图片文件尺寸 : 4261 x 4214px
Peter Biegel:
A collection of dog studies
each signed with initials \'PB.\' (some lower left, others lower right)
watercolour heightened with white
9.8 x 7.6cm (3 7/8 x 3in). (25)
all mounted but unframed
彼得·比格尔 一系列狗的研究都已装裱但未装裱
图片文件尺寸 : 5082 x 5648px
Peter Biegel:
A collection of dog studies
each signed with initials \'PB.\' (some lower left, others lower right)
watercolour heightened with white
9.8 x 7.6cm (3 7/8 x 3in). (25)
all mounted but unframed
彼得·比格尔 一系列狗的研究都已装裱但未装裱
图片文件尺寸 : 2536 x 3260px
Jan Frans van Dael的《篮子里有葡萄和桃子的静物》，一个开放的石榴、李子、黑葡萄和更多的桃子，都在大理石的屋檐上》-Jan Frans van Dael
A Still Life With Grapes And Peaches In A Basket, An Open Pomegranate, Plums, Black Grapes And More Peaches, All On A Marble Ledge--Jan Frans van Dael (Flemish, 1764–1840)
图片文件像素：5930 x 4411 px
卡拉·阿卡尔迪，当代艺术I-
Carla Accardi * - Zeitgenössische Kunst I-
(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed
This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome
Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)
Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.
Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982
图片文件尺寸 : 4735 x 4888px
YOSHIDA TOSHI (1911-1995):Flying Up
Showa era (1926-1989), 1981
A very large print entitled in Japanese Tobitatsu with both Japanese and English titles, edition number 9/100, jikoku (self-carved), dated 1981, and signed Toshi Yoshida in Roman letters, all in pencil on the recto, additionally signed in Japanese Toshi and sealed Yoshida no in
61 1/4 x 84 1/4in (155.6 x 214cm)
吉田东芝（1911-1995） 飞升昭和时代，1981年
图片文件尺寸 : 3932 x 6106px
约翰·蒙代尔（John MundellCo）的太阳能尖头鞋采用明亮的东戈拉太阳能尖头、鹅卵石山羊太阳能尖头和鹅卵石颗粒太阳能尖头。-Wells Hope Co.
John Mundell Cos solar tip shoes Lead all in bright Dongola solar tip, pebble goat solar tip, pebble grain solar tip.--Wells Hope Co. (美国, 1845-1907)
图片文件尺寸 : 4738 x 4781px
Maria Martinetti:
In the courtyard
signed, inscribed and dated \'All\' Illmo Dottor/Vincenzo Novelli./Maria Martinetti/Roma. 1895\' (lower right)
pencil and watercolour, with traces of gum arabic on paper
51.5 x 35cm (20 1/4 x 13 3/4in).
玛丽亚·马丁内蒂 在庭院里
图片文件尺寸 : 2355 x 2835px
拉尔夫·巴顿（Ralph Barton）的《热情的纽约客》——“为什么，先生，在美国，我们所有的女人都很漂亮。我不敢让你在大街上发现一张丑陋的脸”-Ralph Barton
Enthusiastic New Yorker Why, sir, all our women are beautiful here in America. I defy you to find a really ugly face on the avenue--Ralph Barton (美国, 1891–1931)
图片文件尺寸 : 5159 x 4202px
Michael Rothenstein:Suns Moons Portfolio (8 works) (Sidey, 400-407), 1972
8 woodcuts in colors on Barcham Green paper, each inside a paper folder with poems in letterpress, each signed in pencil and numbered 1 - 8 (one print is double sized), with title, copyright and colophon pages, colophon is signed in pencil, and numbered in pen 72 (of 75), woodcuts printed by Shelley Rose, Essex, England, all housed in original black linen covered clamshell folio.
Each folder closed 21 7/8 x 14 7/8in (55.5 x 37.7cm)
Each folder open 21 7/8 x 29 1/2in (55.5 x 74.9cm)
迈克尔·罗滕斯坦 太阳和月亮组合
图片文件尺寸 : 4816 x 4258px
索尔·莱维特 所有方向的垂直画笔
图片文件尺寸 : 4261 x 4214px
Peter Biegel:
A collection of dog studies
each signed with initials \'PB.\' (some lower left, others lower right)
watercolour heightened with white
9.8 x 7.6cm (3 7/8 x 3in). (25)
all mounted but unframed
彼得·比格尔 一系列狗的研究都已装裱但未装裱
图片文件尺寸 : 5082 x 5648px
Peter Biegel:
A collection of dog studies
each signed with initials \'PB.\' (some lower left, others lower right)
watercolour heightened with white
9.8 x 7.6cm (3 7/8 x 3in). (25)
all mounted but unframed
彼得·比格尔 一系列狗的研究都已装裱但未装裱
图片文件尺寸 : 2536 x 3260px
Jan Frans van Dael的《篮子里有葡萄和桃子的静物》，一个开放的石榴、李子、黑葡萄和更多的桃子，都在大理石的屋檐上》-Jan Frans van Dael
A Still Life With Grapes And Peaches In A Basket, An Open Pomegranate, Plums, Black Grapes And More Peaches, All On A Marble Ledge--Jan Frans van Dael (Flemish, 1764–1840)
图片文件像素：5930 x 4411 px
卡拉·阿卡尔迪，当代艺术I-
Carla Accardi * - Zeitgenössische Kunst I-
(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed
This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome
Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)
Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.
Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982
图片文件尺寸 : 4735 x 4888px
YOSHIDA TOSHI (1911-1995):Flying Up
Showa era (1926-1989), 1981
A very large print entitled in Japanese Tobitatsu with both Japanese and English titles, edition number 9/100, jikoku (self-carved), dated 1981, and signed Toshi Yoshida in Roman letters, all in pencil on the recto, additionally signed in Japanese Toshi and sealed Yoshida no in
61 1/4 x 84 1/4in (155.6 x 214cm)
吉田东芝（1911-1995） 飞升昭和时代，1981年
图片文件尺寸 : 3932 x 6106px
约翰·蒙代尔（John MundellCo）的太阳能尖头鞋采用明亮的东戈拉太阳能尖头、鹅卵石山羊太阳能尖头和鹅卵石颗粒太阳能尖头。-Wells Hope Co.
John Mundell Cos solar tip shoes Lead all in bright Dongola solar tip, pebble goat solar tip, pebble grain solar tip.--Wells Hope Co. (美国, 1845-1907)
图片文件尺寸 : 4738 x 4781px
Maria Martinetti:
In the courtyard
signed, inscribed and dated \'All\' Illmo Dottor/Vincenzo Novelli./Maria Martinetti/Roma. 1895\' (lower right)
pencil and watercolour, with traces of gum arabic on paper
51.5 x 35cm (20 1/4 x 13 3/4in).
玛丽亚·马丁内蒂 在庭院里
图片文件尺寸 : 2355 x 2835px
拉尔夫·巴顿（Ralph Barton）的《热情的纽约客》——“为什么，先生，在美国，我们所有的女人都很漂亮。我不敢让你在大街上发现一张丑陋的脸”-Ralph Barton
Enthusiastic New Yorker Why, sir, all our women are beautiful here in America. I defy you to find a really ugly face on the avenue--Ralph Barton (美国, 1891–1931)
图片文件尺寸 : 5159 x 4202px
Michael Rothenstein:Suns Moons Portfolio (8 works) (Sidey, 400-407), 1972
8 woodcuts in colors on Barcham Green paper, each inside a paper folder with poems in letterpress, each signed in pencil and numbered 1 - 8 (one print is double sized), with title, copyright and colophon pages, colophon is signed in pencil, and numbered in pen 72 (of 75), woodcuts printed by Shelley Rose, Essex, England, all housed in original black linen covered clamshell folio.
Each folder closed 21 7/8 x 14 7/8in (55.5 x 37.7cm)
Each folder open 21 7/8 x 29 1/2in (55.5 x 74.9cm)
迈克尔·罗滕斯坦 太阳和月亮组合
图片文件尺寸 : 4816 x 4258px
索尔·莱维特 所有方向的垂直画笔