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HOOKE, ROBERT. 1635-1703.:Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667.
Folio (288 x 190 mm). Title with engraved arms of the Royal Society, 38 engraved plates (14 folding). Contemporary calf, rebacked. Some plates trimmed closely, a few short tears along folds, some light browning and staining, mostly marginal.
Provenance: Dan. King (ink note: \"book cost Dan. King second hand October 1st, 1716 pound 1:06:6\"); Edward Howard, 9th Duke of Norfolk (1686–1777), Earl Marshall of England (armorial bookplate); \"Belonging to the library bequeathed by the Will of Edward Duke of Norfolk to remain in his Family. Henry Howard Tho\'s Eyre Esq\'rs Executors\" (bookplate); The Royal Meteorological Society, 1793 (deaccession label).

FIRST EDITION, SECOND ISSUE OF HOOKE\'S MOST CELEBRATED WORK, with the title dated 1667 instead of 1665. \"THE MOST INFLUENTIAL WORK IN THE HISTORY OF MICROSCOPY, CONTAINING THE DISCOVERIES MADE WITH HOOKE\'S NEWLY PERFECTED COMPOUND MICROSCOPE. Micrographia was not only the first book devoted entirely to microscopical observations, but also the first to pair its descriptions with profuse and detailed illustrations, and this graphic portrayal of a hitherto unseen world had an impact rivaling that of Galilieo\'s Sidereus nuncius ... his famous and dramatic portraits of the flea and louse, a frightening eighteen inches long, are hardly less startling today than they must have been to Hooke\'s contemporaries\" (Norman). Dibner Heralds of Science 187; Garrison-Morton-Norman 262; Heirs of Hippocrates 599; Horblit Science 50; Norman 1092; PMM 147.

胡克，罗伯特。1635-1703. 显微摄影：放大镜对微小物体的一些生理描述。伦敦：英国皇家学会詹姆斯·阿利斯特，1667年。

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亨利·威廉·本伯里的《左臂下夹着一本大书或一个箱子，右臂下夹一根棍子的人站在那里的背影》-Henry William Bunbury

一名男子左臂下夹着一本大书或一个箱子，右臂下夹一根棍子站立的后视图--Henry William Bunbury (英国, 1750-1811)

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James Abbott McNeill Whistler:Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80
Etching on laid paper with \'IV Countermark\' watermark (Stratis 197), Glasgow\'s 16th or 17th state (of 18), with figures in window redrawn but before faint lines across the figure on the left, signed in pencil with the Butterfly, trimmed within platemark in right edge, framed.
sheet 9 1/8 x 6 9/16in (23.3 x 16.7in)

惠斯勒 门口和葡萄藤，来自第二套威尼斯

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罗伯特·雅各布·戈登（Robert Jacob Gordon）所著的“罗曼尼花（Rothmannia capensis Thunb），原名栀子花（gardenia capensis Druce）”-Robert Jacob Gordon

罗曼尼亚（Rothmannia capensis Thunb），原名栀子花（gardenia capensis Druce）（野生栀子花或普通罗曼尼）--Robert Jacob Gordon (荷兰, 1743 – 1795)

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Robert Helm:Dream Prints (16 works), 1999 - 2000
The complete portfolio of 16 plates with direct gravure, photogravure, soap-ground etching, spit bite aquatint, and à la poupée color on wove paper, signed in pencil by artist and the author on the colophone and numbered 3/35, each sheet initialed by the artist or the author, dated, and numbered 3/35, each with the blindstamp of the publisher Beta Press, Seattle, Washington, with title page, colophon, and 16 accompanying printed poems by Loretta Bonnier Anawalt, lacking the cloth covered clamshell portfolio box, each framed. (16 works)
each 6 x 9in (15.2 x 22.8cm)
each sheet 14 1/4 x 18 1/2in (36.2 x 46.9cm)

哈尔姆 梦幻印花

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EMBLEM BOOKS.:3 titles:
1. CAMERARIUS, JOACHIM. Symbolorum et emblematum centuriae tres: I. Ex herbis stirpibus. II. Ex animalibus quadrupedibus. III. Ex volatilibus insectis ... Accessit noviter centuria IV. Ex aquatilibus reptilibus [una, altera, tertia, quarta] collecta.[Leipzig:] Typis Voegelinianis, 1605 (1590-1604). 4 books in 2 volumes. 8vo. Later half-calf. FIRST COLLECTED EDITION OF THE FIRST NATURAL HISTORY IN EMBLEM FORMAT, with general title and four separate engraved title pages, dated 1590-1604.
2. CATS, JACOB. 1577-1660. Spiegel vanden ouden ende nieuwen tijdt.... Dordrecht: Hendryck van Eyck, 1633. 8vo. Lacking engraved title, title page supplied in facsimile. Later vellum.
3. ALCIATI, ANDREA. Emblematum libellus. 8vo. Lacking Bii, some others supplied or repaired. Modern morocco.

会徽册。 3个标题：

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Dorothea Tanning:Group of 4 prints (4 works), 1986-1992
4 lithographs in colors on Arches Cover and Somerset papers, each signed in pencil, dated, 3 annotated \'BAT\' or Bon a Tirer, 1 numbered \'Wkshop PP 1/2\' respectively, each from editions of 25 and 40, published by the artist and printed by Derriere L\'Etoile, New York, each the full sheet. (4 works)

Titles include:
Annabella, Rural Route, I, and Untitled
each sheet 30 x 22 1/2in (76.3 x 57.1cm); 24 x 30 7/8in (61 x 78cm); 34 3/4 x 28 1/4in (88.4 x 71.cm); 39 3/4 x 30 1/2in (100.9 x 77.5cm)

Dorothea制革 一组4张照片

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Karel Appel:Looking Like Green; Smiling Face; Heads Like Clouds (3 works), 1970; 1971
3 lithographs in colors on Arches paper, each signed in pencil, dated and numbered 26/100; 26/100; or 77/100, respectively, all with full margins. (3 works)
26 1/4 x 20 1/2in (66.6 x 52cm); 20 1/4 x 26 3/8in (51.4 x 67cm); 26 1/4 x 40 1/4in (66.6 x 102.2cm)
sheet 31 1/2 x 23 5/8in (80 x 60cm); 21 x 30 in (53.2 x 76.1cm); 28 x 41 1/2in (71 x 105.3cm)

卡雷尔.阿佩尔 看起来像绿色笑脸头如云

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THREE KESA (BUDDHIST PRIEST\'S ROBES):Edo period (1615-1868), 19th century
The first, four dragons, their wings outstretched, formed of metallic thread, with additional embroidery representing wind or waves, on a ground of blue with woven white peonies and arabesque, the backing of plain blue fabric; the second, of gold brocade with woven designs of dragons, phoenixes, peonies, chrysanthemums, and other geometric and floral patterns, with orange patches of phoenix roundels surrounded by dragons, the backing of light blue with woven phoenix pattern; the third, green arabesque and five-petal flower heads with gold thread highlights on a light-brown ground, the backing of plain caramel-colored fabric (3)
45 7/8 x 81 3/4in (116.5 x 207.6cm), the largest

三棵松 江户时代，19世纪

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奥托·缪尔，当代艺术I-

Otto Muehl * - Zeitgenössische Kunst I-

(Grodnau 1925–2013 Moncarapacho, Portugal)
Goats in Love, monogrammed, dated M 4.7.84, oil on canvas, 140 x 160 cm, framed

Provenance:
奥地利 Collection

… Man macht ja Kunst oder Philosophie nicht nur, um das rein theoretisch zu betreiben. Man sucht in der Kunst das richtige Leben, auch in der Philosophie. Die Philosophie wäre dazu da, das richtige Leben zu verwirklichen.
Otto Muehl
aus: Gespräch am 13. April 1993 in Stein

... You don\'t create art or philosophy just for the theory of it. One seeks real life in art, and in philosophy. Philosophy is there to manifest real life.
Otto Muehl
From: Conversation on 13 April 1993 in Stein