93. Jazzy Jay的罗兰TR-727软件节奏合成器，由Jazzy Jay在12“版本的LL Cool J上编程；《摇滚钟声》（1985年，由里克·鲁宾制作）由爵士杰伊借给里克·鲁宾，用于制作《Beastie男孩》的首张专辑《Hold it，Now Hit it》（1986年），该专辑由Ill授权发行 - [爵士杰伊] 高清作品[18%]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy Jay]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy-Jay]
（Jazzy Jay的罗兰TR-727软件节奏合成器，由Jazzy Jay在12“版本的LL Cool J上编程；《摇滚钟声》（1985年，由里克·鲁宾制作）由爵士杰伊借给里克·鲁宾，用于制作《Beastie男孩》的首张专辑《Hold it，Now Hit it》（1986年），该专辑由Ill授权发行-[爵士杰伊]）

94. 位于萨默塞特的海丝特康贝的罗杰·沃伦二世（约1595-1641年）的全身画像，穿着一件绣有金线的黑色紧身上衣，穿着红黑相间的披肩和深红色的软管，站在桌子旁，左手拿着帽子，右手拿着白手套，约1620-1625年 by English School, 17th Century 高清作品[17%]

Full length portrait of Roger Warre II (c. 1595 – 1641) of Hestercombe in Somerset, dressed in a richly embroidered doublet of black with gold thread, a red and black cape and crimson hose, standing by a table holding a hat in his left hand and his white gloves in his right, ca. 1620-25

材质 :Oil on canvas 尺寸 :199.3 × 127 cm Painting

位于萨默塞特的海丝特康贝的罗杰·沃伦二世（约1595-1641年）的全身画像，穿着一件绣有金线的黑色紧身上衣，穿着红黑相间的披肩和深红色的软管，站在桌子旁，左手拿着帽子，右手拿着白手套，约1620-1625年-英国学校，17世纪()

英文名称:Full length portrait of Roger Warre II (c. 1595 – 1641) of Hestercombe in Somerset, dressed in a richly embroidered doublet of black with gold thread, a red and black cape and crimson hose, standing by a table holding a hat in his left hand and his white gloves in his right, ca. 1620-25-English School, 17th Century

95. 他曾在悉尼的大多数商业画廊工作过，在仓库的后面发现过几次，但在2000，他告诉我这并不奇怪，这只是Margaret Olley和Vivienne Binns在他的手机画上的照片，而不是他周围的废话，2021。 by Dale Frank 高清作品[16%]

He has worked for most of the commercial galleries in Sydney and has been found more than a few times masterbating in the back of stockrooms but in 2000 he told me it was not weird, it was only to pictures on his phone of paintings by Margaret Olley and Vivienne Binns, not the crap around him, 2021

材质 :Colour pigments in easycast resin, epoxyglass, on Perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

他曾在悉尼的大多数商业画廊工作过，在仓库的后面发现过几次，但在2000，他告诉我这并不奇怪，这只是Margaret Olley和Vivienne Binns在他的手机画上的照片，而不是他周围的废话，2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:He has worked for most of the commercial galleries in Sydney and has been found more than a few times masterbating in the back of stockrooms but in 2000 he told me it was not weird, it was only to pictures on his phone of paintings by Margaret Olley and Vivienne Binns, not the crap around him, 2021-Dale Frank

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