新古典主义
提布卢斯在他心爱的人门外哀叹`Tibullus Lamenting outside the Door of his Beloved (1808) by Nicolai Abraham Abildgaard
新古典主义
西莫和他的前奴隶索西亚。来自特伦斯的安德里亚。`Simo and his former slave Sosia. From Terence´s Andria. (1803) by Nicolai Abraham Abildgaard
新古典主义
芬格尔看到了他祖先的鬼魂`Fingal Sees the Ghosts of his Forefathers by Moonlight (1780 – 1784) by Moonlight by Nicolai Abraham Abildgaard
新古典主义
伊斯梅尔和安托戈内向特修斯求情`Ismene and Antogone Plead with Theseus (1790 – 1799) by Nicolai Abraham Abildgaard
新古典主义
克里斯蒂安四世登上他的旗舰#三位一体`Christian IV Aboard His Flagship ;the Trinity (1782) by Nicolai Abraham Abildgaard
新古典主义
助产士向安德罗斯的女孩告别。来自特伦斯的安德里亚`The Midwife Taking Leave of the girl from Andros. From Terence´s Andria (1801) by Nicolai Abraham Abildgaard
新古典主义
哈姆雷特和他的母亲。Shakspeare和的一集哈姆雷特`Hamlet and his Mother. Episode from Shakspeares Hamlet (1776 – 1779) by Nicolai Abraham Abildgaard
新古典主义
奴隶达沃斯和女仆迈西斯。来自特伦斯的安德里亚。`The Slave Davus and the Maid Mysis. From Terence´s Andria. (1804) by Nicolai Abraham Abildgaard
新古典主义
1660年分配给腓特烈三世的绝对君主制`Absolute Monarchy Assigned to Frederik III in 1660 (1783) by Nicolai Abraham Abildgaard
美国
Amfortas研究报告发布`Study for Amfortas Released by Galahad, in The Quest and Achievement of the Holy Grail (ca. 1893–1901) by Galahad, in The Quest and Achievement of the Holy Grail by Edwin Austin Abbey
神话
尼尔斯·克里姆受到奎米特人的尊敬`Niels Klim Receives the Homage of the Quamites (1785 – 1789) by Nicolai Abraham Abildgaard
新古典主义
福蒂斯看到她的情人卢修斯从阿佩莱乌斯变成了一头驴金驴记`Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass (1809) by Nicolai Abraham Abildgaard
新古典主义
从路德维格·霍尔伯格的《尼尔斯·克里姆的地下世界之旅》`From Ludvig Holbergs´s The Journey of Niels Klim to The World Underground (1785 – 1787) by Nicolai Abraham Abildgaard
新古典主义
希腊诗人萨福和来自米蒂琳的女孩`The Greek Poet Sappho and the Girl from Mytilene (1809) by Nicolai Abraham Abildgaard
音乐
波图族的胜利，他们的改革方案已经获得批准`The Triumph of a Potuan, whose Reform Proposal has been Approved by Nicolai Abildgaard
新古典主义
阿波罗冲着帕卡号去探望从地球上逃走的谷神星`Apollo charging the Parcae to visit Ceres, who has fled from the Earth (1809) by Nicolai Abraham Abildgaard
