Madame Lebasque à la guitare-Henri-Lebasque
(勒巴斯克夫人弹吉他-亨利·勒巴斯克)
92.
坐在钢琴旁的女士`
Lady Seated At A Piano (1886) by Charles Giron 高清作品[26%]
93.
来自榜样德雷(榜样三)的图片(2015年) by Marina Pinsky 高清作品[26%]
材质 :UV cured inkjet print on aluminum, UV cured inkjet print on laminated glass, steel, epoxy resin, and fiberglass, 68 3/8 × 96 × 29 3/4″ (173.7 × 243.8 × 75.6 cm),base 4 × 116 × 49 3/4″ (10.2 × 294.6 × 126.4 cm) 尺寸 :About the work Print
来自榜样德雷(榜样三)的图片(2015年)-玛丽娜·平斯基(Russian, b. 1986)
英文名称:Image from Role Model Drei (Role Model Three) (2015)-Marina Pinsky
94.
死亡头像上的图片,白色金字塔 - 西格玛·波尔克- 高清作品[26%]
95.
Flickr(2017)上日落图片的日落肖像 by Penelope Umbrico 高清作品[26%]
96.
弹道场I - 安东尼·葛姆雷 高清作品[26%]
97.
弹道场I - 安东尼·戈姆利 高清作品[26%]
98.
弹射器(2019) by Jim Waid 高清作品[26%]
99.
指弹吉他谱 - 5700×7072px 高清作品[26%]
图片文件尺寸 : 5700×7072 px
指弹吉他谱-Rainbow Chaser
-I\'ve been told
by those
young and old
Chasing rainbows
through storms and sunlight
is a lot easier
if you\'re
traveling
light.
Chasing Rainbows prose by Carol Cavalaris
A character made of colorful wisps, holding a giant bouquet of rainbow-colored balloons while running across a rainbow sky. This is a mixed medium abstract work combining alcohol ink and digital painting. Rainbow Chaser is from the Organica, as well as Rainbow Collection of art by Carol Cavalaris.
100.
钢琴家的左手,1910年`Left Hand of a Pianist, 1910 by Auguste Rodin 高清作品[26%]
图片文件尺寸: 6327×9000 px
钢琴家的左手,1910年-奥古斯特·罗丁
-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.