91. 皮带设计M.C.Nieuwbarn,Antoon van Dijck《人与大师》,继1903年他最著名作品之后的20幅照相版画` Bandontwerp voor; M.C. Nieuwbarn, Antoon van Dijck; de mensch en de meester, twintig photogravures naar zijne meest beroemde werken, 1903 (1904) by Carel Adolph Lion Cachet 高清作品[19%]

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Bandontwerp voor; M.C. Nieuwbarn, Antoon van Dijck; de mensch en de meester, twintig photogravures naar zijne meest beroemde werken, 1903 (1904) -

图片文件尺寸: 3660 x 4982px

皮带设计M.C.Nieuwbarn,Antoon van Dijck《人与大师》,继1903年他最著名作品之后的20幅照相版画-卡雷尔·阿道夫狮子纪念印

~ Bandontwerp voor; M.C. Nieuwbarn, Antoon van Dijck; de mensch en de meester, twintig photogravures naar zijne meest beroemde werken, 1903 (1904) --Carel Adolph Lion Cachet (荷兰艺术家, 1864 – 1945)

92. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年) by Jamil Hellu 高清作品[18%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

94. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[17%]

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Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

95. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[17%]

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Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

96. 一套四张的展览海报,分别小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报,1966b。di fontana工作室的ZERO Group海报,1965c。马可尼工作室的小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年 - 各种各样的艺术家 高清作品[17%]

A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967

  • Various Artists
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967
  • posters printed in colours
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967-VARIOUS-ARTISTS
    (一套四张的展览海报,分别小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报,1966b。di fontana工作室的ZERO Group海报,1965c。马可尼工作室的小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年-各种各样的艺术家)

    97. 《人民生活中的音乐》,第21页。7月20日下午在华沙著名指挥家菲特尔伯格歌剧院(Fitelberg Opera House,prices 1-5 Mk)主持波兰大师的作品。` Musik im Leben der Völker, am 21. Juli 20 Uhr dirigiert im Opernhaus Fitelberg, Warschaus berühmter Dirigent, Werke polnischer Meister, Preise 1–5 Mk. (1927) by Kurt Schwitters 高清作品[17%]

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Musik im Leben der Völker, am 21. Juli 20 Uhr dirigiert im Opernhaus Fitelberg, Warschaus berühmter Dirigent, Werke polnischer Meister, Preise 1–5 Mk. (1927) -

    图片文件尺寸: 3022 x 4096px

    《人民生活中的音乐》,第21页。7月20日下午在华沙著名指挥家菲特尔伯格歌剧院(Fitelberg Opera House,prices 1-5 Mk)主持波兰大师的作品。-维特斯

    ~ Musik im Leben der Völker, am 21. Juli 20 Uhr dirigiert im Opernhaus Fitelberg, Warschaus berühmter Dirigent, Werke polnischer Meister, Preise 1–5 Mk. (1927) --Kurt Schwitters (德国艺术家, 1887 - 1948)

    98. 微型画家托马斯·弗拉特曼(Thomas Flatman)一个年轻人,留着长长的鬈发,脖子上系着一条围巾` The miniature painter Thomas Flatman, as a young man with long ringlets and a scarf tied in a bow around his neck (1650 – 1678) by John Hayls 高清作品[17%]

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The miniature painter Thomas Flatman, as a young man with long ringlets and a scarf tied in a bow around his neck (1650 – 1678) -

    图片文件尺寸: 2048 x 2602px

    家托马斯·弗拉特曼(Thomas Flatman)一个年轻人,留着长长的鬈发,脖子上系着一条围巾-约翰·海尔斯

    ~ The miniature painter Thomas Flatman, as a young man with long ringlets and a scarf tied in a bow around his neck (1650 – 1678) --John Hayls (English, 1600–1679)

    99. 这幅画的构图片段王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长` Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) by Józef Simmler 高清作品[17%]

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Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) -

    图片文件尺寸: 3888 x 2898px

    这幅画的构图片段王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长-Józef Simmler

    ` Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) --Józef Simmler (波兰画家, 1823-1868)

    100. 这幅画的构图片段王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长` Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) by Józef Simmler 高清作品[17%]

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Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) -

    图片文件尺寸: 3888 x 2898px

    这幅画的构图片段王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长-Józef Simmler

    ~ Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) --Józef Simmler (波兰画家, 1823-1868)