfolio of Pipes, Decorated Tomahawk Pipe and Pouch belonging to Black Hawk, Sauk and Fox Chief

图片文件尺寸: 6800×5241 px

组合的管道,装饰战斧管和邮袋属于黑鹰,索克和福克斯酋长-卡特林

- A selection of Indian pipes in “Catlin’s North 美国艺术家 Indian Collection”.
The males amongst the North 美国艺术家 Indians all smoke, using instead of tobacco, several narcotics, such as inner bark of Red Willow, sumach leaves & c. which they call “k’nick-k’neck”, when it is prepared for smoking; to which, when they can get it, they add a small portion of tobacco.
Each man manufactures his own pipe, the bowl of which is generally carved in spar, in marble, stealite or potstone, found in their countries.
Pipes amongst the Am Indians are not only matters of luxury in the hands of all private individuals, where they are always emblems of peace and tendered as friendly salutations; but are kept in all tribes by the chiefs, as instruments for solemnizing Treaties; in which case they are public property considered sacred, and denominated “Calumets”, (or pipe of peace).

99. 风险评估(什么留下了什么掩埋了试图关闭的东西)(2021年) by Catalina Ouyang 高清作品[13%]

risk assessment (What left what buried what tried to close) (2021)

材质 :Wood, found chair, discarded security camera, paper pulp, plaster, beeswax, oil paint, epoxy clay, steel, oyster shells, horse hair 尺寸 :104.1 × 66 × 53.3 cm Sculpture

风险评估(什么留下了什么掩埋了试图关闭的东西)(2021年)-欧阳卡塔琳娜(American)

英文名称:risk assessment (What left what buried what tried to close) (2021)-Catalina Ouyang

100. 对女人来说,剩下的是什么?。。。(对于一个女人来说,还有什么?…)1967年 by Marc Chagall 高清作品[13%]

A LA FEMME, QU’EST-IL RESTÉ? . . . (For a Woman What Remains? . . .), 1967

材质 :Original lithograph printed in colors on wove paper bearing the Arches script watermark. 尺寸 :64.8 × 49.8 cm Print

图片文件尺寸 : 5630 x 4332px

对女人来说,剩下的是什么?。。。(对于一个女人来说,还有什么?…)1967年-马克·夏加尔(Russian-French, 1887–1985)

英文名称:A LA FEMME, QU’EST-IL RESTÉ? . . . (For a Woman What Remains? . . .), 1967-Marc Chagall