7. 便携式三联十字架(中央面板);圣约翰浸信会捐赠者(左翼);安提阿圣玛格丽特捐赠者(右翼) - 归因于PIETER-CLAEISSENS-THE-ELDER-(1500-1576)和北荷兰学校-CIRCA-1550- 高清作品[60%]

 A PORTABLE TRIPTYCH: THE CRUCIFIXION (CENTRAL PANEL); DONATOR WITH ST JOHN THE BAPTIST (LEFT WING); DONATOR WITH ST MARGUERITE OF ANTIOCHE (RIGHT WING)-ATTRIBUTED-TO-PIETER-CLAEISSENS-THE-ELDER-(1500-1576)-AND-NORTH-NETHERLANDS-SCHOOL-CIRCA-1550-

A PORTABLE TRIPTYCH: THE CRUCIFIXION (CENTRAL PANEL); DONATOR WITH ST JOHN THE BAPTIST (LEFT WING); DONATOR WITH ST MARGUERITE OF ANTIOCHE (RIGHT WING)-ATTRIBUTED-TO-PIETER-CLAEISSENS-THE-ELDER-
(便携式三联十字架(中央面板);圣约翰浸信会捐赠者(左翼);安提阿圣玛格丽特捐赠者(右翼)-归因于PIETER-CLAEISSENS-THE-ELDER-(1500-1576)和北荷兰学校-CIRCA-1550-)

9. 法兰克福的祭坛,描绘了赫拉克利乌斯皇帝进入耶路撒冷时对真十字架的赞美` The Frankfurt Altarpiece of the Exaltation of the True Cross, Emperor Heraclius’ Entry into Jerusalem (1603 – 1605) by Adam Elsheimer 高清作品[57%]

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The Frankfurt Altarpiece of the Exaltation of the True Cross, Emperor Heraclius’ Entry into Jerusalem (1603 – 1605) -

图片文件尺寸: 3494 x 5181px

法兰克福的祭坛,描绘了赫拉克利乌斯皇帝进入耶路撒冷时对真十字架的赞美-亚当·埃尔斯海默

~ The Frankfurt Altarpiece of the Exaltation of the True Cross, Emperor Heraclius’ Entry into Jerusalem (1603 – 1605) --Adam Elsheimer (德国艺术家, 1578 - 1610)