771. 马克布尔·费达·侯赛因 无 题无 题无标题无 题 高清作品[36%]

Untitled ; Untitled ; Untitled ; Untitled ;Untitled ; Untitled

图片文件尺寸 : 4464 x 4846px

Maqbool Fida Husain:Untitled (Horses with Two Figures); Untitled (Brown and Black Horse); Untitled (Horses); Untitled (Horses);Untitled (Red and White Horses); Untitled (Yellow and Green Horses) 66 x 101.5 cm (26 x 39 15/16 in); 78.5 x 56 cm (30 7/8 x 22 1/16 in); 89 x 63.5 cm (35 1/16 x 25 in); 72 x 101 cm (28 3/8 x 39 3/4 in); 86 x 61 cm (33 7/8 x 24 in); 72 x 101 cm (28 3/8 x 39 3/4 in)
signed upper right, numbered 35/125; signed lower right in pencil, numbered 28/100; signed upper left in pencil, numbered 35/125; signed upper left in pencil, numbered 95/125; signed lower right, numbered 25/100; signed upper right, numbered 45/100
serigraph on paper

马克布尔·费达·侯赛因 无 题无 题无标题无 题

772. 弗朗西斯科·佩特拉卡。1304-1374. 幸福和不幸中的安慰镜。法兰克福:1604年,绍尔换斯坦迈尔。 高清作品[36%]

Trostspiegel in Glück und Unglück.  Frankfurt: Saur for Steinmeyer 1604.

图片文件尺寸 : 4546 x 5860px

PETRARCA, FRANCESCO. 1304-1374. :Trostspiegel in Glück und Unglück. Frankfurt: Saur for Steinmeyer 1604.
Folio (310 x 190 mm). Title printed in red and black with woodcut printer\'s device and numerous woodcut illustrations in text, some full-page by Hans Weiditz, large printer\'s device at end. Disbound. First few leaves with marginal repairs, some browning.

First 17th-century edition with the beautiful large Renaissance woodcuts by the \"Petrarcameister\" Hans Weiditz. Lipperheide Cg 55; VD 17, 7:719310N.

弗朗西斯科·佩特拉卡。1304-1374. 幸福和不幸中的安慰镜。法兰克福:1604年,绍尔换斯坦迈尔。

773. 长大了,没有。1641-1712. 植物解剖学。伦敦:W.Rawlins,1682年。 高清作品[36%]

The Anatomy of Plants.  London: W. Rawlins, 1682.

图片文件尺寸 : 5378 x 5529px

GREW, NEHEMJAH. 1641-1712.:The Anatomy of Plants. London: W. Rawlins, 1682.
Folio (237 x 193 mm). Imprimatur leaf, 83 engraved plates (5 double-page), woodcut headers and initials (some with later hand-coloring). 20th century half calf and marbled boards to style. One double-page plate replaced in facsimile (plate 14), a few small marginal tears, some browning and marginal staining, creasing to some leaves toward back.

First collected edition, one of the \"standard\" copies printed on foolscap (as opposed to the large paper copies). Grew, along with Malpighi in Italy, were the first to observe and publish microscopic examinations of the anatomy of plants. Henrey 162; Hunt 362; Nissen BBI 758; Wing G1945.

长大了,没有。1641-1712. 植物解剖学。伦敦:W.Rawlins,1682年。

774. 无 题 《十日谈》。佛罗伦萨:Gianta,1573年。 高清作品[36%]

Il Decameron.  Florence: Giunta, 1573.

图片文件尺寸 : 5271 x 4637px

:Il Decameron. Florence: Giunta, 1573.
4to (228 x 165 mm). Title with woodcut printer\'s device, 2 small woodcut portraits to verso of 4*4, large woodcut historiated initials. 19th century half calf. Covers detached. Adams B-2156; EDIT 16 CNCE 6361.
WITH: Das Dekameron. Leipzig: Insel 1912.
4to. Numerous woodcut illustrations after the 1492 venetian edition by Giovanni und Gregorio de\' Gregori. Contemporary brown morocco ruled and lettered in gilt. Heavily rubbed, adhesive residue from removed bookplate on front paste-down. LIMITED EDITION number 619 of 825. Cover design by Emil Rudolf Weiss. Sarkowski 186 D.
WITH: Il Decamerone. Edited by Niccolo Delfino. Venice: Gregorio de Gregori, 1516.
8vo (203 x 150 mm). Lacks title and other leaves. Modern wrappers. Scarce Venetian edition of the Decameron. Brunet I:997.

无 题 《十日谈》。佛罗伦萨:Gianta,1573年。

775. 克里斯托(Javacheff Christo,当代艺术I 高清作品[35%]

DO-Christo  (Javacheff Christo) - 现代艺术 I
图片文件像素:6353 x 5789 px

克里斯托(Javacheff Christo,当代艺术I-

Christo * (Javacheff Christo) - Zeitgenössische Kunst I-

(Gabrovo, Bulgaria 1935–2020 New York)
Wrapped Snoopy House (Collage), 2004, signed, dated Christo 2004, cloth, threads, charcoal, pencil, color crayon, paint and adhesive tape on cardboard, 61.2 x 55 cm,
framed under plexiglass

The wrapped Snoopy House is registered in the Christo and Jeanne-Claude Archives, New York.

We are grateful to Jonathan Henery, Christo and Jeanne-Claude Archives, New York, for his scientific support in cataloguing the work.

Provenance:
Studio of the artist
Collection of the printer and fabricator Jack Lemon, Chicago
Private collection, 德国y

Literature:
This work is the prototype for the multiple, published by Schulz Museum, Santa Rosa, California see: Matthias Koddenberg, Jörg Schellmann: Christo and Jeanne-Claude: Prints and Objects. Catalogue Raisonné, p. 213, no 188

Charles M. Schulz (1922-2000) was the cartoonist of the globally successful comic series \"Peanuts\". The 美国 author and illustrator portrayed 美国 suburban life from the perspective of a group of children in the daily comic strips, which ran for decades. Peanuts was special in that it combined pointed wit with philosophical reflection.

Most of the comic strips focus on the main characters Charlie Brown and his dog Snoopy. Snoopy, the white dog with the black floppy ears, is now considered an integral part of our popular culture.
Snoopy lives in a kennel in Charlie Brown\'s garden. There, the beagle spends most of his time lying lazily on the roof of his hut, the so-called Snoopy Dog House, pondering his philosophical thoughts while waiting for his next meal.

In 1975, Charles M. Schulz met the packaging artists Jeanne-Claude and Christo at a discussion group in Colorado. The cartoonist then paid tribute to the artist couple by creating a Peanuts comic strip in 1978 in which Christo wraps Snoopy‘s House in fabric. In the comic strip, Snoopy wonders what Christo will cover next and finds his house wrapped at the end of the sequence. Christo returned the cartoonist\'s compliment by turning the comic image into reality decades later, designing a life-size, three-dimensional doghouse for the Charles M. Schulz Museum and wrapping it in tarpaulin, polyethylene and rope.
The work offered here is an original collage with real fabric wrapping, created by Christo in 1994 as a prototype for the later multiple. The multiple is number 188 in the catalogue raisonné.
This original work came from the estate of printer Jack Lemon, who founded his life\'s work, the Landfall Press, in Chicago in 1970. Lemon and his team printed lithographs by Christo, Philip Pearlstein and Sol LeWitt, among others.

776. 安东尼奥·弗朗切斯科,唐尼。1513-1574. 天堂,尘世,地狱。里昂:巴塞勒米·霍诺拉蒂,1583年。 高清作品[35%]

Les mondes, célestes, terrestres et infernaux. Lyon: Barthelemy Honorati, 1583.

图片文件尺寸 : 4596 x 3991px

DONI, ANTONIO FRANCESCO. 1513-1574.:CHAPPIUS, GABRIEL, translator. Les mondes, célestes, terrestres et infernaux. Lyon: Barthelemy Honorati, 1583.
2 parts in 1 volume. 8vo (167 x 104 mm). Woodcut device on title-page of first part, woodcut emblems in text, woodcut initials and head-pieces. 19th century calf, rebacked. Wear to binding, paper repair at top edge of title page, dampstaining to top corners of some leaves, and to lower margins, numerous ink annotations, browning.

Third edition of the French translation by Chappius, with the addition of Monde des Cornuz et de l\'Enfer des Ingrats at the back. Baudrier IV, 145; Caillet I, 483.

安东尼奥·弗朗切斯科,唐尼。1513-1574. 天堂,尘世,地狱。里昂:巴塞勒米·霍诺拉蒂,1583年。

777. 格劳修斯,雨果。1583-1645 德卡塔·鲁佩拉·卡门·海洛库姆。[S.i]:1629年。 高清作品[35%]

De Capta Rupella Carmen Heroicum. [S.i.]: 1629.

图片文件尺寸 : 4261 x 3874px

GROTIUS, HUGO. 1583-1645:OPITZ, MARTIN, translator. De Capta Rupella Carmen Heroicum. [S.i.]: 1629.
8vo (188 x 144 mm). Modern boards, with heraldic supralibros stamped in gold on front cover. Soiling to inner margin of title page, ink library stamp on title page, browning and light dampstaining.
Provenance: Fürstlich-Stolberg-Wernigerödische Bibliothek (stamp to title page); William Salloch, Catalog 403, item 50.

FIRST EDITION, issue without imprint. According to William Salloch, the first edition is \"of extreme rarity\" (Salloch Catalogue 403). Grotius\' poem upon the defeat of the Huguenots at La Rochelle at the hands of Richelieu and Louis XIII, the final stand of the Huguenots in France. Faber de Faur 216; Ter Meulen-Diermanse 156; VD17 7:685360Y.

格劳修斯,雨果。1583-1645 德卡塔·鲁佩拉·卡门·海洛库姆。[S.i]:1629年。

778. 朱塞佩,罗萨乔。C、 1530-1620年。 世界和苏丹,即欧洲、非洲、亚洲和美洲。佛罗伦萨:弗朗西斯科·托西,1595年。 高清作品[35%]

Il Mondo e sueparti cioe Europa, Affrica, Asia, et America. Florence: Francesco Tosi, 1595.

图片文件尺寸 : 5473 x 5137px

ROSACCIO, GIUSEPPE. C.1530-1620.:Il Mondo e sueparti cioe Europa, Affrica, Asia, et America. Florence: Francesco Tosi, 1595.
8vo (163 x 105 mm). Woodcut printer\'s device on title, 18 woodcut maps in text. Modern calf antique. Lacking front blank, ownership inscription on title (dated 1595), repaired tear in A6, marginal staining and browning to first and last few leaves, scattered spotting throughout.

FIRST EDITION. Rosaccio was a physician and cartographer from Friuli who wrote journals of his travels and made often-reproduced woodcut and engraved maps. EDIT16 CNCE 34968; Sabin 73195.

朱塞佩,罗萨乔。C、 1530-1620年。 世界和苏丹,即欧洲、非洲、亚洲和美洲。佛罗伦萨:弗朗西斯科·托西,1595年。

779. 亨德里克·戈尔茨乌斯 激情 高清作品[35%]

The Passion

图片文件尺寸 : 4095 x 5284px

Hendrick Goltzius:The Passion (Bartsch 27-38; New Hollstein 17-28)
Volume containing the complete set of 12 engravings, 1596-8, the first state (of two) before the address of de Wit, with watermark Crest with Fleur-de-lys and letters CVL; together with three further engravings, a copy of plate 7 in reverse, Judith and Holofernes after Bartholomeus Spranger (B.272, H.317), Portrait of Goltzius by E.de Boulonois, bound in leather-covered boards, 268 x 198mm (Vol); after Hendrick Goltzius Ovid\'s Metamorphoses (B.31-82, H.508-559), the set of 52 engravings by various engravers, 1589-1615, bound in paper-covered boards and slipcase, 200 x 280mm (Vol); Philips Galle after Maerten van Heemskerck Acta Apostolorum (H.206-240), the set of 35 engravings, 1575; together with after Stradanus engravings of biblical subjects by various artists, bound in brown leather-covered boards, 250 x 340mm (Vol), good impressions, on laid paper, with small margins or trimmed to the platemark or borderline (3 Vols)

亨德里克·戈尔茨乌斯 激情

780. W.K.Ngai的Butte Opal雕刻描绘海洋生物 无 题 高清作品[34%]

图片文件尺寸 : 4958 x 5464px

Butte Opal Carving Depicting Sea Life by W.K. Ngai :Opal Butte, Oregon
Opal Butte opal is a rare precious stone mined from the depths of the Opal Butte in the Blue Mountains of Oregon. This unique silica-rich opal is found within geode-like structures called thunder eggs, formed 65 million years ago by lava flow. Opal Butte is one of the few active precious opal mines in the world today. Depicting sea life in a vertical presentation, with a sea turtle, multiple starfish and scallop shell and stylized coral, carved from a single large specimen of orange and white opal in a matrix of brown and taupe. Raised on a base of natural coral, above a free-form base of polished black onyx. Measuring 11 x 9 x 7in (27.9 x 22.9 x 17.8cm)

W.K.Ngai的Butte Opal雕刻描绘海洋生物 无 题

browne油画图片- 高清browne绘画作品- 代表作全集 中艺名画下载


771. 马克布尔·费达·侯赛因 无 题无 题无标题无 题 高清作品[36%]

Untitled ; Untitled ; Untitled ; Untitled ;Untitled ; Untitled

图片文件尺寸 : 4464 x 4846px

Maqbool Fida Husain:Untitled (Horses with Two Figures); Untitled (Brown and Black Horse); Untitled (Horses); Untitled (Horses);Untitled (Red and White Horses); Untitled (Yellow and Green Horses) 66 x 101.5 cm (26 x 39 15/16 in); 78.5 x 56 cm (30 7/8 x 22 1/16 in); 89 x 63.5 cm (35 1/16 x 25 in); 72 x 101 cm (28 3/8 x 39 3/4 in); 86 x 61 cm (33 7/8 x 24 in); 72 x 101 cm (28 3/8 x 39 3/4 in)
signed upper right, numbered 35/125; signed lower right in pencil, numbered 28/100; signed upper left in pencil, numbered 35/125; signed upper left in pencil, numbered 95/125; signed lower right, numbered 25/100; signed upper right, numbered 45/100
serigraph on paper

马克布尔·费达·侯赛因 无 题无 题无标题无 题

772. 弗朗西斯科·佩特拉卡。1304-1374. 幸福和不幸中的安慰镜。法兰克福:1604年,绍尔换斯坦迈尔。 高清作品[36%]

Trostspiegel in Glück und Unglück.  Frankfurt: Saur for Steinmeyer 1604.

图片文件尺寸 : 4546 x 5860px

PETRARCA, FRANCESCO. 1304-1374. :Trostspiegel in Glück und Unglück. Frankfurt: Saur for Steinmeyer 1604.
Folio (310 x 190 mm). Title printed in red and black with woodcut printer\'s device and numerous woodcut illustrations in text, some full-page by Hans Weiditz, large printer\'s device at end. Disbound. First few leaves with marginal repairs, some browning.

First 17th-century edition with the beautiful large Renaissance woodcuts by the \"Petrarcameister\" Hans Weiditz. Lipperheide Cg 55; VD 17, 7:719310N.

弗朗西斯科·佩特拉卡。1304-1374. 幸福和不幸中的安慰镜。法兰克福:1604年,绍尔换斯坦迈尔。

773. 长大了,没有。1641-1712. 植物解剖学。伦敦:W.Rawlins,1682年。 高清作品[36%]

The Anatomy of Plants.  London: W. Rawlins, 1682.

图片文件尺寸 : 5378 x 5529px

GREW, NEHEMJAH. 1641-1712.:The Anatomy of Plants. London: W. Rawlins, 1682.
Folio (237 x 193 mm). Imprimatur leaf, 83 engraved plates (5 double-page), woodcut headers and initials (some with later hand-coloring). 20th century half calf and marbled boards to style. One double-page plate replaced in facsimile (plate 14), a few small marginal tears, some browning and marginal staining, creasing to some leaves toward back.

First collected edition, one of the \"standard\" copies printed on foolscap (as opposed to the large paper copies). Grew, along with Malpighi in Italy, were the first to observe and publish microscopic examinations of the anatomy of plants. Henrey 162; Hunt 362; Nissen BBI 758; Wing G1945.

长大了,没有。1641-1712. 植物解剖学。伦敦:W.Rawlins,1682年。

774. 无 题 《十日谈》。佛罗伦萨:Gianta,1573年。 高清作品[36%]

Il Decameron.  Florence: Giunta, 1573.

图片文件尺寸 : 5271 x 4637px

:Il Decameron. Florence: Giunta, 1573.
4to (228 x 165 mm). Title with woodcut printer\'s device, 2 small woodcut portraits to verso of 4*4, large woodcut historiated initials. 19th century half calf. Covers detached. Adams B-2156; EDIT 16 CNCE 6361.
WITH: Das Dekameron. Leipzig: Insel 1912.
4to. Numerous woodcut illustrations after the 1492 venetian edition by Giovanni und Gregorio de\' Gregori. Contemporary brown morocco ruled and lettered in gilt. Heavily rubbed, adhesive residue from removed bookplate on front paste-down. LIMITED EDITION number 619 of 825. Cover design by Emil Rudolf Weiss. Sarkowski 186 D.
WITH: Il Decamerone. Edited by Niccolo Delfino. Venice: Gregorio de Gregori, 1516.
8vo (203 x 150 mm). Lacks title and other leaves. Modern wrappers. Scarce Venetian edition of the Decameron. Brunet I:997.

无 题 《十日谈》。佛罗伦萨:Gianta,1573年。

775. 克里斯托(Javacheff Christo,当代艺术I 高清作品[35%]

DO-Christo  (Javacheff Christo) - 现代艺术 I
图片文件像素:6353 x 5789 px

克里斯托(Javacheff Christo,当代艺术I-

Christo * (Javacheff Christo) - Zeitgenössische Kunst I-

(Gabrovo, Bulgaria 1935–2020 New York)
Wrapped Snoopy House (Collage), 2004, signed, dated Christo 2004, cloth, threads, charcoal, pencil, color crayon, paint and adhesive tape on cardboard, 61.2 x 55 cm,
framed under plexiglass

The wrapped Snoopy House is registered in the Christo and Jeanne-Claude Archives, New York.

We are grateful to Jonathan Henery, Christo and Jeanne-Claude Archives, New York, for his scientific support in cataloguing the work.

Provenance:
Studio of the artist
Collection of the printer and fabricator Jack Lemon, Chicago
Private collection, 德国y

Literature:
This work is the prototype for the multiple, published by Schulz Museum, Santa Rosa, California see: Matthias Koddenberg, Jörg Schellmann: Christo and Jeanne-Claude: Prints and Objects. Catalogue Raisonné, p. 213, no 188

Charles M. Schulz (1922-2000) was the cartoonist of the globally successful comic series \"Peanuts\". The 美国 author and illustrator portrayed 美国 suburban life from the perspective of a group of children in the daily comic strips, which ran for decades. Peanuts was special in that it combined pointed wit with philosophical reflection.

Most of the comic strips focus on the main characters Charlie Brown and his dog Snoopy. Snoopy, the white dog with the black floppy ears, is now considered an integral part of our popular culture.
Snoopy lives in a kennel in Charlie Brown\'s garden. There, the beagle spends most of his time lying lazily on the roof of his hut, the so-called Snoopy Dog House, pondering his philosophical thoughts while waiting for his next meal.

In 1975, Charles M. Schulz met the packaging artists Jeanne-Claude and Christo at a discussion group in Colorado. The cartoonist then paid tribute to the artist couple by creating a Peanuts comic strip in 1978 in which Christo wraps Snoopy‘s House in fabric. In the comic strip, Snoopy wonders what Christo will cover next and finds his house wrapped at the end of the sequence. Christo returned the cartoonist\'s compliment by turning the comic image into reality decades later, designing a life-size, three-dimensional doghouse for the Charles M. Schulz Museum and wrapping it in tarpaulin, polyethylene and rope.
The work offered here is an original collage with real fabric wrapping, created by Christo in 1994 as a prototype for the later multiple. The multiple is number 188 in the catalogue raisonné.
This original work came from the estate of printer Jack Lemon, who founded his life\'s work, the Landfall Press, in Chicago in 1970. Lemon and his team printed lithographs by Christo, Philip Pearlstein and Sol LeWitt, among others.

776. 安东尼奥·弗朗切斯科,唐尼。1513-1574. 天堂,尘世,地狱。里昂:巴塞勒米·霍诺拉蒂,1583年。 高清作品[35%]

Les mondes, célestes, terrestres et infernaux. Lyon: Barthelemy Honorati, 1583.

图片文件尺寸 : 4596 x 3991px

DONI, ANTONIO FRANCESCO. 1513-1574.:CHAPPIUS, GABRIEL, translator. Les mondes, célestes, terrestres et infernaux. Lyon: Barthelemy Honorati, 1583.
2 parts in 1 volume. 8vo (167 x 104 mm). Woodcut device on title-page of first part, woodcut emblems in text, woodcut initials and head-pieces. 19th century calf, rebacked. Wear to binding, paper repair at top edge of title page, dampstaining to top corners of some leaves, and to lower margins, numerous ink annotations, browning.

Third edition of the French translation by Chappius, with the addition of Monde des Cornuz et de l\'Enfer des Ingrats at the back. Baudrier IV, 145; Caillet I, 483.

安东尼奥·弗朗切斯科,唐尼。1513-1574. 天堂,尘世,地狱。里昂:巴塞勒米·霍诺拉蒂,1583年。

777. 格劳修斯,雨果。1583-1645 德卡塔·鲁佩拉·卡门·海洛库姆。[S.i]:1629年。 高清作品[35%]

De Capta Rupella Carmen Heroicum. [S.i.]: 1629.

图片文件尺寸 : 4261 x 3874px

GROTIUS, HUGO. 1583-1645:OPITZ, MARTIN, translator. De Capta Rupella Carmen Heroicum. [S.i.]: 1629.
8vo (188 x 144 mm). Modern boards, with heraldic supralibros stamped in gold on front cover. Soiling to inner margin of title page, ink library stamp on title page, browning and light dampstaining.
Provenance: Fürstlich-Stolberg-Wernigerödische Bibliothek (stamp to title page); William Salloch, Catalog 403, item 50.

FIRST EDITION, issue without imprint. According to William Salloch, the first edition is \"of extreme rarity\" (Salloch Catalogue 403). Grotius\' poem upon the defeat of the Huguenots at La Rochelle at the hands of Richelieu and Louis XIII, the final stand of the Huguenots in France. Faber de Faur 216; Ter Meulen-Diermanse 156; VD17 7:685360Y.

格劳修斯,雨果。1583-1645 德卡塔·鲁佩拉·卡门·海洛库姆。[S.i]:1629年。

778. 朱塞佩,罗萨乔。C、 1530-1620年。 世界和苏丹,即欧洲、非洲、亚洲和美洲。佛罗伦萨:弗朗西斯科·托西,1595年。 高清作品[35%]

Il Mondo e sueparti cioe Europa, Affrica, Asia, et America. Florence: Francesco Tosi, 1595.

图片文件尺寸 : 5473 x 5137px

ROSACCIO, GIUSEPPE. C.1530-1620.:Il Mondo e sueparti cioe Europa, Affrica, Asia, et America. Florence: Francesco Tosi, 1595.
8vo (163 x 105 mm). Woodcut printer\'s device on title, 18 woodcut maps in text. Modern calf antique. Lacking front blank, ownership inscription on title (dated 1595), repaired tear in A6, marginal staining and browning to first and last few leaves, scattered spotting throughout.

FIRST EDITION. Rosaccio was a physician and cartographer from Friuli who wrote journals of his travels and made often-reproduced woodcut and engraved maps. EDIT16 CNCE 34968; Sabin 73195.

朱塞佩,罗萨乔。C、 1530-1620年。 世界和苏丹,即欧洲、非洲、亚洲和美洲。佛罗伦萨:弗朗西斯科·托西,1595年。

779. 亨德里克·戈尔茨乌斯 激情 高清作品[35%]

The Passion

图片文件尺寸 : 4095 x 5284px

Hendrick Goltzius:The Passion (Bartsch 27-38; New Hollstein 17-28)
Volume containing the complete set of 12 engravings, 1596-8, the first state (of two) before the address of de Wit, with watermark Crest with Fleur-de-lys and letters CVL; together with three further engravings, a copy of plate 7 in reverse, Judith and Holofernes after Bartholomeus Spranger (B.272, H.317), Portrait of Goltzius by E.de Boulonois, bound in leather-covered boards, 268 x 198mm (Vol); after Hendrick Goltzius Ovid\'s Metamorphoses (B.31-82, H.508-559), the set of 52 engravings by various engravers, 1589-1615, bound in paper-covered boards and slipcase, 200 x 280mm (Vol); Philips Galle after Maerten van Heemskerck Acta Apostolorum (H.206-240), the set of 35 engravings, 1575; together with after Stradanus engravings of biblical subjects by various artists, bound in brown leather-covered boards, 250 x 340mm (Vol), good impressions, on laid paper, with small margins or trimmed to the platemark or borderline (3 Vols)

亨德里克·戈尔茨乌斯 激情

780. W.K.Ngai的Butte Opal雕刻描绘海洋生物 无 题 高清作品[34%]

图片文件尺寸 : 4958 x 5464px

Butte Opal Carving Depicting Sea Life by W.K. Ngai :Opal Butte, Oregon
Opal Butte opal is a rare precious stone mined from the depths of the Opal Butte in the Blue Mountains of Oregon. This unique silica-rich opal is found within geode-like structures called thunder eggs, formed 65 million years ago by lava flow. Opal Butte is one of the few active precious opal mines in the world today. Depicting sea life in a vertical presentation, with a sea turtle, multiple starfish and scallop shell and stylized coral, carved from a single large specimen of orange and white opal in a matrix of brown and taupe. Raised on a base of natural coral, above a free-form base of polished black onyx. Measuring 11 x 9 x 7in (27.9 x 22.9 x 17.8cm)

W.K.Ngai的Butte Opal雕刻描绘海洋生物 无 题