91. 研究一个年轻人弯腰亲吻一只手，为绘画浪子的离去` Study of a young man bending forward to kiss a hand, for the painting ;The Departure of the Prodigal Son (1862–63) by James Tissot 高清作品[17%]

~ Study of a young man bending forward to kiss a hand, for the painting ;The Departure of the Prodigal Son (1862–63) -

图片文件尺寸: 3536 x 2807px

研究一个年轻人弯腰亲吻一只手，为绘画浪子的离去-詹姆斯·迪索

~ Study of a young man bending forward to kiss a hand, for the painting ;The Departure of the Prodigal Son (1862–63) --James Tissot (法国艺术家, 1836-1902)

92. 研究一个年轻人弯腰亲吻一只手，为绘画浪子的离去` Study of a young man bending forward to kiss a hand, for the painting The Departure of the Prodigal Son (1862–63) by James Tissot 高清作品[17%]

~ Study of a young man bending forward to kiss a hand, for the painting The Departure of the Prodigal Son (1862–63) -

图片文件尺寸: 3536 x 2807px

研究一个年轻人弯腰亲吻一只手，为绘画浪子的离去-詹姆斯·迪索

~ Study of a young man bending forward to kiss a hand, for the painting The Departure of the Prodigal Son (1862–63) --James Tissot (法国艺术家, 1836-1902)

93. 天花板的装饰设计，带有trompe l一个封闭圆顶的oeil绘画` Design for the decoration of a ceiling with a trompe loeil painting of a coffered dome (1830–97) by Jules-Edmond-Charles Lachaise 高清作品[17%]

~ Design for the decoration of a ceiling with a trompe loeil painting of a coffered dome (1830–97) -

图片文件尺寸: 3321 x 3431px

天花板的装饰设计，带有trompe l一个封闭圆顶的oeil绘画-朱尔斯·爱德蒙·查尔斯·拉切斯

~ Design for the decoration of a ceiling with a trompe loeil painting of a coffered dome (1830–97) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)

94. 这是一个房间的设计，房间的木板上镶嵌着绘画，还有一扇雕刻精美的双开门` Design for a room with wood panels inset with paintings and a heavily~carved double door (1830–97) by Jules-Edmond-Charles Lachaise 高清作品[16%]

~ Design for a room with wood panels inset with paintings and a heavily~carved double door (1830–97) -

图片文件尺寸: 3708 x 2321px

这是一个房间的设计，房间的木板上镶嵌着绘画，还有一扇雕刻精美的双开门-朱尔斯·爱德蒙·查尔斯·拉切斯

~ Design for a room with wood panels inset with paintings and a heavily~carved double door (1830–97) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)

95. 他曾在悉尼的大多数商业画廊工作过，在仓库的后面发现过几次，但在2000，他告诉我这并不奇怪，这只是Margaret Olley和Vivienne Binns在他的手机画上的照片，而不是他周围的废话，2021。 by Dale Frank 高清作品[15%]

He has worked for most of the commercial galleries in Sydney and has been found more than a few times masterbating in the back of stockrooms but in 2000 he told me it was not weird, it was only to pictures on his phone of paintings by Margaret Olley and Vivienne Binns, not the crap around him, 2021

材质 :Colour pigments in easycast resin, epoxyglass, on Perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

他曾在悉尼的大多数商业画廊工作过，在仓库的后面发现过几次，但在2000，他告诉我这并不奇怪，这只是Margaret Olley和Vivienne Binns在他的手机画上的照片，而不是他周围的废话，2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:He has worked for most of the commercial galleries in Sydney and has been found more than a few times masterbating in the back of stockrooms but in 2000 he told me it was not weird, it was only to pictures on his phone of paintings by Margaret Olley and Vivienne Binns, not the crap around him, 2021-Dale Frank

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