象征性具象
男性形象。米开朗基罗之后s最后判决在西斯廷教堂`Male Figure. After Michelangelos Last Judgement in the Sistine Chapel (1774) by Nicolai Abraham Abildgaard
象征性具象
克里斯蒂安四世登上他的旗舰三位一体`Christian IV Aboard His Flagship the Trinity (1782) by Nicolai Abraham Abildgaard
历史
1474年，克里斯蒂安一世宣布荷尔斯泰因为公爵领地。为克里斯蒂安堡城堡绘制`Christian I Proclaiming Holstein a Duchy in 1474. Painted for Christiansborg Castle (1780) by Nicolai Abraham Abildgaard
神话
福蒂斯看到她的情人卢修斯从阿佩莱乌斯变成了一头驴金驴记`Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass (1809) by Nicolai Abraham Abildgaard
素描
对试图隐藏自己的男性裸体（阿尔泰美涅）的研究`Study of a Male Nude (Althaemenes) Trying to Hide Himself by Nicolai Abraham Abildgaard
新古典主义
波图族的胜利，他们的改革方案已经获得批准`The Triumph of a Potuan, whose Reform Proposal has been Approved (1785 – 1787) by Nicolai Abraham Abildgaard
新古典主义
医生的妻子透露了她丈夫解剖尼尔斯·克里姆的意图`The Doctor´s Wife Reveals her Husband´s Intention of Anatomising Niels Klim (1785 – 1787) by Nicolai Abraham Abildgaard
新古典主义
学习的复兴，印刷术和火药的发明，以及美国的发现`The Revival of Learning, the Invention of Printing and Gunpowder and the Discovery of America (1784) by Nicolai Abraham Abildgaard
新古典主义
提布卢斯在他心爱的人门外哀叹`Tibullus Lamenting outside the Door of his Beloved (1808) by Nicolai Abraham Abildgaard
新古典主义
西莫和他的前奴隶索西亚。来自特伦斯的安德里亚。`Simo and his former slave Sosia. From Terence´s Andria. (1803) by Nicolai Abraham Abildgaard
新古典主义
伊斯梅尔和安托戈内向特修斯求情`Ismene and Antogone Plead with Theseus (1790 – 1799) by Nicolai Abraham Abildgaard
