图片文件尺寸 : 2649 x 3879px

安德烈亚·普罗卡奇尼（Andrea Proccaccini）的《一位教皇坐上宝座，身边有一位拿着书的天使和圣迈克尔杀害土耳其人》-an angel with a book and St Michael slaying a Turk by Andrea Proccaccini

A pope enthroned and flanked--Andrea Proccaccini (意大利, 1671 – 1734)

图片文件尺寸 : 4109 x 4850px

David Hockney:Four Part Splinge, from Some New Prints (Museum of Contemporary Art Tokyo 334, Gemini 1606), 1993
Lithograph and screenprint in colors on four sheets of Arches 88 paper (as issued), signed in pencil, titled, dated and numbered 27/48 (there were also 14 artist\'s proofs) on the lower right panel, annotated \'first part\', \'second part\' and \'third part\' respectively on the remaining panels, with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, the full sheets, each framed.
sheets overall 49 x 66in (124.5 x 167.6cm)

大卫·霍克尼 来自一些新印刷品的四部分分割

图片文件尺寸 : 4121 x 4733px

Sam Francis:Left Panel of the Triptych, An Other Set - Y, from the Pasadena Box (Lembark L. 66, SF-80), 1964
Lithograph in colors on Kochi rice paper, signed in pencil and annotated \'artist proof\' (aside from the edition of 100), published by the Pasadena Art Museum, Pasadena, printed by Joseph Press, Los Angeles, the full sheet.
sheet 15 9/16 x 22 7/8in (39.5 x 58.1cm)

山姆·弗朗西斯 帕萨迪纳盒子中的三联画左面板，另一组-Y

图片文件尺寸 : 4642 x 5596px

Sam Francis:Center Panel of the Triptych, An Other Set - Y, from the Pasadena Box (Lembark L. 66, SF-75), 1964
Lithograph in colors on Kochi rice paper, signed in pencil and annotated \'artist proof\' (aside from the edition of 100), published by the Pasadena Art Museum, Pasadena, printed by Joseph Press, Los Angeles, the full sheet.
sheet 15 5/8 x 22 7/8in (39.7 x 58.1cm)

山姆·弗朗西斯 帕萨迪纳盒子中的另一组Y三联画的中心面板

图片文件尺寸 : 4250 x 4064px

Robert Rauschenberg:Sling-Shots Lit #3, from Sling-Shots Lit Series (Gemini G.E.L. 1175)
Lithograph and screenprint in colours on mylar sheets and sailcloth, set into a wooden lightbox with fluorescent light and moveable window shades, 1985, incised with signature, title and dated on a metal plaque affixed to the left side, from the edition of 25 (there were also seven artist\'s proofs), published by Gemini G.E.L., Los Angeles, in good overall condition

Overall 2146 x 1295 x 311mm. (84 1/2 x 50 3/4 x 12 1/4in.)

罗伯特·劳森伯格 Sling Shots Lit系列中的Sling Shot Lit#3

图片文件尺寸 : 4616 x 4247px

WALEAD BESHTY: RA4 Contact Print [Black Curl (CYM/Six Magnet: Los Angeles, California, August 29, 2013, Fuji Color Crystal Archive Super Type C, Em. No. 199-023, 21513), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174], 2014

color photographic paper

image: 107 3/4 x 50 in. (273.7 x 127 cm.)
framed: 109 1/4 x 51 1/2 x 2 1/2 in. (277.5 x 130.8 x 6.4 cm.)

威尔士人 RA4触点印刷[黑色卷曲，Kreonite KM IV 5225 RA4彩色处理器，序列号00092174]，2014

图片文件尺寸 : 4113 x 4201px

John Baldessari:Noses Ears Etc.: The Gemini Series: Two Faces, One With Nose and Military Ribbons; One With (Blue) Nose and Tie (Hurowitz 169), 2006
Screenprint in colors on Rives BFK and Lanaquarelle paper mounted to Sintra with Duramount archival adhesive, cut-out construction of three layers with hand-painted additions at profile edges, straight edges, signed in pencil, dated and numbered 25/45 (there were also 12 artist\'s proofs), published/printed by Gemini G.E.L., Los Angeles, contained in artist specified frame.
34 x 36 x 3/4in (86.4 x 91.4 x 1.9cm)
overall 34 3/4 x 36 3/4 x 3in (88.3 x 93.3 x 7.6cm)

约翰·巴尔代萨里 鼻子和耳朵等：双子系列：两张脸，一张带鼻子和军带有鼻子和领带的

图片文件尺寸 : 4207 x 4630px

SALVADOR DALÍ: Memories of Surrealism (Field 71-15-A-L), 1971
Complete portfolio comprising 12 etching, lithograph and drypoint in colors on Arches paper, loose as issued, each signed in pencil and numbered 23/175 (the total edition was 500), with title page, justification, text and introduction by Pierre Restany, published by Transworld Art, New York, printed by Ateliers Rigal, Paris and Ateliers Jobin, Lausanne, Switzerland, each with full margins, contained in original black paper covered portfolio stamped with gold title.
Titles Include: Angel of Dada Surrealism; Surrealist Flower Girl; Ultra Surrealist Corpuscular Galutska; Space Elephant; Surrealist King; The Eye of Surrealist Time; Surrealist Portrait of Dali surrounded by Butterflies; Dressed in the Nude in the Surrealist Fashion; Crazy, Crazy, Crazy Minerva; Caring for a Surrealist Watch; Surrealist Crutches; Surrealist Gastronomy (12 works)
each 20 3/4 x 16 5/8in (52.7 x 42.2cm)
each sheet 30 x 21 1/4in (76.2 x 53.9cm)

萨尔瓦多·达尔 超现实主义的记忆

图片文件尺寸 : 4242 x 3809px

NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).

FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.

纽伦堡编年史。 Liber chronicarum[德语：《克洛诺斯和故事书》]。纽伦堡：Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister，1493年12月23日。