91. 艺术家的贵宾犬她妈妈狮子一样剪短了头发` The Poodle Of The artist ;s Mother Clipped Like A Lion by Pierre-Charles-Marie Princeteau 高清作品[38%]

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The Poodle Of The artist ;s Mother Clipped Like A Lion-

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~ The Poodle Of The artist ;s Mother Clipped Like A Lion--Pierre-Charles-Marie Princeteau (法国艺术家, 1843- 1914),Pierre-Charles-Marie Princeteau

艺术家的贵宾犬她妈妈狮子一样剪短了头发-皮埃尔·查尔斯·玛丽·普林塞托

~ The Poodle Of The artist ;s Mother Clipped Like A Lion--Pierre-Charles-Marie Princeteau (法国艺术家, 1843- 1914)

93. 我是喜欢就夜总会一样。哦,悲伤的容器,哦,伟大的沉默(我爱你,就我爱夜空的穹顶一样,哦,悲伤的容器,哦,沉默的女人)` Je tadore a legal de la voute nocturne. O vase de tristesse, o grande taciturne (I adore you as I adore the vault of the night sky, O vessel of sadness, O tall silent woman) (1890) by Odilon Redon 高清作品[38%]


Je tadore a legal de la voute nocturne. O vase de tristesse, o grande taciturne (I adore you as I adore the vault of the night sky, O vessel of sadness, O tall silent woman) (1890) -

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我是喜欢就夜总会一样。哦,悲伤的容器,哦,伟大的沉默(我爱你,就我爱夜空的穹顶一样,哦,悲伤的容器,哦,沉默的女人)-奥迪隆·雷登

Je tadore a legal de la voute nocturne. O vase de tristesse, o grande taciturne (I adore you as I adore the vault of the night sky, O vessel of sadness, O tall silent woman) (1890) --Odilon Redon (法国艺术家, 1840-1916)

94. 我是喜欢就夜总会一样。哦,悲伤的容器,哦,伟大的沉默(我爱你,就我爱夜空的穹顶一样,哦,悲伤的容器,哦,沉默的女人)` Je tadore a legal de la voute nocturne. O vase de tristesse, o grande taciturne (I adore you as I adore the vault of the night sky, O vessel of sadness, O tall silent woman) (1890) by Odilon Redon 高清作品[38%]

~
Je tadore a legal de la voute nocturne. O vase de tristesse, o grande taciturne (I adore you as I adore the vault of the night sky, O vessel of sadness, O tall silent woman) (1890) -

图片文件尺寸: 3037 x 4000px

我是喜欢就夜总会一样。哦,悲伤的容器,哦,伟大的沉默(我爱你,就我爱夜空的穹顶一样,哦,悲伤的容器,哦,沉默的女人)-奥迪隆·雷登

~ Je tadore a legal de la voute nocturne. O vase de tristesse, o grande taciturne (I adore you as I adore the vault of the night sky, O vessel of sadness, O tall silent woman) (1890) --Odilon Redon (法国艺术家, 1840-1916)

97. 澗聲系列:A:記得我的腳從地面抬起時;B:河流一樣;C:山澗聲;D:光琳金(四幅作品) 感性系列:答:我记得我的脚轻轻地离开地面的时候——科林菊花;B:河流一样流动;C:山间溪流的声音;D:Korin Gold(四件作品) - 村上隆-Takashi-Murakami- 高清作品[37%]

 澗聲系列:A: 記得我的腳從地面抬起時;B:<em>像</em>河流一樣;C:山澗聲;D:光琳金(四幅作品) Kansei Series: A: I Recall The Time When My Feet Lifted Off The Ground, Ever So Slightly- Korin Chrysanthemum; B: Like The Rivers Flow; C: Voice of the Mountain Stream; D: Korin Gold (four works)-村上隆-Takashi-Murakami-

澗聲系列:A: 記得我的腳從地面抬起時;B:河流一樣;C:山澗聲;D:光琳金(四幅作品) Kansei Series: A: I Recall The Time When My Feet Lifted Off The Ground, Ever So Slightly- Korin Chrysanthemum; B: Like The Rivers Flow; C: Voice of the Mountain Stream; D: Korin Gold (four works)-村上隆-Takashi-Murakami-
(澗聲系列:A:記得我的腳從地面抬起時;B:河流一樣;C:山澗聲;D:光琳金(四幅作品) 感性系列:答:我记得我的脚轻轻地离开地面的时候——科林菊花;B:河流一样流动;C:山间溪流的声音;D:Korin Gold(四件作品)-村上隆-Takashi-Murakami-)

99. 巴勃罗·加索(PABLO PICASSO)拿着一个农牧神的剪影,另一个农牧神坐在摇椅上。在巴勃罗·加索身后,有两幅画创作于1956年。加利福尼亚州洛杉矶,戛纳,1956年 - 爱德华·奎因-- 高清作品[36%]

  PABLO PICASSO HOLDING A CUTOUT FIGURE OF A FAUN, WITH ANOTHER FAUN SEATED ON THE ROCKING CHAIR. BEHIND PABLO PICASSO, TWO PAINTINGS DONE IN 1956. LA CALIFORNIE, CANNES, 1956-EDWARD-QUINN--

PABLO PICASSO HOLDING A CUTOUT FIGURE OF A FAUN, WITH ANOTHER FAUN SEATED ON THE ROCKING CHAIR. BEHIND PABLO PICASSO, TWO PAINTINGS DONE IN 1956. LA CALIFORNIE, CANNES, 1956-EDWARD-QUINN--
(巴勃罗·加索(PABLO PICASSO)拿着一个农牧神的剪影,另一个农牧神坐在摇椅上。在巴勃罗·加索身后,有两幅画创作于1956年。加利福尼亚州洛杉矶,戛纳,1956年-爱德华·奎因--)

100. 冬季驾驶就一头背着钢琴、穿着溜冰鞋的大象一样危险` Winter driving is as perilous as an elephant on ice skates with a piano strapped to its back by National Institutes of Health 高清作品[35%]

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Winter driving is as perilous as an elephant on ice skates with a piano strapped to its back-

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冬季驾驶就一头背着钢琴、穿着溜冰鞋的大象一样危险-美国国立卫生研究院

~ Winter driving is as perilous as an elephant on ice skates with a piano strapped to its back--National Institutes of Health (美国艺术家, 1887-)