91. 伟大的黑水是我的名字。我的形态是凯普里的形态,阿图姆的叶子。重复我以一个无知的人的身份进入;我以akh的身份出发了。[一] 将以我的形式永远被视为人类。”索贝克莫斯纸莎草提取物 - 佐赫拉·奥波克 高清作品[26%]

Great Black Water is my name. My forms (are) the forms of Khepri, the foliage of Atum. Repeat. I entered as one who was ignorant; I have gone forth as an akh. [I] shall be seen in my form as a human forever.’ Extract from The Papyrus of Sobekmose-Zohra-Opoku

Great Black Water is my name. My forms (are) the forms of Khepri, the foliage of Atum. Repeat. I entered as one who was ignorant; I have gone forth as an akh. [I] shall be seen in my form as a human forever.’ Extract from The Papyrus of Sobekmose-Zohra-Opoku
(伟大的黑水是我的名字。我的形态是凯普里的形态,阿图姆的叶子。重复我以一个无知的人的身份进入;我以akh的身份出发了。[一] 将以我的形式永远被视为人类。”索贝克莫斯纸莎草提取物-佐赫拉·奥波克)

92. 如果新世界是我的。加州的万德罗斯。坐在门廊上啜饮,好像没有明天,就在我们把狗屎烧成灰烬之前。(2016) by Umar Rashid (Frohawk Two Feathers) 高清作品[25%]

If the New World were mine. Vandrossing in Califas. Sitting, and sipping on that stoop like there was no tomorrow, right before we burned that shit to the ground. (2016)

材质 :Acrylic, ink, coffee and tea, on paper 尺寸 :111.8 × 142.2 cm Painting

如果新世界是我的。加州的万德罗斯。坐在门廊上啜饮,好像没有明天,就在我们把狗屎烧成灰烬之前。(2016)-乌马尔·拉希德(两根羽毛)(American, b. 1976)

英文名称:If the New World were mine. Vandrossing in Califas. Sitting, and sipping on that stoop like there was no tomorrow, right before we burned that shit to the ground. (2016)-Umar Rashid (Frohawk Two Feathers)

94. \\卢克·安东尼说:“在澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你是同性恋时,会有一种双重隔绝的感觉。在澳大利亚海滩看到标志性的冲浪救生员,是我第一次看到我能够性感化的男性身体图像之一。”,他们第一次性交是在太平洋的波涛中。(2018年) by Jamil Hellu 高清作品[24%]

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

\\卢克·安东尼说:“在澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你是同性恋时,会有一种双重隔绝的感觉。在澳大利亚海滩看到标志性的冲浪救生员,是我第一次看到我能够性感化的男性身体图像之一。”,他们第一次性交是在太平洋的波涛中。(2018年)-Jamil灯

英文名称:\\\"Growing up in Australia I really felt isolated from the rest of the world. In a sense, there\'s a feeling of double isolation when you\'re gay. The sight of the iconic surf lifesavers at Aussie beaches was one of the first images of the male body available to me that I was able to sexualize,\\\" says Luke Anthony, whose first sexual encounters were amongst the waves of the Pacific. (2018) | Available for Sale-Jamil Hellu

95. 奎因和的封面碎片这是我的床。对这幅画的研究芭芭拉·拉齐维之死作者:Józef Simmler` Fragment of the Cover of Quinns Bed. Study to the Painting ;The Death of Barbara Radziwiłł (before 1860) by Józef Simmler 高清作品[21%]

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Fragment of the Cover of Quinns Bed. Study to the Painting ;The Death of Barbara Radziwiłł (before 1860) -

图片文件尺寸: 3661 x 3876px

奎因和的封面碎片这是我的床。对这幅画的研究芭芭拉·拉齐维之死作者:Józef Simmler-Józef Simmler

~ Fragment of the Cover of Quinns Bed. Study to the Painting ;The Death of Barbara Radziwiłł (before 1860) --Józef Simmler (波兰画家, 1823-1868)

100. 死亡;是我让你认真的;拥抱我们![死亡;是我让你认真;让我们拥抱!]。(1896年) by Odilon Redon 高清作品[18%]

La Mort; C’est moi qui te rends sérieuse; Enlaçons-nous! [Death; It is I who makes you serious; Let’s embrace!]. (1896)

材质 :Lithograph on paper 尺寸 :28.7 × 21.3 cm Print

死亡;是我让你认真的;拥抱我们![死亡;是我让你认真;让我们拥抱!]。(1896年)-奥迪隆·雷登(French, 1840–1916)

英文名称:La Mort; C’est moi qui te rends sérieuse; Enlaçons-nous! [Death; It is I who makes you serious; Let’s embrace!]. (1896)-Odilon Redon