图片文件像素：4757 x 3970 px
Jií（Georg）Dokoupil，当代艺术II-
Jiří (Georg) Dokoupil * - Zeitgenössische Kunst II-
(born in Krnov 1954)
Soap bubbles (blue), c. 2002, signed twice Dokoupil, stamp Edition Großenwehr on the reverse, soap, ink on chromolux, 70 x 50 cm or 50 x 70 cm
图片文件像素：4493 x 3902 px
Jií（Georg）Dokoupil，当代艺术II-
Jiří (Georg) Dokoupil * - Zeitgenössische Kunst II-
(born in Krnov 1954)
Soap bubbles (green), c. 2002, signed twice Dokoupil, stamp Edition Großenwehr on the reverse, soap, ink on chromolux, 70 x 50 cm or 50 x 70 cm
图片文件尺寸 : 2498 x 3540px
“沉船的三个字。永远不要告诉任何人航行日期、货物或船只目的地-Anonymous
三个字击沉了一艘船。永远不要告诉任何人航行日期、货物或船只目的地--Anonymous
图片文件尺寸 : 3808 x 1723px
弗雷德里克·埃德温·丘奇（Frederic Edwin Church）的《太阳或月亮升起豪猪群岛，巴尔港》-Frederic Edwin Church
日出或月出豪猪群岛，巴尔港--Frederic Edwin Church (美国, 1826-1900)
图片文件尺寸 : 5293 x 5103px
Alexis Peskine:Ribu Endabu, 2019
clous, feuille d\'or de lune, terre, eau, café et vernis d\'archivage sur bois
nails, moon gold leaf, earth, water, coffee and archival varnish on wood
150 x 110cm.
59 1/16 x 43 5/16in.
亚历克西斯·佩斯金 Ribu Endabu，2019年
图片文件尺寸 : 4867 x 4403px
Spyros Vassiliou:
Cité doré
signé on grec et daté \'72\' (en bas à droite)
acrylique et feuilles d\'or sur toile
70 x 100cm (27 9/16 x 39 3/8in).
Peint en 1972
signed in Greek and dated (lower right)
acrylic and gold leaf on canvas
Spyros Vassiliou 引用未命中233
图片文件尺寸 : 4164 x 5369px
罗杰•布朗 天空中的岛屿，海洋中的岛屿：KAL 007或格林纳达，你更愿意去哪个岛屿？
图片文件尺寸 : 2986 x 3000px
Kazimir Malevich的“Tochil schik Printsip Mel kaniia（磨刀机或闪光原理）”-Kazimir Malevich
Tochil schik Printsip Mel kaniia（磨刀机或闪光原理）--Kazimir Malevich (俄罗斯, 1879 – 1935)
图片文件尺寸 : 4750 x 3019px
《孟加拉湾的马德拉斯或圣乔治堡——威廉·丹尼尔的狂风暴雨》-William Daniell
孟加拉湾的马德拉斯或圣乔治堡，一场暴风雪正在袭来--William Daniell (英国, 1769–1837)
图片文件尺寸 : 4573 x 5010px
EMERSON, RALPH WALDO. 1803-1882.:Autograph Manuscript from Emerson\'s notebook, discussing key figures of the French Enlightenment and the Academie, 241 x 182 mm, laid into a larger sheet, ink on light blue paper, numbered \"80\" in upper right corner, [Boston? c.1853], tape to verso at fold.
AN UNPUBLISHED AUTOGRAPH LEAF FROM EMERSON\'S NOTEBOOK CONCERNING FIGURES OF THE FRENCH ENLIGHTENMENT. Headed \"Academie,\" the manuscript gives a brief relation of major French thinkers to the Academie Francaise: Richelieu \"wd not have established it if he cd have seen revolution in it...\"; Saint-Pierre \"induced the Acad to substitute Hope of great men for frivolous subjects\"; Montesquieu \"said, the academie had no other functions than to chatter without end.\" Emerson had visited Paris during the revolution of 1848 and held a high opinion of the French. It is likely this manuscript was produced in 1853 in conjunction with an important series of lectures Emerson would give beginning in January 1854, including \"France, or Urbanity.\" The subject, tone and wit exhibited in the manuscript resemble that of the lecture but has never been published or identified in the lecture.
爱默生，拉尔夫·沃尔多。1803-1882. Emerson笔记本上的亲笔签名手稿，讨论了法国启蒙运动和学术界的关键人物，
图片文件像素：4757 x 3970 px
Jií（Georg）Dokoupil，当代艺术II-
Jiří (Georg) Dokoupil * - Zeitgenössische Kunst II-
(born in Krnov 1954)
Soap bubbles (blue), c. 2002, signed twice Dokoupil, stamp Edition Großenwehr on the reverse, soap, ink on chromolux, 70 x 50 cm or 50 x 70 cm
图片文件像素：4493 x 3902 px
Jií（Georg）Dokoupil，当代艺术II-
Jiří (Georg) Dokoupil * - Zeitgenössische Kunst II-
(born in Krnov 1954)
Soap bubbles (green), c. 2002, signed twice Dokoupil, stamp Edition Großenwehr on the reverse, soap, ink on chromolux, 70 x 50 cm or 50 x 70 cm
图片文件尺寸 : 2498 x 3540px
“沉船的三个字。永远不要告诉任何人航行日期、货物或船只目的地-Anonymous
三个字击沉了一艘船。永远不要告诉任何人航行日期、货物或船只目的地--Anonymous
图片文件尺寸 : 3808 x 1723px
弗雷德里克·埃德温·丘奇（Frederic Edwin Church）的《太阳或月亮升起豪猪群岛，巴尔港》-Frederic Edwin Church
日出或月出豪猪群岛，巴尔港--Frederic Edwin Church (美国, 1826-1900)
图片文件尺寸 : 5293 x 5103px
Alexis Peskine:Ribu Endabu, 2019
clous, feuille d\'or de lune, terre, eau, café et vernis d\'archivage sur bois
nails, moon gold leaf, earth, water, coffee and archival varnish on wood
150 x 110cm.
59 1/16 x 43 5/16in.
亚历克西斯·佩斯金 Ribu Endabu，2019年
图片文件尺寸 : 4867 x 4403px
Spyros Vassiliou:
Cité doré
signé on grec et daté \'72\' (en bas à droite)
acrylique et feuilles d\'or sur toile
70 x 100cm (27 9/16 x 39 3/8in).
Peint en 1972
signed in Greek and dated (lower right)
acrylic and gold leaf on canvas
Spyros Vassiliou 引用未命中233
图片文件尺寸 : 4164 x 5369px
罗杰•布朗 天空中的岛屿，海洋中的岛屿：KAL 007或格林纳达，你更愿意去哪个岛屿？
图片文件尺寸 : 2986 x 3000px
Kazimir Malevich的“Tochil schik Printsip Mel kaniia（磨刀机或闪光原理）”-Kazimir Malevich
Tochil schik Printsip Mel kaniia（磨刀机或闪光原理）--Kazimir Malevich (俄罗斯, 1879 – 1935)
图片文件尺寸 : 4750 x 3019px
《孟加拉湾的马德拉斯或圣乔治堡——威廉·丹尼尔的狂风暴雨》-William Daniell
孟加拉湾的马德拉斯或圣乔治堡，一场暴风雪正在袭来--William Daniell (英国, 1769–1837)
图片文件尺寸 : 4573 x 5010px
EMERSON, RALPH WALDO. 1803-1882.:Autograph Manuscript from Emerson\'s notebook, discussing key figures of the French Enlightenment and the Academie, 241 x 182 mm, laid into a larger sheet, ink on light blue paper, numbered \"80\" in upper right corner, [Boston? c.1853], tape to verso at fold.
AN UNPUBLISHED AUTOGRAPH LEAF FROM EMERSON\'S NOTEBOOK CONCERNING FIGURES OF THE FRENCH ENLIGHTENMENT. Headed \"Academie,\" the manuscript gives a brief relation of major French thinkers to the Academie Francaise: Richelieu \"wd not have established it if he cd have seen revolution in it...\"; Saint-Pierre \"induced the Acad to substitute Hope of great men for frivolous subjects\"; Montesquieu \"said, the academie had no other functions than to chatter without end.\" Emerson had visited Paris during the revolution of 1848 and held a high opinion of the French. It is likely this manuscript was produced in 1853 in conjunction with an important series of lectures Emerson would give beginning in January 1854, including \"France, or Urbanity.\" The subject, tone and wit exhibited in the manuscript resemble that of the lecture but has never been published or identified in the lecture.
爱默生，拉尔夫·沃尔多。1803-1882. Emerson笔记本上的亲笔签名手稿，讨论了法国启蒙运动和学术界的关键人物，