82. 贝隆,皮埃尔。1517-1564. 奥赛奥克斯的自然历史,连同他们的描述和侏儒肖像画从自然中移除。巴黎:纪尧姆·卡韦拉特,1555年。 高清作品[45%]

L\'histoire de la nature des oyseaux, avec leurs descriptions,  naifs portraicts retirez du naturel.  Paris: Guillaume Cavellat, 1555.

图片文件尺寸 : 5224 x 5452px

BELON, PIERRE. 1517-1564.:L\'histoire de la nature des oyseaux, avec leurs descriptions, naifs portraicts retirez du naturel. Paris: Guillaume Cavellat, 1555.
Folio (320 x 218 mm). 7 parts in one volume. Woodcut printer\'s device on title and six sectional titles, woodcut portrait of Belon on title verso, two woodcuts of human and bird skeletons and 158 large woodcuts in text of birds by Pierre Gourdelle and others, numerous 11-line and smaller ornamental woodcut initials and head-pieces. Mid-18th-century vellum (endpapers watermarked 1742). Two leaves (l1 and g5) with repaired tears crossing text, some minor staining.

FIRST EDITION (Cavellat issue). One of the most important ornithological works of the Renaissance illustrated with beautiful woodcuts drawn from observation of live specimens. Belon, \"one of the founders of the renewed studies of birds ... mentions about two hundred different birds, mainly European, but some foreign. He made many original observations ... [also treating] anatomical and morphological conditions\" (Anker), whilst also drawing upon earlier writers such as Aristotle and Pliny. Schwerdt notes that the second part \"is interesting to falconers,\" the fine woodcut illustrations including a depiction of a falconer luring a bird, and several of owls, \"including the eagle owl, much used in hawking.\" Anker pp 9-10; BM/STC French p 46; Garrison-Morton-Norman 283 (Cavellat issue); Harvard/Mortimer French 50; Nissen IVB 86; Norman 180.

贝隆,皮埃尔。1517-1564. 奥赛奥克斯的自然历史,连同他们的描述和侏儒肖像画从自然中移除。巴黎:纪尧姆·卡韦拉特,1555年。

84. 巴勃罗·毕加索之后 一个盘子,来自Les肖像想象 高清作品[45%]

One Plate, from Les portraits imaginaires

图片文件尺寸 : 4703 x 3891px

After Pablo Picasso:One Plate, from Les portraits imaginaires, 1969
Lithograph in colors on Arches paper, with printed signature, as issued, numbered A 61/250, from the French edition (there was also an American edition), with the blindstamp of the publisher/printer, Éditions Cercle D\'art/Marcel Salinas, Paris, the full sheet.
sheet 25 7/8 x 19 3/4in (65.7 x 50.1cm)

巴勃罗·毕加索之后 一个盘子,来自Les肖像想象

85. 皮埃尔·奥古斯特·雷诺阿 站着洗澡中腿 高清作品[45%]

Baigneuse Debout à Mi-Jambes

图片文件尺寸 : 5252 x 5447px

Pierre-Auguste Renoir: Baigneuse Debout à Mi-Jambes (Delteil 23), 1910
Etching on wove paper, in the book by Theodore Duret, Manet and the French Impressionists, published by G. Richards, London, 1910, with full margins, with original paper overlay.
6 5/8 x 4 3/8in (16.8 x 11.1cm)
sheet 9 3/4 x 7 3/8in (24.5 x 16.6cm)

皮埃尔·奥古斯特·雷诺阿 站着洗澡中腿

88. 无 题 美国阿姆斯特丹:[1628]。 高清作品[45%]

America. Amsterdam: [1628].

图片文件尺寸 : 5183 x 4525px

:America. Amsterdam: [1628].
Hand-colored engraved map, 384 x 507 mm. French text on verso, seas decorated with ships and sea creatures and large inset scene of Brazilian natives. Vertical creases alongside centerfold. Framed.

A fine decorative map from the Golden Age of Dutch Cartography. Hondius used \"various scenes taken from the earlier volumes of de Bry\'s Grand Voyages to adorn the whole. Particularly notable is the native Brazilian scene illustrating the method used to make a local beverage.\" Burden Mapping of North America 150.

无 题 美国阿姆斯特丹:[1628]。

89. 萨尔瓦多·达尔 朗萨尔·卡桑德拉的爱 高清作品[45%]

RONSARD  Les amours de Cassandre

图片文件尺寸 : 5050 x 4332px

SALVADOR DALÍ: RONSARD (PIERRE DE) Les amours de Cassandre, one of 165 copies on Arches, from a total edition of 299, this copy numbered 237, SIGNED AND DATED BY THE ARTIST, letterpress text and justification in French, eighteen etchings some with drypoint, in- and hors-texte, loose (as issued), green cloth-covered portfolio and solander box with gilt stamped text and design [Michler-Lopsinger 248-265], folio (385 x 285mm.), Paris, Editions Argillet, 1968

萨尔瓦多·达尔 朗萨尔·卡桑德拉的爱

90. 巴勃罗·毕加索 钟形面 高清作品[44%]

Visage en forme d\'Horloge

图片文件尺寸 : 4274 x 4537px

PABLO PICASSO:Visage en forme d\'Horloge
stamped with the artist\'s signature and numbered \'Picasso 6/20\' and stamped with the silversmith\'s mark, the French assay mark for silver and numbered \'1425/4671\' (on the reverse)
silver repoussé plate with wooden presentation box
42.5cm (16 3/4). diameter
Conceived in 1956 and executed in silver by François and Pierre Hugo in a numbered edition of 20 plus two exemplaires d\'artiste, two exemplaires d\'auteur.

巴勃罗·毕加索 钟形面

french油画图片- 高清french绘画作品- 代表作全集 中艺名画下载


82. 贝隆,皮埃尔。1517-1564. 奥赛奥克斯的自然历史,连同他们的描述和侏儒肖像画从自然中移除。巴黎:纪尧姆·卡韦拉特,1555年。 高清作品[45%]

L\'histoire de la nature des oyseaux, avec leurs descriptions,  naifs portraicts retirez du naturel.  Paris: Guillaume Cavellat, 1555.

图片文件尺寸 : 5224 x 5452px

BELON, PIERRE. 1517-1564.:L\'histoire de la nature des oyseaux, avec leurs descriptions, naifs portraicts retirez du naturel. Paris: Guillaume Cavellat, 1555.
Folio (320 x 218 mm). 7 parts in one volume. Woodcut printer\'s device on title and six sectional titles, woodcut portrait of Belon on title verso, two woodcuts of human and bird skeletons and 158 large woodcuts in text of birds by Pierre Gourdelle and others, numerous 11-line and smaller ornamental woodcut initials and head-pieces. Mid-18th-century vellum (endpapers watermarked 1742). Two leaves (l1 and g5) with repaired tears crossing text, some minor staining.

FIRST EDITION (Cavellat issue). One of the most important ornithological works of the Renaissance illustrated with beautiful woodcuts drawn from observation of live specimens. Belon, \"one of the founders of the renewed studies of birds ... mentions about two hundred different birds, mainly European, but some foreign. He made many original observations ... [also treating] anatomical and morphological conditions\" (Anker), whilst also drawing upon earlier writers such as Aristotle and Pliny. Schwerdt notes that the second part \"is interesting to falconers,\" the fine woodcut illustrations including a depiction of a falconer luring a bird, and several of owls, \"including the eagle owl, much used in hawking.\" Anker pp 9-10; BM/STC French p 46; Garrison-Morton-Norman 283 (Cavellat issue); Harvard/Mortimer French 50; Nissen IVB 86; Norman 180.

贝隆,皮埃尔。1517-1564. 奥赛奥克斯的自然历史,连同他们的描述和侏儒肖像画从自然中移除。巴黎:纪尧姆·卡韦拉特,1555年。

84. 巴勃罗·毕加索之后 一个盘子,来自Les肖像想象 高清作品[45%]

One Plate, from Les portraits imaginaires

图片文件尺寸 : 4703 x 3891px

After Pablo Picasso:One Plate, from Les portraits imaginaires, 1969
Lithograph in colors on Arches paper, with printed signature, as issued, numbered A 61/250, from the French edition (there was also an American edition), with the blindstamp of the publisher/printer, Éditions Cercle D\'art/Marcel Salinas, Paris, the full sheet.
sheet 25 7/8 x 19 3/4in (65.7 x 50.1cm)

巴勃罗·毕加索之后 一个盘子,来自Les肖像想象

85. 皮埃尔·奥古斯特·雷诺阿 站着洗澡中腿 高清作品[45%]

Baigneuse Debout à Mi-Jambes

图片文件尺寸 : 5252 x 5447px

Pierre-Auguste Renoir: Baigneuse Debout à Mi-Jambes (Delteil 23), 1910
Etching on wove paper, in the book by Theodore Duret, Manet and the French Impressionists, published by G. Richards, London, 1910, with full margins, with original paper overlay.
6 5/8 x 4 3/8in (16.8 x 11.1cm)
sheet 9 3/4 x 7 3/8in (24.5 x 16.6cm)

皮埃尔·奥古斯特·雷诺阿 站着洗澡中腿

88. 无 题 美国阿姆斯特丹:[1628]。 高清作品[45%]

America. Amsterdam: [1628].

图片文件尺寸 : 5183 x 4525px

:America. Amsterdam: [1628].
Hand-colored engraved map, 384 x 507 mm. French text on verso, seas decorated with ships and sea creatures and large inset scene of Brazilian natives. Vertical creases alongside centerfold. Framed.

A fine decorative map from the Golden Age of Dutch Cartography. Hondius used \"various scenes taken from the earlier volumes of de Bry\'s Grand Voyages to adorn the whole. Particularly notable is the native Brazilian scene illustrating the method used to make a local beverage.\" Burden Mapping of North America 150.

无 题 美国阿姆斯特丹:[1628]。

89. 萨尔瓦多·达尔 朗萨尔·卡桑德拉的爱 高清作品[45%]

RONSARD  Les amours de Cassandre

图片文件尺寸 : 5050 x 4332px

SALVADOR DALÍ: RONSARD (PIERRE DE) Les amours de Cassandre, one of 165 copies on Arches, from a total edition of 299, this copy numbered 237, SIGNED AND DATED BY THE ARTIST, letterpress text and justification in French, eighteen etchings some with drypoint, in- and hors-texte, loose (as issued), green cloth-covered portfolio and solander box with gilt stamped text and design [Michler-Lopsinger 248-265], folio (385 x 285mm.), Paris, Editions Argillet, 1968

萨尔瓦多·达尔 朗萨尔·卡桑德拉的爱

90. 巴勃罗·毕加索 钟形面 高清作品[44%]

Visage en forme d\'Horloge

图片文件尺寸 : 4274 x 4537px

PABLO PICASSO:Visage en forme d\'Horloge
stamped with the artist\'s signature and numbered \'Picasso 6/20\' and stamped with the silversmith\'s mark, the French assay mark for silver and numbered \'1425/4671\' (on the reverse)
silver repoussé plate with wooden presentation box
42.5cm (16 3/4). diameter
Conceived in 1956 and executed in silver by François and Pierre Hugo in a numbered edition of 20 plus two exemplaires d\'artiste, two exemplaires d\'auteur.

巴勃罗·毕加索 钟形面