94. 亲爱收藏家:5年后,这件作品将自动销毁(就像你最喜欢Banksy作品一样)(2021年) by Tom Volkaert 高清作品[24%]

Dear collector in 5 years this piece will auto destruct (like your favourite Banksy piece) (2021)

材质 :Ceramics and spraypaint 尺寸 :30 × 42 × 21 cm Sculpture

图片文件尺寸 : 5630 x 4332px

亲爱收藏家:5年后,这件作品将自动销毁(就像你最喜欢Banksy作品一样)(2021年)-汤姆·沃尔科特(Belgian, b. 1989)

英文名称:Dear collector in 5 years this piece will auto destruct (like your favourite Banksy piece) (2021)-Tom Volkaert

95. 哈姆雷特与国王祈祷我不能我话飞起来,我思想留在下面没有思想话,永远不会去天堂&; 第三幕第三场` Hamlet and the King ;Pray I can not. – My words fly up, My thoughts remain below; Words without Thoughts, never to heaven go. Act III, Scene 3 by William Quiller Orchardson 高清作品[23%]

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Hamlet and the King ;Pray I can not. – My words fly up, My thoughts remain below; Words without Thoughts, never to heaven go. Act III, Scene 3-

图片文件尺寸: 3195 x 4480px

哈姆雷特与国王祈祷我不能我话飞起来,我思想留在下面没有思想话,永远不会去天堂&; 第三幕第三场-威廉·奎勒果园

~ Hamlet and the King ;Pray I can not. – My words fly up, My thoughts remain below; Words without Thoughts, never to heaven go. Act III, Scene 3--William Quiller Orchardson (Scottish, 1832–1910)

96. 哈姆雷特与国王祈祷我不能我话飞起来,我思想留在下面没有思想话,永远不会去天堂; 第三幕第三场` Hamlet and the King Pray I can not. – My words fly up, My thoughts remain below; Words without Thoughts, never to heaven go. Act III, Scene 3 by William Quiller Orchardson 高清作品[23%]

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Hamlet and the King Pray I can not. – My words fly up, My thoughts remain below; Words without Thoughts, never to heaven go. Act III, Scene 3-

图片文件尺寸: 3195 x 4480px

哈姆雷特与国王祈祷我不能我话飞起来,我思想留在下面没有思想话,永远不会去天堂; 第三幕第三场-威廉·奎勒果园

~ Hamlet and the King Pray I can not. – My words fly up, My thoughts remain below; Words without Thoughts, never to heaven go. Act III, Scene 3--William Quiller Orchardson (Scottish, 1832–1910)

99. 思想家,思想家`Le Penseur, The Thinker by Auguste Rodin 高清作品[23%]

AF-Le Penseur, The Thinker

图片文件尺寸: 8186×9800 px

思想家,思想家-奥古斯特·罗丁

-The Thinker was originally conceived not in heroic isolation, but as part of Rodin\'s monumental Gates of Hell—a pair of bronze doors intended for a museum of decorative arts in Paris. Although the doors were never cast during the sculptor\'s lifetime, they nevertheless provided Rodin a rich source of ideas for individual figures and groups that he worked and reworked for the rest of his career.
The theme for Gates of Hell was taken from Dante\'s Inferno, and this figure, planned for the lintel on top, was initially conceived as the poet himself. His nudity, though, marked him as a universal embodiment of every poet—every creator—who draws new life from the imagination. In the late 1880s Rodin began to exhibit the figure, sometimes with the title Poet, other times as Poet/Thinker. By 1896, however, it had become simply The Thinker, a still more universal image that reveals in physical terms the mental effort and even anguish of creativity. As Rodin himself described: \"What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes.\"
Rodin\'s Thinker exists today in many casts and sizes. More than fifty are known in this size—which is the size of Rodin\'s original handmade clay model.