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拉斐尔是19世纪的模仿者。在19世纪，19世纪的绘画。-

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麦当娜·德拉·塞迪亚（Madonna della Sedia），模仿拉斐尔（Raphael），油画画布，95 x 76厘米，镶框，（Rei）

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做一群鸽子中的火烈鸟-Be a Flamingo in a Flock of Pigeons

-Be a Flamingo in a Flock of Pigeons, watercolor pink flamingo

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麦当娜·利塔，模仿达芬奇-马格努斯·恩克尔

~ Madonna Litta, copy after Leonardo da Vinci (1896) --Magnus Enckell (Finnish, 1870-1925)

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Tiziano Vecellio，19世纪的模仿者。==参考===外部链接==*官方网站-

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（约1490年至1576年威尼斯圣劳伦斯烈士教堂，帆布油画，约225 x 130厘米，半圆形饰面，带有花叶装饰和牛眼边框的纪念性金框木框架，框架损坏，零件缺失，总尺寸：高约262厘米，宽约167厘米Ruf 3000

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Raffaello Sanzio da Urbino，复活节拍卖会上的模仿者-

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“丽城圣母玛利亚”，圣母玛利亚与孩子耶稣和孩子约翰坐在一起，风景中有湖泊和城堡，木板上有油，背面有拼花地板，约113 x 88厘米，部分镀金的雕刻刺五加叶框架Ruf 6.000

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一群裸体-卡尔·纽曼

` Group of Nudes--Carl Newman (美国艺术家, 1858-1932)

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一群舞者-埃德加·德加

-Group of Dancers (Oil on Canvas), by Edgar Degas

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一群白鹭-奥哈拉·科松

-Group of Egrets (illustration), by Ohara Koson

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一群鹤-冈野丸山

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一群鹤-石田裕泰

-Ishida Yutei was the teacher of Maruyama Okyo (1733–1795), the famous and influential champion of Western-influenced naturalism in Japan during the 18th century and founder of the Maruyama School. Although trained in the traditional Kano school methods, Yutei was typical of Kano artists of his time in adopting an eclectic approach to painting. Here, he combined the monumentality and stylization associated with Kano painting with the repetition of a single theme often seen in Rinpa school painting. While Yutei may have derived the postures of individual cranes from Kano instruction manuals, the idea of combining them all to depict an entire flock presages Okyo\'s interest in naturalism.