95. 对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年 by objet A.D 高清作品[27%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

96. 在艺术作品展上展出勃朗雕像的石膏模特` The exhibition of the plaster model of the statue of Rembrandt at the exhibition of works of art by living masters, at the Royal Academy of Art in Amsterdam in 1848. (1851) by living masters, at the Royal Academy of Art in Amsterdam in 1848. by Jan Baptist Tetar van Elven 高清作品[22%]

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The exhibition of the plaster model of the statue of Rembrandt at the exhibition of works of art by living masters, at the Royal Academy of Art in Amsterdam in 1848. (1851) -

图片文件尺寸: 2672 x 3364px

在艺术作品展上展出勃朗雕像的石膏-活着的大师,1848年在阿姆斯特丹皇家艺术学院。简·施洗者泰塔·范·埃尔文

` The exhibition of the plaster model of the statue of Rembrandt at the exhibition of works of art by living masters, at the Royal Academy of Art in Amsterdam in 1848. (1851) --Jan Baptist Tetar van Elven (荷兰艺术家, 1805-1889)