851. 阿塔纳修斯·基尔彻。1602-1680. 诺亚方舟,在三本消化书中。阿姆斯特丹:约翰内斯·扬索尼斯,1675年。 高清作品[25%]

Arca Noë, in Tres Libros Digesta.  Amsterdam: Johannes Janssonius, 1675.

图片文件尺寸 : 3910 x 5802px

KIRCHER, ATHANASIUS. 1602-1680. :Arca Noë, in Tres Libros Digesta. Amsterdam: Johannes Janssonius, 1675.
Folio (385 x 255 mm). Engraved additional title, engraved portrait of dedicatee Charles II of Spain by C. Decker, 19 engraved plates on 18 sheets (13 folding or double-page), 3 engraved maps (2 folding), numerous engraved illustrations and woodcuts to text throughout, including over 100 birds and animals, initials and tailpieces. Full green crushed morocco, gilt; occasional foxing and spotting, faint crease to lower corner throughout most of text block, one map remounted, in custom cloth slipcase. Note card with Vishniac\'s handwritten list of some of the animals depicted laid-in.

FIRST EDITION of Kircher\'s \"fanciful and speculative elucidation of the biblical story of the Flood. Kircher figures such specifics as the year of the Flood, the time form the first raindrop until Noah stepped out on dry land, the dimensions and shape of the ark (considered symbolic of the human body bearing the soul), the materials the ark was made of, where the various animals were placed, which animals would have been excluded, where the ark landed, and where everyone dispersed after the Flood\" (Merrill). Among the numerous delightful woodcuts of animals are imaginary creatures such as the mermaid, unicorn and gryphon. The plates depict the Flood, the construction and plan of the arc, and maps of the world, including Eden and Paradise. Backer-Sommervogel IV, 1068, 33; Caillet 5768; Merrill 26; Nissen ZBI, 2195.

阿塔纳修斯·基尔彻。1602-1680. 诺亚方舟,在三本消化书中。阿姆斯特丹:约翰内斯·扬索尼斯,1675年。

852. 神秘的。 8个标题: 高清作品[25%]

8 titles:

图片文件尺寸 : 5228 x 5615px

OCCULT. :8 titles:
1. AGRIPPA, HENRY CORNELIUS. Henry Cornelius Agrippa\'s fourth book of occult philosophy, and geomancy.... [London]: 1783. 4to. Woodcut illustrations in text. 20th century vellum, ruled in gilt, red morocco lettering piece on spine. Light soiling to covers, foxing, paper repair to lower margin of A2, ink stains to upper corner of last 11 leaves.
2. TRITHEMIUS, JOANNES. Steganographia: hoc est: ars per occultam scripturam animi sui voluntatem absentibus aperiendi certa.... Darmstadt: 1621. 2 parts in 1 volume. 4to. Modern half calf and marbled boards. Lacking the second of three parts, lightly rubbed, library stamp on fist title, top margin trimmed, just touching some headers; browning, dampstaining to some lower margins, worming to last several leaves at lower margin.
3. BACON, FRANCIS, and others. Cabala: sive Scrinia Sacra. Mysteries of State Government. London: 1654. 2 volumes. 4to. Title pages in red and black. Modern half morocco and marbled boards. Light dampstaining and toning.
4. PAGAN, FRANÇOIS. L\'astrologie naturelled du Comte de Pagan. Paris: 1659. 8vo. Engraved armorial vignette on title page. Modern quarter calf and marbled boards. Small paper repair to title with very slight loss of text, marginal dampstaining throughout, last page (Ii8) lacking both outside corners, with repairs.
5. GLANVILLE, JOHN. Saducismus Triumphatus: or Full and Plain Evidence Concerning Witches and Apparitions. London: 1681. 2 parts in 1 volume. 8vo. 2 engraved frontispieces. Early 20th century quarter calf and marbled boards. Spine rubbed and chipped at top, browning and spotting throughout.
6. ENGLEBER, JOHANN. Chiromantia, Metoscopia Physiognomia curioso-practica. Franfurt: 1792. 8vo. Engraved frontispiece and half-title, engraved diagrams in text. Modern quarter morocco and marbled boards. Margins trimmed very closely, light chipping to some corners, browning.
7. NOSTRADAMUS, MICHEL DE. Les propheties de maitre Michel Nostradamus. Lyon: 1697. 16mo. Engraved portrait frontispiece. Modern quarter calf and marbled boards. Light dampstaining, ink marginalia.

神秘的。 8个标题:

853. 约翰·琼斯顿。1603-1675. Sive树木和Nostri和Peregrini Orbis果实的自然历史。法兰克福:希罗尼米·波里奇伊(Hieronymi Polichii)为马蒂亚斯·梅里安(Matthaüs Merian)的继承人,1662年。 高清作品[25%]

Dendrographias Sive Historiae Naturalis De Arboribus Et Fruticibus Tam Nostri Quam Peregrini Orbis. Frankfurt: Hieronymi Polichii for the heirs of Matthaüs Merian, 1662.

图片文件尺寸 : 4239 x 5276px

JONSTON, JOHN. 1603-1675.:Dendrographias Sive Historiae Naturalis De Arboribus Et Fruticibus Tam Nostri Quam Peregrini Orbis. Frankfurt: Hieronymi Polichii for the heirs of Matthaüs Merian, 1662.
4to (340 x 197 mm). Engraved frontis, 137 engraved plates. 18th-century mottled calf, morocco title labels to spine, gilt. Minor foxing throughout, edge of upper corner torn at pl. 87/8.
Provenance: Charles de Secondat, Baron de Montesquieu (ink note to title page: \"Ex Biblioth. de Montesquieu;\" Desgraves Catalogue De La Bibliothèque De Montesquieu À La Brède 1380); Arpad Plesch (his bookplate, his sale, Sotheby Parke Bernet Company, 17 November 1975, lot 408).

BARON DE MONTESQUIEU\'S COPY, FROM ARPAD PLESCH, THE FIRST EDITION OF JONSTON\'S IMPORTANT WORK ON FRUITS. A complete copy of this work including the famous engraving of \"Agnus scythicus\" or \"Planta Tartarica Barometz,\" a plant of Central Asia believed to grow sheep as fruit. Plesch 408 (for this copy); Stafleu Cowan II:3408.

约翰·琼斯顿。1603-1675. Sive树木和Nostri和Peregrini Orbis果实的自然历史。法兰克福:希罗尼米·波里奇伊(Hieronymi Polichii)为马蒂亚斯·梅里安(Matthaüs Merian)的继承人,1662年。

854. 托姆布雷 高清作品[25%]

DO-Cy Twombly  - 现代艺术 I
图片文件像素:5713 x 4685 px

托姆布雷-

Cy Twombly * - Zeitgenössische Kunst I-

(Lexington, Virginia 1928–2011 Rome)
Untitled, 1963/1964, signed Cy Twombly, colored pencil, wax crayon on paper, 86 x 67 cm, framed

Provenance:
Galleria La Tartaruga, Rome
Galerie Karsten Greve, Cologne
Private Collection, 德国y
Kunsthaus Lempertz, 3 December 2016, lot 450 - acquired there by the present owner

Literature:
Nicola Del Roscio, Cy Twombly, drawings, catalogue raisonné, Gagosian Gallery, New York (Ed.), Munich 2011, vol. 4, no. 20

Cy Twombly occupies a unique position among US artists. Twombly lived and worked in Italy, far from the 美国 art world, and felt free to experiment. In Rome, Twombly refined his distinctive artistic language. Twombly\'s visual language is informed by classical literature, ancient history, poetry and mythology, as well as his own life experience. Since the 1950s, Twombly\'s drawings have been dominated by rhythmically repeated line progressions, swirls, dense tangles and isolated numbers. Pencil, coloured pens and ballpoint pens enabled Twombly to make this \'scriptural\' drawing, which ultimately includes the signature of the artist himself. On the white of the paper, the pictorial elements provoke by appearing as scribbles, appearing as if randomly distributed on the surface.

The untitled work offered here is a vivid example of Twombly\'s unique pictorial language. The pictorial elements merge into an abstract composition that is both delicate and dynamic. The work was created in Italy between 1963-64. Twombly lived in a 17th-century palazzo on Via di Monserrato in Rome at the time the work was created. Untitled is emblematic of the groundbreaking work Twombly produced in the 1960s, widely regarded as a critical and highly fruitful period in his long and illustrious career.

“Paint is something that I use with my hands and do all those tactile things. I really don’t like oil because you can’t get back into it, or you make a mess. It’s not my favourite thing... pencil is more my medium than wet paint.”
Cy Twombly

855. 旅行。 11个标题: 高清作品[23%]

11 titles:

图片文件尺寸 : 4226 x 6023px

TRAVEL. :11 titles:
1. HULSIUS, LEVINUS. Anders Schiffert in die Orientalischen Indien, so die Hollandische Schiff. Frankfurt: Levinum Hulsium, 1605. 4to. Modern half calf, spine lettered in gilt. Light wear corners and joints.
2. HUTTON, WILLIAM. A Journey from Birmingham to London. Birmingham: Pearson and Rollason, 1785. 12mo. Modern quarter leather. Spotting throughout.
3. CHAPPE D\'AUTEROCHE, JEAN-BAPTISTE. A Journey into Siberia, Made by Order of the King of France. London: T. Jefferys, 1770. 4to. Engraved folding map with hand-coloring and 9 engraved plates. Contemporary calf. Covers worn, joints cracking.
4. GLAISHER, JAMES, ed. Travels in the Air. Philadelphia: J.B. Lippincott Co., 1871. 8vo. Numerous engraved plates. Covers worn, joints cracking, textblock broken.
5. SANSON, NICOLAS. L\'Affrique, en plusieurs cartes nouvelles et exactes. Paris: Chez L\' Autheur, 1656. 4to. 18 double-paged engraved maps. Contemporary morocco, rebacked.
6. CARR, JOHN. A Northern Summer; or Travels round the Baltic, through Denmark, Sweden, Russia, Prussia, and part of Germany, in the year 1804. London: R. Phillips, 1805. 4to. 3 (of 11) engraved plates. Half morocco binding. Joints cracking, chips to both ends of spine.
7. CHEVALIER, BARON. Suite des Voyages de Mr Tavernier. Paris: Gervais Clouzier, 1680. 4to. Engraved frontispiece. Numerous folding plates. Modern quarter morroco. Spine evenly faded.
8. SANDYS (GEORGE). A Relation of a Journey Begun An: Dom. 1610. Foure Bookes Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, of the Remote Parts of Italy, and Islands Adioyning. London: Andrew Crooke, 1637. Engraved title. Half calf over marbled boards, gilt-lettered spine.
9. HERBERT, THOMAS. Some Yeares Travels into Divers Parts of Asia and Afrique. London: Jacob Blome and Richard Bishop, 1638. Additional engraved title, numerous engraved plates and maps in the text throughout. Half calf over marbled boards, gilt lettered spine. Joints worn.
10.FEDCHENKO, A.P. Puteshestvie v Turkestan (Travels in Turkestan). St. Petersburg and Moscow: 1875. Engraved frontispiece, numerous engraved plates. Modern half cloth.
11. ARTAMONOV, M. Etudes D\'Histoire Ancienne des Khazares. Leningrad: Editions d\' Etat, 1936. 4to. Russian text. Publisher\'s stamped cloth.

旅行。 11个标题:

856. 天文学。 7个标题: 高清作品[23%]

7 titles:

图片文件尺寸 : 4310 x 5025px

ASTRONOMY. :7 titles:
1. GASSENDI, PIERRE. 1592-1655. Tychonis Brahei, equitis dani, astronomorum coryphaei, vita. The Hague: Adrian Vlacq, 1655. 4to (200 x 153 mm). Main title page in red and black, 2 engraved portraits (of Brahe and Copernicus), 2 woodcut diagrams in text. 20th century half vellum and marbled boards. Light toning and occasional spotting.
2. GALILEI, GALILEO. 1564-1642. Le operationi del compasso geometrico e militare.... Bologna: H.H. Del Dozzo, 1656. 4to (230 x 155 mm). Engraved folding chart, woodcut illustrations in text. Modern quarter morocco and marled boards. Lacking front blank, light scattered spotting.
3. DARIOT, CLAUDE. 1533-1594. Dariotus redivivus, or a Brief Introduction Conducing to the Judgement of the Stars. London: Andrew Kemb, 1653. Small 4to (175 x 135 mm). Woodcut illustrations in text. Modern quarter morocco and marbled boards. Lacking first gathering, title page replaced in facsimile, paper repairs to first 8 leaves, with first 3 mounted to stubs, chipping to corners, extensive browning and spotting.
4. PASSEMENT, CLAUDE SIMEON. 1702-1760. Construction d\'un telescope par reflexion, de Mr. Newton.... Amsterdam: Pierre Mortier, 1741. 12mo (158 x 94 mm). Title page in red and black, folding engraved plate at back. Modern quarter calf and marbled boards. Browning throughout, marginal worming to last few leaves (not affecting plate).
5. GALILEI, GALILEO. 1564-1642. VENTURI, GIMABATISTA. editor. Memorie e lettere inedite finora o disperse di Galileo Galilei. Modena: G. Vincenzi, 1818. 2 parts in 1 volume. 4to (272 x 197 mm). 2 engraved portraits, 7 engraved folding plates. 19th century quarter green morocco and marbled boards. Rubbed, scattered foxing.
6. MAGINI, GIOVANNI ANTONIO. 1555-1617. Carteggio inedito di Ticone Brahe, Giovanni Keplero ed di altri celebri astronoi e matematici dei secoli XVI e XVII. Bologna: Nicola Zanichelli, 1886. 4to. Wood engraved illustrations in text. Publisher\'s printed wrappers. Spine cracked and separating, upper wrapper loose, corners rolled, several chips around edges, browning. Inscribed by the author on the upper wrapper.
7. PETERS, CHRISTIAN HEINRICH FRIEDRICH, and EDWARD BALL KNOBEL. Ptolemy\'s Catalogue of Stars. A Revision of the Almagest. Washington, DC: Carnegie Institute, 1915. 20th century cloth, paper label on spine, publisher\'s front wrapper bound in. Corners bumped, toning.

天文学。 7个标题:

857. 威廉·卡斯特尔。D、 1645年。 美国海岸和大陆的短暂发现。伦敦:(没有打印机),1644年。 高清作品[23%]

A Short Discoverie Of the Coasts and Continent of America. London: [no printer], 1644.

图片文件尺寸 : 4427 x 5042px

CASTELL, WILLIAM. D. 1645. :A Short Discoverie Of the Coasts and Continent of America. London: [no printer], 1644.
8vo (163 x 94 mm). Title and dedication supplied in early expert manuscript facsimile (see below), and signature B (4 leaves) lacking, some pagination along top edges shaved, four leaves at beginning repaired along upper margin twice affecting first line of text, a few other small repairs. 19th century calf gilt by Pratt, hinges split, light rubbing to spine ends and corners.
Provenance: Henry Stevens (bound by W. Pratt for H. Stevens, 1860, binder\'s stamp on front free endpaper, his sale \"Bibliotheca Americana\" Puttick and Simpson, 7 March, 1861, lot 514); Anson Phelps Stokes (1838-1913) bibliographer (bookplate, his sale Parke-Bernet, New York, 15 November 1948, lot 58).

FIRST EDITION, THE MOST ACCURATE ENGLISH DESCRIPTION OF NEW YORK BEFORE 1650, from the collection of noted bibliographers and Americana collectors Henry Stevens and Anson Phelps Stokes. The full title reads: A Short Discoverie Of the Coasts and Continent of America, From the Equinoctiall Northward, and of the adjacent Isles. Whereunto is prefixed the Authors Petition to this present Parliament, for the propagation of the Gospell in America; attested by many eminent English and Scottish Divines. And a late Ordinance of Parliament for that purpose, and for the better government of the English Plantations there. Together with Sir Benjamin Rudyers Speech in Parliament, 21. Jan. concerning America. Stevens states that this work \"should find a place in every collection of the so-called \'Eliot Tracts,\' for herein is contained the embryo idea or suggestion that Parliament should recognize the benefits to be derived by the colonies from cultivating the friendship of the Indians. EXCEEDINGLY RARE, only one other copy sold at auction (according to American Book Prices Current) in the past 45 years. Church 461; OCLC : 1238118938; Sabin 11398; Stevens, Bibliotheca Americana Vol 1, p 123; Wing C-1231.

威廉·卡斯特尔。D、 1645年。 美国海岸和大陆的短暂发现。伦敦:(没有打印机),1644年。

858. 显微镜检查。 7个标题: 高清作品[23%]

7 titles:

图片文件尺寸 : 5267 x 4043px

MICROSCOPY.:7 titles:
1. HOOKE, ROBERT. 1635-1702. The Posthumous Works of Robert Hooke. London: Samuel Smith and Benjamin Walford, 1705. Folio (320 x 202 mm). Half-title, title page in red and black, 15 engraved plates. Modern quarter vellum and marbled boards, morocco lettering piece on spine. Half-title laid down, title page tipped to stub, worming with some loss of text in front matter, dampstaining and browning throughout, ink ownership inscription on title page.
2. NEEDHAM, M. Nouvelles observations microscopiques. Paris: Louis-Etienne Ganeau, 1750. 16mo (168 x 96 mm). 8 folding engraved plates. Recased in contemporary mottled calf, 5 raised bands on spine, red morocco lettering pieces. Repairs to spine ends, dampstaining.
3. BAKER, HENRY. 1698-1774. Het Microscoop gemakkelyk gemaakt. Amsterdam: Isaak Tirion, 1744. Title page in red and black type, 14 engraved plates, folding table. 19th century half red morocco and marbled boards. Joints tender, rubbed, scattered spotting.
4. ---. Employment for the Microscope, in Two Parts. London: R. Dodsley, 1753. 8vo (195 x 120 mm). 17 engraved plates. Rebacked contemporary calf. Worming to lower margins, tear to outside margin of last plate with loss to corner, bookplate on front paste-down, browning and spotting.
5. ---. The Microscope Made Easy. London: J. Dodsley, 1769. 8vo. (210 x 128 mm). 15 engraved plates, some folding, folding table. 19th century calf, 5 raised bands on spine, red morocco gilt lettering piece. Joints tender, some ink marginalia, scattered spotting. Provenance: William Brodie of Brodie (bookplate).
6. LEDERMÜLLER, MARTIN FROBENIUS. Mikroskopische Gemüths- und Augen-Ergötzung. Nuremburg: Adam Wolffgang Winterschmidt, 1763. 4to (240 x 193 mm). Engraved allegorical frontispiece, engraved dedication portrait of Frederick of Brandenburg, 100 engraved plates, most tinted or hand-colored. Contemporary calf, rebacked. Frontispiece supplied from another copy, with top and margins trimmed, light dampstaining along top edge, browning and spotting.
7. GORING, C.R. 1792-1840, and ANDREW PRITCHARD. 1804-1882. Micrographia. London: Whittaker Co., 1837. 8vo (222 x 135 mm). Folding engraved frontispiece, 2 engraved full-page plates, 6 pp printer\'s ads at back. Contemporary tan buckram over plain boards. Covers soiled, corners bumped, shelfwear, library tape labels on spine, hinges cracked, a little loose, browning and spotting.

显微镜检查。 7个标题:

859. 哈维,威廉。1578-1657; 和ZACHARIAH SYLVIUS。1608-1664. 威廉·哈维医生关于心脏和血液运动的解剖练习。与:西尔维乌斯,扎卡里亚。前言…关于威廉·哈维医生的解剖练习。与:德巴克,雅各布。话语。哈维,威廉。两次有关血液循环的解剖学练习。伦敦:弗朗西斯·利奇(Francis Leach),代表理查德·朗兹(Richard Lowndes),1653年。 高清作品[19%]

The anatomical exercises of Dr. William Harvey ... concerning the motion of the heart and blood. WITH: SYLVIUS, ZACHARIAH. The preface ... upon the anatomical exercises of Doctor William Harvey. WITH: DE BACK, JACOBUS. The Discourse.  HARVEY, WILLIAM. Two anatomical exercitations concerning the circulation of the blood. London: Francis Leach, for Richard Lowndes, 1653.

图片文件尺寸 : 4305 x 5773px

HARVEY, WILLIAM. 1578-1657; and ZACHARIAH SYLVIUS. 1608-1664.:The anatomical exercises of Dr. William Harvey ... concerning the motion of the heart and blood. WITH: SYLVIUS, ZACHARIAH. The preface ... upon the anatomical exercises of Doctor William Harvey. WITH: DE BACK, JACOBUS. The Discourse. HARVEY, WILLIAM. Two anatomical exercitations concerning the circulation of the blood. London: Francis Leach, for Richard Lowndes, 1653.
Small 8vo (144 x 92 mm). 191 leaves. With the cancel title leaf. Ornamental woodcut initials, woodcut or typographical headpieces. Early 20th century calf, spine with 4 raised bands, morocco gilt lettering piece, modern cloth chemise and slipcase. Title page replaced in facsimile, joints starting, first leaf of preface re-margined at gutter, margins closely trimmed with losses to headers, scattered browning and spotting.

FIRST EDITION IN ENGLISH of Harvey\'s De motu cordis presenting his discovery of the circulation of the blood. The translation, described by Keynes as \"a vigorous, if unpolished, version... in contemporary language\", was based upon the Latin edition published at Rotterdam in 1648. Also included in this edition are a translation of James De Back\'s treatise on the blood in which he offers a \"defence of Harvey\'s circulation,\" and Harvey\'s essays (\"Two anatomical exercitations\") written in response to Jean Riolan\'s criticisms. ESTC R20704; Heirs of Hippocrates 422; Keynes, Harvey 19; Krivatsy 5338; Norman 1008; Osler 7698; Wing H-1083; Wellcome III, p 219.

哈维,威廉。1578-1657; 和ZACHARIAH SYLVIUS。1608-1664. 威廉·哈维医生关于心脏和血液运动的解剖练习。与:西尔维乌斯,扎卡里亚。前言…关于威廉·哈维医生的解剖练习。与:德巴克,雅各布。话语。哈维,威廉。两次有关血液循环的解剖学练习。伦敦:弗朗西斯·利奇(Francis Leach),代表理查德·朗兹(Richard Lowndes),1653年。

860. 纽伦堡编年史。 Liber chronicarum[德语:《克洛诺斯和故事书》]。纽伦堡:Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister,1493年12月23日。 高清作品[18%]

Liber chronicarum  [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.

图片文件尺寸 : 4242 x 3809px

NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).

FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.

纽伦堡编年史。 Liber chronicarum[德语:《克洛诺斯和故事书》]。纽伦堡:Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister,1493年12月23日。

or油画图片- 高清or绘画作品- 代表作全集 中艺名画下载


851. 阿塔纳修斯·基尔彻。1602-1680. 诺亚方舟,在三本消化书中。阿姆斯特丹:约翰内斯·扬索尼斯,1675年。 高清作品[25%]

Arca Noë, in Tres Libros Digesta.  Amsterdam: Johannes Janssonius, 1675.

图片文件尺寸 : 3910 x 5802px

KIRCHER, ATHANASIUS. 1602-1680. :Arca Noë, in Tres Libros Digesta. Amsterdam: Johannes Janssonius, 1675.
Folio (385 x 255 mm). Engraved additional title, engraved portrait of dedicatee Charles II of Spain by C. Decker, 19 engraved plates on 18 sheets (13 folding or double-page), 3 engraved maps (2 folding), numerous engraved illustrations and woodcuts to text throughout, including over 100 birds and animals, initials and tailpieces. Full green crushed morocco, gilt; occasional foxing and spotting, faint crease to lower corner throughout most of text block, one map remounted, in custom cloth slipcase. Note card with Vishniac\'s handwritten list of some of the animals depicted laid-in.

FIRST EDITION of Kircher\'s \"fanciful and speculative elucidation of the biblical story of the Flood. Kircher figures such specifics as the year of the Flood, the time form the first raindrop until Noah stepped out on dry land, the dimensions and shape of the ark (considered symbolic of the human body bearing the soul), the materials the ark was made of, where the various animals were placed, which animals would have been excluded, where the ark landed, and where everyone dispersed after the Flood\" (Merrill). Among the numerous delightful woodcuts of animals are imaginary creatures such as the mermaid, unicorn and gryphon. The plates depict the Flood, the construction and plan of the arc, and maps of the world, including Eden and Paradise. Backer-Sommervogel IV, 1068, 33; Caillet 5768; Merrill 26; Nissen ZBI, 2195.

阿塔纳修斯·基尔彻。1602-1680. 诺亚方舟,在三本消化书中。阿姆斯特丹:约翰内斯·扬索尼斯,1675年。

852. 神秘的。 8个标题: 高清作品[25%]

8 titles:

图片文件尺寸 : 5228 x 5615px

OCCULT. :8 titles:
1. AGRIPPA, HENRY CORNELIUS. Henry Cornelius Agrippa\'s fourth book of occult philosophy, and geomancy.... [London]: 1783. 4to. Woodcut illustrations in text. 20th century vellum, ruled in gilt, red morocco lettering piece on spine. Light soiling to covers, foxing, paper repair to lower margin of A2, ink stains to upper corner of last 11 leaves.
2. TRITHEMIUS, JOANNES. Steganographia: hoc est: ars per occultam scripturam animi sui voluntatem absentibus aperiendi certa.... Darmstadt: 1621. 2 parts in 1 volume. 4to. Modern half calf and marbled boards. Lacking the second of three parts, lightly rubbed, library stamp on fist title, top margin trimmed, just touching some headers; browning, dampstaining to some lower margins, worming to last several leaves at lower margin.
3. BACON, FRANCIS, and others. Cabala: sive Scrinia Sacra. Mysteries of State Government. London: 1654. 2 volumes. 4to. Title pages in red and black. Modern half morocco and marbled boards. Light dampstaining and toning.
4. PAGAN, FRANÇOIS. L\'astrologie naturelled du Comte de Pagan. Paris: 1659. 8vo. Engraved armorial vignette on title page. Modern quarter calf and marbled boards. Small paper repair to title with very slight loss of text, marginal dampstaining throughout, last page (Ii8) lacking both outside corners, with repairs.
5. GLANVILLE, JOHN. Saducismus Triumphatus: or Full and Plain Evidence Concerning Witches and Apparitions. London: 1681. 2 parts in 1 volume. 8vo. 2 engraved frontispieces. Early 20th century quarter calf and marbled boards. Spine rubbed and chipped at top, browning and spotting throughout.
6. ENGLEBER, JOHANN. Chiromantia, Metoscopia Physiognomia curioso-practica. Franfurt: 1792. 8vo. Engraved frontispiece and half-title, engraved diagrams in text. Modern quarter morocco and marbled boards. Margins trimmed very closely, light chipping to some corners, browning.
7. NOSTRADAMUS, MICHEL DE. Les propheties de maitre Michel Nostradamus. Lyon: 1697. 16mo. Engraved portrait frontispiece. Modern quarter calf and marbled boards. Light dampstaining, ink marginalia.

神秘的。 8个标题:

853. 约翰·琼斯顿。1603-1675. Sive树木和Nostri和Peregrini Orbis果实的自然历史。法兰克福:希罗尼米·波里奇伊(Hieronymi Polichii)为马蒂亚斯·梅里安(Matthaüs Merian)的继承人,1662年。 高清作品[25%]

Dendrographias Sive Historiae Naturalis De Arboribus Et Fruticibus Tam Nostri Quam Peregrini Orbis. Frankfurt: Hieronymi Polichii for the heirs of Matthaüs Merian, 1662.

图片文件尺寸 : 4239 x 5276px

JONSTON, JOHN. 1603-1675.:Dendrographias Sive Historiae Naturalis De Arboribus Et Fruticibus Tam Nostri Quam Peregrini Orbis. Frankfurt: Hieronymi Polichii for the heirs of Matthaüs Merian, 1662.
4to (340 x 197 mm). Engraved frontis, 137 engraved plates. 18th-century mottled calf, morocco title labels to spine, gilt. Minor foxing throughout, edge of upper corner torn at pl. 87/8.
Provenance: Charles de Secondat, Baron de Montesquieu (ink note to title page: \"Ex Biblioth. de Montesquieu;\" Desgraves Catalogue De La Bibliothèque De Montesquieu À La Brède 1380); Arpad Plesch (his bookplate, his sale, Sotheby Parke Bernet Company, 17 November 1975, lot 408).

BARON DE MONTESQUIEU\'S COPY, FROM ARPAD PLESCH, THE FIRST EDITION OF JONSTON\'S IMPORTANT WORK ON FRUITS. A complete copy of this work including the famous engraving of \"Agnus scythicus\" or \"Planta Tartarica Barometz,\" a plant of Central Asia believed to grow sheep as fruit. Plesch 408 (for this copy); Stafleu Cowan II:3408.

约翰·琼斯顿。1603-1675. Sive树木和Nostri和Peregrini Orbis果实的自然历史。法兰克福:希罗尼米·波里奇伊(Hieronymi Polichii)为马蒂亚斯·梅里安(Matthaüs Merian)的继承人,1662年。

854. 托姆布雷 高清作品[25%]

DO-Cy Twombly  - 现代艺术 I
图片文件像素:5713 x 4685 px

托姆布雷-

Cy Twombly * - Zeitgenössische Kunst I-

(Lexington, Virginia 1928–2011 Rome)
Untitled, 1963/1964, signed Cy Twombly, colored pencil, wax crayon on paper, 86 x 67 cm, framed

Provenance:
Galleria La Tartaruga, Rome
Galerie Karsten Greve, Cologne
Private Collection, 德国y
Kunsthaus Lempertz, 3 December 2016, lot 450 - acquired there by the present owner

Literature:
Nicola Del Roscio, Cy Twombly, drawings, catalogue raisonné, Gagosian Gallery, New York (Ed.), Munich 2011, vol. 4, no. 20

Cy Twombly occupies a unique position among US artists. Twombly lived and worked in Italy, far from the 美国 art world, and felt free to experiment. In Rome, Twombly refined his distinctive artistic language. Twombly\'s visual language is informed by classical literature, ancient history, poetry and mythology, as well as his own life experience. Since the 1950s, Twombly\'s drawings have been dominated by rhythmically repeated line progressions, swirls, dense tangles and isolated numbers. Pencil, coloured pens and ballpoint pens enabled Twombly to make this \'scriptural\' drawing, which ultimately includes the signature of the artist himself. On the white of the paper, the pictorial elements provoke by appearing as scribbles, appearing as if randomly distributed on the surface.

The untitled work offered here is a vivid example of Twombly\'s unique pictorial language. The pictorial elements merge into an abstract composition that is both delicate and dynamic. The work was created in Italy between 1963-64. Twombly lived in a 17th-century palazzo on Via di Monserrato in Rome at the time the work was created. Untitled is emblematic of the groundbreaking work Twombly produced in the 1960s, widely regarded as a critical and highly fruitful period in his long and illustrious career.

“Paint is something that I use with my hands and do all those tactile things. I really don’t like oil because you can’t get back into it, or you make a mess. It’s not my favourite thing... pencil is more my medium than wet paint.”
Cy Twombly

855. 旅行。 11个标题: 高清作品[23%]

11 titles:

图片文件尺寸 : 4226 x 6023px

TRAVEL. :11 titles:
1. HULSIUS, LEVINUS. Anders Schiffert in die Orientalischen Indien, so die Hollandische Schiff. Frankfurt: Levinum Hulsium, 1605. 4to. Modern half calf, spine lettered in gilt. Light wear corners and joints.
2. HUTTON, WILLIAM. A Journey from Birmingham to London. Birmingham: Pearson and Rollason, 1785. 12mo. Modern quarter leather. Spotting throughout.
3. CHAPPE D\'AUTEROCHE, JEAN-BAPTISTE. A Journey into Siberia, Made by Order of the King of France. London: T. Jefferys, 1770. 4to. Engraved folding map with hand-coloring and 9 engraved plates. Contemporary calf. Covers worn, joints cracking.
4. GLAISHER, JAMES, ed. Travels in the Air. Philadelphia: J.B. Lippincott Co., 1871. 8vo. Numerous engraved plates. Covers worn, joints cracking, textblock broken.
5. SANSON, NICOLAS. L\'Affrique, en plusieurs cartes nouvelles et exactes. Paris: Chez L\' Autheur, 1656. 4to. 18 double-paged engraved maps. Contemporary morocco, rebacked.
6. CARR, JOHN. A Northern Summer; or Travels round the Baltic, through Denmark, Sweden, Russia, Prussia, and part of Germany, in the year 1804. London: R. Phillips, 1805. 4to. 3 (of 11) engraved plates. Half morocco binding. Joints cracking, chips to both ends of spine.
7. CHEVALIER, BARON. Suite des Voyages de Mr Tavernier. Paris: Gervais Clouzier, 1680. 4to. Engraved frontispiece. Numerous folding plates. Modern quarter morroco. Spine evenly faded.
8. SANDYS (GEORGE). A Relation of a Journey Begun An: Dom. 1610. Foure Bookes Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, of the Remote Parts of Italy, and Islands Adioyning. London: Andrew Crooke, 1637. Engraved title. Half calf over marbled boards, gilt-lettered spine.
9. HERBERT, THOMAS. Some Yeares Travels into Divers Parts of Asia and Afrique. London: Jacob Blome and Richard Bishop, 1638. Additional engraved title, numerous engraved plates and maps in the text throughout. Half calf over marbled boards, gilt lettered spine. Joints worn.
10.FEDCHENKO, A.P. Puteshestvie v Turkestan (Travels in Turkestan). St. Petersburg and Moscow: 1875. Engraved frontispiece, numerous engraved plates. Modern half cloth.
11. ARTAMONOV, M. Etudes D\'Histoire Ancienne des Khazares. Leningrad: Editions d\' Etat, 1936. 4to. Russian text. Publisher\'s stamped cloth.

旅行。 11个标题:

856. 天文学。 7个标题: 高清作品[23%]

7 titles:

图片文件尺寸 : 4310 x 5025px

ASTRONOMY. :7 titles:
1. GASSENDI, PIERRE. 1592-1655. Tychonis Brahei, equitis dani, astronomorum coryphaei, vita. The Hague: Adrian Vlacq, 1655. 4to (200 x 153 mm). Main title page in red and black, 2 engraved portraits (of Brahe and Copernicus), 2 woodcut diagrams in text. 20th century half vellum and marbled boards. Light toning and occasional spotting.
2. GALILEI, GALILEO. 1564-1642. Le operationi del compasso geometrico e militare.... Bologna: H.H. Del Dozzo, 1656. 4to (230 x 155 mm). Engraved folding chart, woodcut illustrations in text. Modern quarter morocco and marled boards. Lacking front blank, light scattered spotting.
3. DARIOT, CLAUDE. 1533-1594. Dariotus redivivus, or a Brief Introduction Conducing to the Judgement of the Stars. London: Andrew Kemb, 1653. Small 4to (175 x 135 mm). Woodcut illustrations in text. Modern quarter morocco and marbled boards. Lacking first gathering, title page replaced in facsimile, paper repairs to first 8 leaves, with first 3 mounted to stubs, chipping to corners, extensive browning and spotting.
4. PASSEMENT, CLAUDE SIMEON. 1702-1760. Construction d\'un telescope par reflexion, de Mr. Newton.... Amsterdam: Pierre Mortier, 1741. 12mo (158 x 94 mm). Title page in red and black, folding engraved plate at back. Modern quarter calf and marbled boards. Browning throughout, marginal worming to last few leaves (not affecting plate).
5. GALILEI, GALILEO. 1564-1642. VENTURI, GIMABATISTA. editor. Memorie e lettere inedite finora o disperse di Galileo Galilei. Modena: G. Vincenzi, 1818. 2 parts in 1 volume. 4to (272 x 197 mm). 2 engraved portraits, 7 engraved folding plates. 19th century quarter green morocco and marbled boards. Rubbed, scattered foxing.
6. MAGINI, GIOVANNI ANTONIO. 1555-1617. Carteggio inedito di Ticone Brahe, Giovanni Keplero ed di altri celebri astronoi e matematici dei secoli XVI e XVII. Bologna: Nicola Zanichelli, 1886. 4to. Wood engraved illustrations in text. Publisher\'s printed wrappers. Spine cracked and separating, upper wrapper loose, corners rolled, several chips around edges, browning. Inscribed by the author on the upper wrapper.
7. PETERS, CHRISTIAN HEINRICH FRIEDRICH, and EDWARD BALL KNOBEL. Ptolemy\'s Catalogue of Stars. A Revision of the Almagest. Washington, DC: Carnegie Institute, 1915. 20th century cloth, paper label on spine, publisher\'s front wrapper bound in. Corners bumped, toning.

天文学。 7个标题:

857. 威廉·卡斯特尔。D、 1645年。 美国海岸和大陆的短暂发现。伦敦:(没有打印机),1644年。 高清作品[23%]

A Short Discoverie Of the Coasts and Continent of America. London: [no printer], 1644.

图片文件尺寸 : 4427 x 5042px

CASTELL, WILLIAM. D. 1645. :A Short Discoverie Of the Coasts and Continent of America. London: [no printer], 1644.
8vo (163 x 94 mm). Title and dedication supplied in early expert manuscript facsimile (see below), and signature B (4 leaves) lacking, some pagination along top edges shaved, four leaves at beginning repaired along upper margin twice affecting first line of text, a few other small repairs. 19th century calf gilt by Pratt, hinges split, light rubbing to spine ends and corners.
Provenance: Henry Stevens (bound by W. Pratt for H. Stevens, 1860, binder\'s stamp on front free endpaper, his sale \"Bibliotheca Americana\" Puttick and Simpson, 7 March, 1861, lot 514); Anson Phelps Stokes (1838-1913) bibliographer (bookplate, his sale Parke-Bernet, New York, 15 November 1948, lot 58).

FIRST EDITION, THE MOST ACCURATE ENGLISH DESCRIPTION OF NEW YORK BEFORE 1650, from the collection of noted bibliographers and Americana collectors Henry Stevens and Anson Phelps Stokes. The full title reads: A Short Discoverie Of the Coasts and Continent of America, From the Equinoctiall Northward, and of the adjacent Isles. Whereunto is prefixed the Authors Petition to this present Parliament, for the propagation of the Gospell in America; attested by many eminent English and Scottish Divines. And a late Ordinance of Parliament for that purpose, and for the better government of the English Plantations there. Together with Sir Benjamin Rudyers Speech in Parliament, 21. Jan. concerning America. Stevens states that this work \"should find a place in every collection of the so-called \'Eliot Tracts,\' for herein is contained the embryo idea or suggestion that Parliament should recognize the benefits to be derived by the colonies from cultivating the friendship of the Indians. EXCEEDINGLY RARE, only one other copy sold at auction (according to American Book Prices Current) in the past 45 years. Church 461; OCLC : 1238118938; Sabin 11398; Stevens, Bibliotheca Americana Vol 1, p 123; Wing C-1231.

威廉·卡斯特尔。D、 1645年。 美国海岸和大陆的短暂发现。伦敦:(没有打印机),1644年。

858. 显微镜检查。 7个标题: 高清作品[23%]

7 titles:

图片文件尺寸 : 5267 x 4043px

MICROSCOPY.:7 titles:
1. HOOKE, ROBERT. 1635-1702. The Posthumous Works of Robert Hooke. London: Samuel Smith and Benjamin Walford, 1705. Folio (320 x 202 mm). Half-title, title page in red and black, 15 engraved plates. Modern quarter vellum and marbled boards, morocco lettering piece on spine. Half-title laid down, title page tipped to stub, worming with some loss of text in front matter, dampstaining and browning throughout, ink ownership inscription on title page.
2. NEEDHAM, M. Nouvelles observations microscopiques. Paris: Louis-Etienne Ganeau, 1750. 16mo (168 x 96 mm). 8 folding engraved plates. Recased in contemporary mottled calf, 5 raised bands on spine, red morocco lettering pieces. Repairs to spine ends, dampstaining.
3. BAKER, HENRY. 1698-1774. Het Microscoop gemakkelyk gemaakt. Amsterdam: Isaak Tirion, 1744. Title page in red and black type, 14 engraved plates, folding table. 19th century half red morocco and marbled boards. Joints tender, rubbed, scattered spotting.
4. ---. Employment for the Microscope, in Two Parts. London: R. Dodsley, 1753. 8vo (195 x 120 mm). 17 engraved plates. Rebacked contemporary calf. Worming to lower margins, tear to outside margin of last plate with loss to corner, bookplate on front paste-down, browning and spotting.
5. ---. The Microscope Made Easy. London: J. Dodsley, 1769. 8vo. (210 x 128 mm). 15 engraved plates, some folding, folding table. 19th century calf, 5 raised bands on spine, red morocco gilt lettering piece. Joints tender, some ink marginalia, scattered spotting. Provenance: William Brodie of Brodie (bookplate).
6. LEDERMÜLLER, MARTIN FROBENIUS. Mikroskopische Gemüths- und Augen-Ergötzung. Nuremburg: Adam Wolffgang Winterschmidt, 1763. 4to (240 x 193 mm). Engraved allegorical frontispiece, engraved dedication portrait of Frederick of Brandenburg, 100 engraved plates, most tinted or hand-colored. Contemporary calf, rebacked. Frontispiece supplied from another copy, with top and margins trimmed, light dampstaining along top edge, browning and spotting.
7. GORING, C.R. 1792-1840, and ANDREW PRITCHARD. 1804-1882. Micrographia. London: Whittaker Co., 1837. 8vo (222 x 135 mm). Folding engraved frontispiece, 2 engraved full-page plates, 6 pp printer\'s ads at back. Contemporary tan buckram over plain boards. Covers soiled, corners bumped, shelfwear, library tape labels on spine, hinges cracked, a little loose, browning and spotting.

显微镜检查。 7个标题:

859. 哈维,威廉。1578-1657; 和ZACHARIAH SYLVIUS。1608-1664. 威廉·哈维医生关于心脏和血液运动的解剖练习。与:西尔维乌斯,扎卡里亚。前言…关于威廉·哈维医生的解剖练习。与:德巴克,雅各布。话语。哈维,威廉。两次有关血液循环的解剖学练习。伦敦:弗朗西斯·利奇(Francis Leach),代表理查德·朗兹(Richard Lowndes),1653年。 高清作品[19%]

The anatomical exercises of Dr. William Harvey ... concerning the motion of the heart and blood. WITH: SYLVIUS, ZACHARIAH. The preface ... upon the anatomical exercises of Doctor William Harvey. WITH: DE BACK, JACOBUS. The Discourse.  HARVEY, WILLIAM. Two anatomical exercitations concerning the circulation of the blood. London: Francis Leach, for Richard Lowndes, 1653.

图片文件尺寸 : 4305 x 5773px

HARVEY, WILLIAM. 1578-1657; and ZACHARIAH SYLVIUS. 1608-1664.:The anatomical exercises of Dr. William Harvey ... concerning the motion of the heart and blood. WITH: SYLVIUS, ZACHARIAH. The preface ... upon the anatomical exercises of Doctor William Harvey. WITH: DE BACK, JACOBUS. The Discourse. HARVEY, WILLIAM. Two anatomical exercitations concerning the circulation of the blood. London: Francis Leach, for Richard Lowndes, 1653.
Small 8vo (144 x 92 mm). 191 leaves. With the cancel title leaf. Ornamental woodcut initials, woodcut or typographical headpieces. Early 20th century calf, spine with 4 raised bands, morocco gilt lettering piece, modern cloth chemise and slipcase. Title page replaced in facsimile, joints starting, first leaf of preface re-margined at gutter, margins closely trimmed with losses to headers, scattered browning and spotting.

FIRST EDITION IN ENGLISH of Harvey\'s De motu cordis presenting his discovery of the circulation of the blood. The translation, described by Keynes as \"a vigorous, if unpolished, version... in contemporary language\", was based upon the Latin edition published at Rotterdam in 1648. Also included in this edition are a translation of James De Back\'s treatise on the blood in which he offers a \"defence of Harvey\'s circulation,\" and Harvey\'s essays (\"Two anatomical exercitations\") written in response to Jean Riolan\'s criticisms. ESTC R20704; Heirs of Hippocrates 422; Keynes, Harvey 19; Krivatsy 5338; Norman 1008; Osler 7698; Wing H-1083; Wellcome III, p 219.

哈维,威廉。1578-1657; 和ZACHARIAH SYLVIUS。1608-1664. 威廉·哈维医生关于心脏和血液运动的解剖练习。与:西尔维乌斯,扎卡里亚。前言…关于威廉·哈维医生的解剖练习。与:德巴克,雅各布。话语。哈维,威廉。两次有关血液循环的解剖学练习。伦敦:弗朗西斯·利奇(Francis Leach),代表理查德·朗兹(Richard Lowndes),1653年。

860. 纽伦堡编年史。 Liber chronicarum[德语:《克洛诺斯和故事书》]。纽伦堡:Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister,1493年12月23日。 高清作品[18%]

Liber chronicarum  [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.

图片文件尺寸 : 4242 x 3809px

NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).

FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.

纽伦堡编年史。 Liber chronicarum[德语:《克洛诺斯和故事书》]。纽伦堡:Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister,1493年12月23日。