91. 罗兰特·萨弗里(Roelandt Savery)被认为《老大师2》(Old Masters II)的作品` by Roelandt Savery zugeschrieben 高清作品[21%]

DO-Roelandt Savery zugeschrieben - Alte Meister II
图片文件像素:4600 x 3500 px

罗兰特·萨弗里(Roelandt Savery)被认为《老大师2》(Old Masters II)的作品-

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(Courtrai 1576–1639 Utrecht)
以人物、山羊和村庄为背景的山河景观;和山河景观,背景一个由两个驴子带领的农民和一个村庄,
木头上的油,每个49 x 37厘米,框架,对应(2)

92. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[21%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大的现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

93. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[21%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大的现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

94. 一个独特的托斯卡纳新古典主义马桶,可能锡耶纳式的,带有原装波尔图大理石台面(约1790年) by Italian, 18th Century 高清作品[21%]

AN EXCEPTIONAL TUSCAN NEO-CLASSICAL COMMODE, PROBABLY SIENESE, WITH ORIGINAL PORTOR MARBLE TOP (ca. 1790)

材质 :Cherry, boxwood, lemonwood, Portor marble 尺寸 :96.5 × 147.3 × 62.2 cm Design\\\\u002FDecorative Art

一个独特的托斯卡纳新古典主义马桶,可能锡耶纳式的,带有原装波尔图大理石台面(约1790年)-意大利,18世纪

英文名称:AN EXCEPTIONAL TUSCAN NEO-CLASSICAL COMMODE, PROBABLY SIENESE, WITH ORIGINAL PORTOR MARBLE TOP (ca. 1790)-Italian, 18th Century

95. 斗牛前,巴勃罗·加索在勒瓦洛里斯餐厅为他的朋友们准备了午餐,巴勃罗·加索和科克托为他们的朋友装扮成斗牛士。他们身后作家何塞·埃雷拉·彼得雷的儿子。瓦洛里斯,1955年 - 爱德华·奎因-- 高清作品[21%]

  AT THE LUNCH GIVEN FOR HIS FRIENDS BY PABLO PICASSO AT RESTAURANT LE VALLAURIS BEFORE THE BULLFIGHT, PABLO PICASSO AND COCTEAU DRESS UP AS TOREADORS FOR THEIR FRIENDS. BEHIND THEM THE SONS OF THE WRITER JOSÉ HERRERA-PETERE. VALLAURIS, 1955-EDWARD-QUINN--

AT THE LUNCH GIVEN FOR HIS FRIENDS BY PABLO PICASSO AT RESTAURANT LE VALLAURIS BEFORE THE BULLFIGHT, PABLO PICASSO AND COCTEAU DRESS UP AS TOREADORS FOR THEIR FRIENDS. BEHIND THEM THE SONS OF THE WRITER JOSÉ HERRERA-PETERE. VALLAURIS, 1955-EDWARD-QUINN--
(斗牛前,巴勃罗·加索在勒瓦洛里斯餐厅为他的朋友们准备了午餐,巴勃罗·加索和科克托为他们的朋友装扮成斗牛士。他们身后作家何塞·埃雷拉·彼得雷的儿子。瓦洛里斯,1955年-爱德华·奎因--)

97. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[20%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

98. 从1992年到现在,几乎所有的电影和视频作品如此。可以在显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中) by Douglas Gordon 高清作品[19%]

Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)

材质 :Multi-channel video installation, black-and-white and color, on monitors 尺寸 :San Francisco Museum of Modern Art (SFMOMA) Installation

从1992年到现在,几乎所有的电影和视频作品如此。可以在显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中)-道格拉斯·戈登(Scottish, b. 1966)

英文名称:Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)-Douglas Gordon