93. Howie伊莉斯来自格林奥克大街达林点,在过去20年里,每复活节参观了10天,罗斯科俱乐部自然主义营地在弗雷曼斯水坑里他们双胞胎儿子,悉尼房地产经纪人,埃米尔Rubin,2021岁。 by Dale Frank 高清作品[24%]

Howie and Elise from the Darling Point high side of Greenoaks Avenue have for the last 20 years visited for 10 days each Easter the Rosco Club naturist camp at Freemans Waterholes with their twin sons, Sydney real estate agents, Emile and Rubin, 2021

材质 :Interference colour pigment in Easycast, Epoxyglass, on Perspex 尺寸 :200 × 150 cm Painting

图片文件尺寸 : 5630 x 4332px

Howie伊莉斯来自格林奥克大街达林点,在过去20年里,每复活节参观了10天,罗斯科俱乐部自然主义营地在弗雷曼斯水坑里他们双胞胎儿子,悉尼房地产经纪人,埃米尔Rubin,2021岁。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Howie and Elise from the Darling Point high side of Greenoaks Avenue have for the last 20 years visited for 10 days each Easter the Rosco Club naturist camp at Freemans Waterholes with their twin sons, Sydney real estate agents, Emile and Rubin, 2021-Dale Frank

96. 私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年) by Kirill Savchenkov 高清作品[24%]

the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)

材质 :Mixed media sculpture 尺寸 :56 × 20 × 15 cm Sculpture

私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)-Kirill Savchenkov

97. 弗兰克·韦德金德(Frank Wedekind)《老求婚者》(The old Suiter)阿尔弗雷德·库宾(Alfred Kubin,1887-1959)六幅平版画(The 6-litrographs),这是一幅迄今为止古典现代主义绘画` by Der greise Freier von Frank Wedekind mit 6 Lithografien von Alfred Kubin (1887-1959), 高清作品[24%]

DO-Der greise Freier von Frank Wedekind mit 6 Lithografien von Alfred Kubin (1887-1959), - Malerei der Klassischen Moderne bis zur Gegenwart
图片文件像素:4800 x 3400 px

弗兰克·韦德金德(Frank Wedekind)《老求婚者》(The old Suiter)阿尔弗雷德·库宾(Alfred Kubin,1887-1959)六幅平版画(The 6-litrographs),这是一幅迄今为止古典现代主义绘画-

-

jeweils mit Bleistift signiert unten rechts: Kubin, Privatauflage, Nr. 142 von 200 Exemplaren, Titel und weitere kleine Lithos von A. Kubin, Verlag Franz Schneider, Berlin, Georg Müller, München, Format ca. 26 x 18,5 cm, stockfleckig Ruf 300