763. “威尼斯，圣乔瓦尼圣保罗大教堂（Campo Santi Giovanni e Paolo）的景色，背景为巴托洛梅奥·科莱奥尼马术纪念碑和圣马可大教堂（Scuola Grande di San Marco），由费德里科·莫哈（Federico Moja）创作 高清作品[51%]

Venice, a View of the Campo Santi Giovanni e Paolo, with the Equestrian Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco in the Background-

图片文件尺寸 : 3174 x 2248px

“威尼斯，圣乔瓦尼圣保罗大教堂（Campo Santi Giovanni e Paolo）的景色，背景为巴托洛梅奥·科莱奥尼马术纪念碑和圣马可大教堂（Scuola Grande di San Marco），由费德里科·莫哈（Federico Moja）创作-Federico Moja

Venice, a View of the Campo Santi Giovanni e Paolo, with the Equestrian Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco in the Background--Federico Moja (意大利, 1802 – 1885)

769. 佩特鲁斯，阿尔乔尼乌斯。C、 1487–1527年。 流亡的手段。威尼斯：阿尔迪，1522年。 高清作品[50%]

Medices legatus de exilio. Venice: Aldi, 1522.

图片文件尺寸 : 5426 x 6025px

ALCYONIUS, PETRUS (PIETRO ALCIONIO). C.1487-1527.:Medices legatus de exilio. Venice: Aldi, 1522.
4to (210 x 134 mm). Woodcut printer\'s device on title and colophon. 20th century red morocco, ruled in gilt, with gilt printer\'s devices reproduced on both covers, marbled endpapers. Some wear to joints, old ink notations, scattered browning and spotting.
Provenance: Giorgio di Veroli (1890-1952, bookplate).

Alcyonius, a Venetian classicist scholar under the patronage of Pope Clement VII, was appointed Professor of Classical Greek at the University of Florence in 1522. That same year, he published this work, written in the form of a dialogue whose thesis is that exile is not an evil. It was written in elegant Latin, reminiscent of Cicero, which lead to a personal enemy accusing him of secretly plagiarizing passages from Cicero\'s lost work De Gloria, and then destroying the only existing copy of the original to hide his plagiarism. Though the accusation was groundless, it did irreparable harm to his reputation. Adams A633; Brunet I, 153; Renouard 95/6.

佩特鲁斯，阿尔乔尼乌斯。C、 1487–1527年。 流亡的手段。威尼斯：阿尔迪，1522年。

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763. “威尼斯，圣乔瓦尼圣保罗大教堂（Campo Santi Giovanni e Paolo）的景色，背景为巴托洛梅奥·科莱奥尼马术纪念碑和圣马可大教堂（Scuola Grande di San Marco），由费德里科·莫哈（Federico Moja）创作 高清作品[51%]

Venice, a View of the Campo Santi Giovanni e Paolo, with the Equestrian Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco in the Background-

图片文件尺寸 : 3174 x 2248px

“威尼斯，圣乔瓦尼圣保罗大教堂（Campo Santi Giovanni e Paolo）的景色，背景为巴托洛梅奥·科莱奥尼马术纪念碑和圣马可大教堂（Scuola Grande di San Marco），由费德里科·莫哈（Federico Moja）创作-Federico Moja

Venice, a View of the Campo Santi Giovanni e Paolo, with the Equestrian Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco in the Background--Federico Moja (意大利, 1802 – 1885)

769. 佩特鲁斯，阿尔乔尼乌斯。C、 1487–1527年。 流亡的手段。威尼斯：阿尔迪，1522年。 高清作品[50%]

Medices legatus de exilio. Venice: Aldi, 1522.

图片文件尺寸 : 5426 x 6025px

ALCYONIUS, PETRUS (PIETRO ALCIONIO). C.1487-1527.:Medices legatus de exilio. Venice: Aldi, 1522.
4to (210 x 134 mm). Woodcut printer\'s device on title and colophon. 20th century red morocco, ruled in gilt, with gilt printer\'s devices reproduced on both covers, marbled endpapers. Some wear to joints, old ink notations, scattered browning and spotting.
Provenance: Giorgio di Veroli (1890-1952, bookplate).

Alcyonius, a Venetian classicist scholar under the patronage of Pope Clement VII, was appointed Professor of Classical Greek at the University of Florence in 1522. That same year, he published this work, written in the form of a dialogue whose thesis is that exile is not an evil. It was written in elegant Latin, reminiscent of Cicero, which lead to a personal enemy accusing him of secretly plagiarizing passages from Cicero\'s lost work De Gloria, and then destroying the only existing copy of the original to hide his plagiarism. Though the accusation was groundless, it did irreparable harm to his reputation. Adams A633; Brunet I, 153; Renouard 95/6.

佩特鲁斯，阿尔乔尼乌斯。C、 1487–1527年。 流亡的手段。威尼斯：阿尔迪，1522年。

相关：
venice a view of venice grand canal venice scene at dusk canaletto-thepiazzasanmarco venice
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