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Studio of Giovanni Battista Salvi, called il Sassoferrato:The Madonna at prayer
oil on canvas, unlined
50.8 x 38.2cm (20 x 15 1/16in).

Giovanni Battista Salvi工作室，名为il Sassoferrato 祈祷中的麦当娜

图片文件尺寸 : 5430 x 5283px

Attributed to Jan Soens, called il Fiammingo: An extensive mountainous landscape with Tobias and the Angel
oil on canvas
87.2 x 104.4cm (34 5/16 x 41 1/8in).

归于Jan Soens，称为il Fiammingo 托比亚斯和天使的广阔山区景观

图片文件尺寸 : 4781 x 5056px

After Giovanni Francesco Barbieri, called il Guercino: Saint John the Baptist
oil on canvas, unlined
74.5 x 60.7cm (29 5/16 x 23 7/8in).
unframed

源自乔凡尼·弗朗切斯科·巴比里（Giovanni Francesco Barbieri） 施洗者圣约翰

图片文件尺寸 : 5088 x 4467px

Studio of Jean Lemaire, called Le Gros Lemaire:Theseus finds his Father\'s sword
oil on canvas
105.2 x 126.5cm (41 7/16 x 49 13/16in).

让·勒梅尔的工作室，被称为大勒梅尔 忒修斯找到了父亲的剑

图片文件尺寸 : 4490 x 4610px

TOTOYA HOKKEI (1780-1850):Edo period (1615-1868), circa 1830s
A surimono shikishiban print called Migi niban, Kogarasumaru (Right [Team], Round Two: the Sword \"Little Crow\"), from the series Takara-awase (Contest of Treasures), with poems by Ittai Kimame, Shosai Kakuo, and Kameya Kamemaru, and signed Aoigaoka Hokkei
8 1/4 x 7 1/8in (20.9 x 18.1cm)

托托亚·霍克伊（1780-1850） 江户时代，约1830年

图片文件尺寸 : 4798 x 5669px

Cornelis Thim, called Colonel Thim:Dutch shipping scenes
the former signed and dated \'Kornelis Thim fecit 1779. h:k\' (on the verso) and the latter signed and dated \'Korne** Thim fecit 1778. h:k\' (on the verso)
a pair, pencil and grey wash on paper
16.1 x 26.8cm (6 5/16 x 10 9/16in). (2)

Cornelis Thim，叫Thim上校 荷兰航运场景

图片文件尺寸 : 4590 x 4612px

Jan van de Venne, called Pseudo van de Venne: The Adoration of the Shepherds
oil on panel
72.1 x 97.2cm (28 3/8 x 38 1/4in).

Jan van de Venne，被称为伪van de Vene 牧羊人的崇拜

图片文件尺寸 : 5207 x 5575px

TOTOYA HOKKEI (1780-1850):Edo period (1615-1868), circa 1820s
A surimono shikishiban print called Mikai beni (Crimson Yet to Open) from the series Hanazono bantsuzuki (Series for the Hanazono [Group]) of prunus blossoms and male courtier\'s garments, with poems by Ryugentei Karakoto, Ryukyorin Chieda, and Ryukatsutei Karawa, signed Hokkei
8 1/4 x 7 1/4in (20.9 x 18.4cm)

托托亚·霍克伊（1780-1850） 江户时代，约1820年代

图片文件尺寸 : 5373 x 4089px

PROCLUS. 412-485 A.D.:In Platonis Theologiam Libri Sex. Hamburg and Frankfurt: Apud Rulandios, 1618. 4to (320 x 206 mm). Contemporary calf, some wear to binding, front joint cracked, but firm.
Provenance: Archivum V.-Prov. Helveticae (stamped over another JHS stamp on title); \"Bibliothek SJ. Zürich Prov. Helv.\" (stamp).

PROCLUS\'S MASTERPIECE, called by Samuel Taylor Coleridge, \"The most beautiful and orderly development of [the Platonic] philosophy, which endeavours to explain all things by an analysis of consciousness, and builds up a world in the mind out of materials furnished by the mind itself\" (Coleridge, Letter to Lady Beaumont, January 21, 1810).

直肠。公元412-485年。 在柏拉图，《性的神学》一书中。汉堡和法兰克福：Apud Rulandios，1618年。

图片文件尺寸 : 5316 x 4079px

After Raffaello Sanzio, called Raphael: The Madonna and Child with the Infant Saint John the Baptist
oil on canvas
106.2 x 78.2cm (41 13/16 x 30 13/16in).

源自Raffaello Sanzio，名为Raphael 圣母玛利亚与婴儿圣若望浸礼会