A PAIR OF CLASSICAL SCENES WITH FIGURES AMONG RUINS: A) A RUINED PALATIAL HALL IN A CITY SACKED BY TURKS (RECTO); A PLAN OF THE BUILDING WITH STUDIES OF FIGURES (VERSO) B) A CAPRICCIO OF CLASSICAL RUINS WITH TURKS BY A POOL IN THE FOREGROUND-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-
（废墟中有人物的两个经典场景：A）被土耳其人洗劫的城市中一座废弃的宫殿大厅（RECTO）；建筑物平面图和人物研究（VERSO）B）前景泳池边的土耳其古典遗迹随想曲-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-）

图片文件尺寸: 3083 x 4000px

一个古典的门廊，有一个由喷泉聚集而成的优雅的群体-雅各布·费迪南德·赛斯

~ A Classical Portico With An Elegant Company Gathered By A Fountain (1694) --Jacob Ferdinand Saeys (Flemish, 1658 – after 1726)

图片文件尺寸: 2594 x 3200px

一个建筑随想曲，人物穿着优雅，宫殿入口处有一条狗-瓜尔迪

~ An architectural capriccio with elegantly dressed figures and a dog at the entrance to a palace--Francesco Guardi (Italian, 1712-1793)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像，准备感受一条L.B.项链，苏西·戈梅兹在其中提议试验一条项链，这是路易丝·布尔乔亚的作品，具有明确的女权主义内涵，创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

图片文件尺寸: 4000 x 3078px

露台上雕刻的瓮中有花朵和建筑碎片的静物画-让-巴蒂斯特·蒙诺耶

~ Still Life With Flowers In A Sculpted Urn With Architectural Fragments On A Terrace (1696) --Jean-Baptiste Monnoyer (法国艺术家, 1636 - 1699)

图片文件尺寸: 4000 x 2974px

阿姆斯特丹的一堵破旧的墙，有一个潮湿的门廊，可以在建筑物的上方看到-简·霍尔斯维特

~ De vervallen wal te Amsterdam met de Weteringpoort, gezien over de Buitensingel (1807) --Jan Hulswit (荷兰艺术家, 1766-1822)

图片文件尺寸: 3530 x 3660px

这是一座带有古代遗迹、凯旋门和高级浮雕的建筑随想曲，其中有墨丘利和阿古斯的故事-让·莱迈尔

~ An Architectural Capriccio With Ancient Ruins, A Triumphal Arch And A Haut~Relief Sculpture, With The Story Of Mercury And Argus--Jean Lemaire (法国艺术家, 1598–1659)

图片文件尺寸: 2450 x 3700px

有塔楼和大门的建筑物。圣玛丽和守护天使教堂圣斯坦尼斯劳斯三联画翼上的浅浮雕图克拉科夫的s教堂-斯坦尼斯·瓦夫·怀斯皮安斯基

~ Buildings with towers and gates. Drawing of the bas~relief on the wing of the triptych of St Stanislaus in the Chapel of Guardian Angels at St Marys Church in Krakow (1888) --Stanisław Wyspiański (波兰画家, 1869-1907)

AN AUSTRIAN NEOCLASSICAL CARVED GILTWOOD ARMCHAIR, VIENNA, LATE 18TH CENTURY-AN-AUSTRIAN-NEOCLASSICAL-CARVED-GILTWOOD-ARMCHAIR-VIENNA-LATE-18TH-CENTURY
（奥地利新古典主义雕刻吉尔特伍德扶手椅，维也纳，18世纪晚期-安-奥地利-新古典主义-雕刻-吉尔特伍德-扶手椅-维也纳-18世纪末）

材质 :Marble 尺寸 :27.3 × 13.6 × 12.7 cm Design\\\\u002FDecorative Art

一对新古典主义花瓶（19世纪末的意大利）-无偿的

英文名称:Pair of Neoclassical Vases (Italy-late 19th century ) | Available for Sale-Unattributed