93. 矿工在废弃的中国大院中的铺位,之所以这样称呼,因为它可能在1904年至1910年间安置了契约中国劳工。在20世纪50年代被遗弃之前,黑人矿工住在这里。小火和杰克金矿,杰米斯顿。1965年7月,1965年 by David Goldblatt 高清作品[24%]

Miner\'s bunks in the abandoned Chinese compound, so called because it probably housed indentured Chinese labourer between 1904 and 1910. Before its abandonment in the 1950s, Black miners were accomodated here. Simmer and Jack Gold Mine, Germiston. July 1965, 1965

材质 :Silver gelatin photograph on fibre-based paper 尺寸 :55 × 44.5 cm Photography

图片文件尺寸 : 5630 x 4332px

矿工在废弃的中国大院中的铺位,之所以这样称呼,因为它可能在1904年至1910年间安置了契约中国劳工。在20世纪50年代被遗弃之前,黑人矿工住在这里。小火和杰克金矿,杰米斯顿。1965年7月,1965年-大卫·戈德布拉特(South African, 1930–2018)

英文名称:Miner\'s bunks in the abandoned Chinese compound, so called because it probably housed indentured Chinese labourer between 1904 and 1910. Before its abandonment in the 1950s, Black miners were accomodated here. Simmer and Jack Gold Mine, Germiston. July 1965, 1965-David Goldblatt

94. 何塞·德·阿雷亚诺(Joséde Arellano)一幅静物画,在石基座上放着一篮郁金香、康乃馨和其他花朵` A Still Life With A Basket Of Tulips, Carnations And Other Flowers On A Stone Plinth by José de Arellano 高清作品[24%]

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A Still Life With A Basket Of Tulips, Carnations And Other Flowers On A Stone Plinth-

图片文件尺寸: 4000 x 2864px

何塞·德·阿雷亚诺(Joséde Arellano)一幅静物画,在石基座上放着一篮郁金香、康乃馨和其他花朵-何塞·德·阿雷亚诺

~ A Still Life With A Basket Of Tulips, Carnations And Other Flowers On A Stone Plinth--José de Arellano (Spanish, 1665-1710)

95. 路易丝·莫伊隆(Louise Moillon)在中国明朝的一件斗篷瓷器上画着桃子的静物画` Still life with peaches in a chinese ming porcelain on an entablature (1629) by Louise Moillon 高清作品[24%]

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Still life with peaches in a chinese ming porcelain on an entablature (1629) -

图片文件尺寸: 3660 x 2566px

路易丝·莫伊隆(Louise Moillon)在中国明朝的一件斗篷瓷器上画着桃子的静物画-路易丝·莫隆

~ Still life with peaches in a chinese ming porcelain on an entablature (1629) --Louise Moillon (法国艺术家, 1610 - 1696)

96. 一幅骑术肖像画,画的一名骑兵卫队第1大队的军官,骑在一辆战车上,右边一名骑兵` An equestrian portrait of an officer of the 1st troop of horse grenadier guards on a bay charger, with a trooper to the right by David Morier 高清作品[24%]

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An equestrian portrait of an officer of the 1st troop of horse grenadier guards on a bay charger, with a trooper to the right-

图片文件尺寸: 2913 x 3660px

一幅骑术肖像画,画的一名骑兵卫队第1大队的军官,骑在一辆战车上,右边一名骑兵-大卫·莫里尔

` An equestrian portrait of an officer of the 1st troop of horse grenadier guards on a bay charger, with a trooper to the right--David Morier (瑞士画家, 1705–1770)

97. 一幅优雅的家族肖像,传统上被认为约翰·哈钦森上校(1616-1664)及其家人` An Elegant Family Portrait, Traditionally Identified As Colonel John Hutchinson (1616~1664) And His Family (1659) by Jürgen Ovens 高清作品[24%]

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An Elegant Family Portrait, Traditionally Identified As Colonel John Hutchinson (1616~1664) And His Family (1659) -

图片文件尺寸: 3660 x 2793px

一幅优雅的家族肖像,传统上被认为约翰·哈钦森上校(1616-1664)及其家人-约根烤箱

~ An Elegant Family Portrait, Traditionally Identified As Colonel John Hutchinson (1616~1664) And His Family (1659) --Jürgen Ovens (德国艺术家, 1623-1678)

99. 19世纪后半叶的一组镀金青铜和中国瓷器,归梅森·莱斯卡利耶·德·克里斯塔尔所有 - A-gilt-Brown-and-Chinese-Celler-group-second-半月-19世纪归因于Maison-l#x27;克里斯塔尔酒店 高清作品[24%]

A gilt-bronze and Chinese porcelain group, second half 19th century, attributed to Maison lEscalier de Cristal-A-gilt-bronze-and-Chinese-porcelain-group-second-half-19th-century-attributed-to-Maison-l#x27;Escalier-de-Cristal

A gilt-bronze and Chinese porcelain group, second half 19th century, attributed to Maison lEscalier de Cristal-A-gilt-bronze-and-Chinese-porcelain-group-second-half-19th-century-attributed-to-Maison-l#x27;Escalier-de-Cristal
(19世纪后半叶的一组镀金青铜和中国瓷器,归梅森·莱斯卡利耶·德·克里斯塔尔所有-A-gilt-Brown-and-Chinese-Celler-group-second-半月-19世纪归因于Maison-l#x27;克里斯塔尔酒店)

100. 在l\'039号发现一幅古画的碎片1689年,在圣塞巴斯蒂亚诺门外的一座维吉纳教堂,与多明·库瓦迪斯对面。` Frammento di una pittura antica soperto lanno 1689 in una vigina fuori della porta San Sebastiano dirincontro Domine quo vadis. (1783) by Pierre-Jean Mariette 高清作品[24%]

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Frammento di una pittura antica soperto lanno 1689 in una vigina fuori della porta San Sebastiano dirincontro Domine quo vadis. (1783) -

图片文件尺寸: 3808 x 2224px

在l\'039号发现一幅古画的碎片1689年,在圣塞巴斯蒂亚诺门外的一座维吉纳教堂,与多明·库瓦迪斯对面。-皮埃尔·让·马里特

~ Frammento di una pittura antica soperto lanno 1689 in una vigina fuori della porta San Sebastiano dirincontro Domine quo vadis. (1783) --Pierre-Jean Mariette (法国艺术家, 1694-1774)