91. 那之后的很长一段时间里,我以为我街上瞥见了马(好的和不好的等待14)(2016-2020) by Alexander Massouras 高清作品[29%]

For a long time after that, I thought I glimpsed horses in the street (Good and bad at waiting 14) (2016-2020) | Available for Sale

材质 :Etching 尺寸 :19 × 27.5 cm Print

那之后的很长一段时间里,我以为我街上瞥见了马(好的和不好的等待14)(2016-2020)-亚历山大·马苏拉斯

英文名称:For a long time after that, I thought I glimpsed horses in the street (Good and bad at waiting 14) (2016-2020) | Available for Sale-Alexander Massouras

94. 熊、美洲虎和鳄鱼的家里,三巨头。或者,加州阿罕布拉的奇迹。叛军领袖们他们的助手们之上盘旋,他们擅长逆向转化。牧师的存活率为50%。与此同时,一些djinn来看看发生了什么。《卡米诺》中的黑白耶稣似乎很震惊。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[29%]

In the House of the Bear, the Jaguar, and the Crocodile, The Triumvirate.  Or, the miracle at the Californian Alhambra. The rebel leaders hover above their acolytes adept in the ways of reverse conversion.  The priests have a 50 percent survival rate.  Meanwhile, some djinn show up to see what’s going on.  Black and White Jesus in the El Camino appear shocked. (2021)

材质 :Acrylic on canvas 尺寸 :182.9 × 182.9 × 3 cm Painting

熊、美洲虎和鳄鱼的家里,三巨头。或者,加州阿罕布拉的奇迹。叛军领袖们他们的助手们之上盘旋,他们擅长逆向转化。牧师的存活率为50%。与此同时,一些djinn来看看发生了什么。《卡米诺》中的黑白耶稣似乎很震惊。(2021)-乌马尔·拉希德(两根羽毛)

英文名称:In the House of the Bear, the Jaguar, and the Crocodile, The Triumvirate. Or, the miracle at the Californian Alhambra. The rebel leaders hover above their acolytes adept in the ways of reverse conversion. The priests have a 50 percent survival rate. Meanwhile, some djinn show up to see what’s going on. Black and White Jesus in the El Camino appear shocked. (2021)-Umar Rashid (Frohawk Two Feathers)

97. 塔图因的双彩虹(开普勒16b):缩短的时间线抑制了我们对我们是谁、哪里和为什么的理解(2021) by George Bolster 高清作品[28%]

The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)

材质 :Jacquard tapestry 尺寸 :396.2 × 487.7 × 0.6 cm Textile Arts

塔图因的双彩虹(开普勒16b):缩短的时间线抑制了我们对我们是谁、哪里和为什么的理解(2021)-乔治·波姆(Irish, b. 1972)

英文名称:The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)-George Bolster