图片文件尺寸 : 4301 x 4231px
Erté:The Letter Y, from the Alphabet Suite, 1976
Screenprint in colors on wove paper signed in pencil and numbere 137/350, with the blindstamp of the publisher Circle Fine Art Corp., Chicago, printed by Atelier Gourdon/Atelier Arcay, Paris and American Atelier, New York, with full margins.
15 7/8 x 10 5/8in (40.3 x 27cm)
sheet 25 1/2 x 18 3/4in (64.7 x 47.5cm)
埃特 字母Y，来自字母组曲
图片文件尺寸 : 5078 x 5516px
Allen Jones R.A.:Beach Scene; Cue (Lloyd 79; 83)
Two lithographs printed in colours, 1979/81, each on wove, each signed and dated in pencil, the first numbered 44/55, printed by Solo Press, New York, published by Waddington Graphics, London, the second numbered 20/75, printed by Landfall Press, Chicago, published by Waddington Graphics, London, each with the printer\'s and publisher\'s blindstamps, the full sheets printed to the edges, 1072 x 718mm (42 1/8 x 28 1/4in)(and smaller)(SH)(2)
艾伦·琼斯R.A。 海滩场景暗示
图片文件像素：4600 x 3500 px
LászlóMoholy Nagy-摩登-
-
(Bacsborsod/Ungarn 1895-1946 Chicago)
Bennett Sculpture, 1943, monogrammiert, betitelt und datiert
M-N, Bennett Sculpture, Dec 21–43, Tusche auf Papier, 27,8 x 21,5 cm
图片文件尺寸 : 4005 x 5336px
Henri de Toulouse-Lautrec:Irish and American Bar, Rue Royale - The Chap Book (Wittrock P18, Delteil 362, Adhémar 189), 1895
Lithograph in colors on wove support, Wittrock\'s state B (of 2), with text, commissioned by the magazine The Chap, Chicago, printed by Chaix, Paris, the full sheet, framed.
sheet 16 x 23 1/2in (40.6 x 59.7cm)
罗特列克 爱尔兰和美国酒吧，皇家街-ChapBook
图片文件尺寸 : 4802 x 4678px
Claes Oldenburg:Picasso Cufflink, from Homage to Picasso (Axsom Platzker 113), 1974
Lithograph in colors on Arches paper, signed in pencil, dated and numbered 72/90 (there were also 15 artist\'s proofs), published by Propyläen Verlag, Berlin, with the blindstamp of the printer Landfall Press Inc., Chicago, the full sheet.
sheet 36 1/8 x 26 7/8in (91.8 x 68.3cm)
克莱斯·奥登伯格 毕加索袖扣，从Homage到毕加索
图片文件尺寸 : 4137 x 4663px
Alfred R. Mitchell:
Charing Cross, London (after Claude Monet)
signed, titled, dated and inscribed \'Alfred R. Mitchell / Copied in the Art Institute of Chicago / May 1927.\' (on the reverse)
oil on board
14 x 20in
framed 18 x 24in
Painted in 1927.
阿尔弗雷德·R·米切尔 Charing Cross，伦敦14 x 20英寸框架18 x 24英寸
图片文件尺寸 : 4011 x 4475px
Ilya Bolotowsky:
Blue Diamond from the 1776 USA 1976: Bicentennial Prints portfolio, 1975
Screenprint in colors on Arches paper, signed in pencil, dated and numbered 3/75, published by Special Projects Group, Chicago, printed by Fine Creations, Inc., New York, with full margins.
27 3/4 x 16in (70.4 x 40.6cm)
sheet 29 3/4 x 22in (75.5 x 55.8cm)
伊利亚·博洛托夫斯基 来自1776年美国1976年的蓝钻石：二百周年纪念版画组合
图片文件尺寸 : 4847 x 4903px
Christo Jeanne-Claude:Ericsson Display Monitor Unit 3111, Wrapped Project for Personal Computer (Schellmann 120)
Lithograph printed in colours with collage of transparent polyethylene, twine and colour photograph, 1985, on wove, signed, dated and numbered 3/100 in pencil (aside from the 20 Roman numeral edition and 35 artist\'s proofs), printed by Landfall Press, Chicago, published by L.M. Ericsson, New Jersey, the full sheet, 711 x 568mm (28 x 22 3/8in)(SH)
克里斯托和珍妮·克劳德 爱立信显示监视器单元3111，个人计算机包装项目
图片文件像素：6353 x 5789 px
克里斯托（Javacheff Christo，当代艺术I-
Christo * (Javacheff Christo) - Zeitgenössische Kunst I-
(Gabrovo, Bulgaria 1935–2020 New York)
Wrapped Snoopy House (Collage), 2004, signed, dated Christo 2004, cloth, threads, charcoal, pencil, color crayon, paint and adhesive tape on cardboard, 61.2 x 55 cm,
framed under plexiglass
The wrapped Snoopy House is registered in the Christo and Jeanne-Claude Archives, New York.
We are grateful to Jonathan Henery, Christo and Jeanne-Claude Archives, New York, for his scientific support in cataloguing the work.
Provenance:
Studio of the artist
Collection of the printer and fabricator Jack Lemon, Chicago
Private collection, 德国y
Literature:
This work is the prototype for the multiple, published by Schulz Museum, Santa Rosa, California see: Matthias Koddenberg, Jörg Schellmann: Christo and Jeanne-Claude: Prints and Objects. Catalogue Raisonné, p. 213, no 188
Charles M. Schulz (1922-2000) was the cartoonist of the globally successful comic series \"Peanuts\". The 美国 author and illustrator portrayed 美国 suburban life from the perspective of a group of children in the daily comic strips, which ran for decades. Peanuts was special in that it combined pointed wit with philosophical reflection.
Most of the comic strips focus on the main characters Charlie Brown and his dog Snoopy. Snoopy, the white dog with the black floppy ears, is now considered an integral part of our popular culture.
Snoopy lives in a kennel in Charlie Brown\'s garden. There, the beagle spends most of his time lying lazily on the roof of his hut, the so-called Snoopy Dog House, pondering his philosophical thoughts while waiting for his next meal.
In 1975, Charles M. Schulz met the packaging artists Jeanne-Claude and Christo at a discussion group in Colorado. The cartoonist then paid tribute to the artist couple by creating a Peanuts comic strip in 1978 in which Christo wraps Snoopy‘s House in fabric. In the comic strip, Snoopy wonders what Christo will cover next and finds his house wrapped at the end of the sequence. Christo returned the cartoonist\'s compliment by turning the comic image into reality decades later, designing a life-size, three-dimensional doghouse for the Charles M. Schulz Museum and wrapping it in tarpaulin, polyethylene and rope.
The work offered here is an original collage with real fabric wrapping, created by Christo in 1994 as a prototype for the later multiple. The multiple is number 188 in the catalogue raisonné.
This original work came from the estate of printer Jack Lemon, who founded his life\'s work, the Landfall Press, in Chicago in 1970. Lemon and his team printed lithographs by Christo, Philip Pearlstein and Sol LeWitt, among others.
图片文件尺寸 : 4570 x 5119px
EAST ASIAN ART.:10 titles:
1. TAKASHIMA, S. and KAZUMASA OGAWA, photographer. Illustrations of Japanese Life. Yokahama: 1893. 3 volumes. 8vo. 94 collotype photographic illustrations printed on crepe paper. Publisher\'s pictorial crepe paper wrappers, bound with silk twine, custom clamshell box. Rubbing and slight fading to wrappers, stains to clamshell box, light toning and spotting throughout.
2. JACOBY, GUSTAV. Japanische Schwertzieraten. Leipzig: 1904. Folio. 37 heliogravure plates. Publisher\'s pictorial cloth. Browning and staining to covers, slightly loose, even toning and light foxing.
3. BROCKHAUS, ALBERT. Netsuke. Leipzig: 1905. 4to. Numerous chromolithographic plates, wood-engraved and half-tone photographic illustrations in text. Publisher\'s brown suede, stamped in gilt. Suede deteriorating and torn, text block somewhat loose, toning.
4. GROHMANN, ADOLF. Göttersymbole und Symboltiere auf südarabischen Denkmälern. Vienna: 1914. Folio. Publisher\'s printed yellow wrappers, pages uncut. Numerous illustrations in text. Wear and soiling to wrappers, a few small tears to spine edges, toning.
5. KÜMMEL, OTTO. Meisterwerke chinesischer und japanischer Kunst, Sammlung Fuchs. Stuttgart and Berlin: 1910. Folio. 15 photographic plates, text introduction. Loose as issued, in board portfolio with string ties, custom cloth clamshell box. Portfolio rubbed, slight toning.
6. ---. Die Kunst Ostasiens. Berlin: 1922. 4to. 166 black and white photographic plates. Publisher\'s quarter cloth and boards. Staining to spine and covers, text block somewhat loose, toning.
7. GLASER, CURT. Die Kunst Ostasiens. Leipzig: 1920. 8vo. 56 photographic plates, some folding. Publisher\'s quarter cloth and boards. Covers sunned and slightly soiled, chips to spine ends corners bumped, light chipping to some page edges, toning.
8. GUNSAULUS, HELEN C. Japanese Sword-Mounts in the Collections of the Field Museum. Chicago: 1923. 61 photographic plates. Later quarter cloth and boards, original front wrapper laid down to upper board. Covers heavily rubbed and soiled, corners chipped, cloth tape lettering piece applied to spine, text block loose, browning.
9. GROUSSET, RENE. Art of the Far East. New York: 1945. 16 color photographic plates. Publisher\'s pictorial wrappers. Warping, wrappers heavily chipped, staining, light toning to interior.
10. VISSER, H.F.E. Asiatic Art. New York: 1948. Large 4to. Numerous color and black and white photographic plates. Publisher\'s black cloth stamped in gilt. Covers warped, text block slightly loose, slight foxing and browning.
东亚艺术。 10个标题：
图片文件尺寸 : 4301 x 4231px
Erté:The Letter Y, from the Alphabet Suite, 1976
Screenprint in colors on wove paper signed in pencil and numbere 137/350, with the blindstamp of the publisher Circle Fine Art Corp., Chicago, printed by Atelier Gourdon/Atelier Arcay, Paris and American Atelier, New York, with full margins.
15 7/8 x 10 5/8in (40.3 x 27cm)
sheet 25 1/2 x 18 3/4in (64.7 x 47.5cm)
埃特 字母Y，来自字母组曲
图片文件尺寸 : 5078 x 5516px
Allen Jones R.A.:Beach Scene; Cue (Lloyd 79; 83)
Two lithographs printed in colours, 1979/81, each on wove, each signed and dated in pencil, the first numbered 44/55, printed by Solo Press, New York, published by Waddington Graphics, London, the second numbered 20/75, printed by Landfall Press, Chicago, published by Waddington Graphics, London, each with the printer\'s and publisher\'s blindstamps, the full sheets printed to the edges, 1072 x 718mm (42 1/8 x 28 1/4in)(and smaller)(SH)(2)
艾伦·琼斯R.A。 海滩场景暗示
图片文件像素：4600 x 3500 px
LászlóMoholy Nagy-摩登-
-
(Bacsborsod/Ungarn 1895-1946 Chicago)
Bennett Sculpture, 1943, monogrammiert, betitelt und datiert
M-N, Bennett Sculpture, Dec 21–43, Tusche auf Papier, 27,8 x 21,5 cm
图片文件尺寸 : 4005 x 5336px
Henri de Toulouse-Lautrec:Irish and American Bar, Rue Royale - The Chap Book (Wittrock P18, Delteil 362, Adhémar 189), 1895
Lithograph in colors on wove support, Wittrock\'s state B (of 2), with text, commissioned by the magazine The Chap, Chicago, printed by Chaix, Paris, the full sheet, framed.
sheet 16 x 23 1/2in (40.6 x 59.7cm)
罗特列克 爱尔兰和美国酒吧，皇家街-ChapBook
图片文件尺寸 : 4802 x 4678px
Claes Oldenburg:Picasso Cufflink, from Homage to Picasso (Axsom Platzker 113), 1974
Lithograph in colors on Arches paper, signed in pencil, dated and numbered 72/90 (there were also 15 artist\'s proofs), published by Propyläen Verlag, Berlin, with the blindstamp of the printer Landfall Press Inc., Chicago, the full sheet.
sheet 36 1/8 x 26 7/8in (91.8 x 68.3cm)
克莱斯·奥登伯格 毕加索袖扣，从Homage到毕加索
图片文件尺寸 : 4137 x 4663px
Alfred R. Mitchell:
Charing Cross, London (after Claude Monet)
signed, titled, dated and inscribed \'Alfred R. Mitchell / Copied in the Art Institute of Chicago / May 1927.\' (on the reverse)
oil on board
14 x 20in
framed 18 x 24in
Painted in 1927.
阿尔弗雷德·R·米切尔 Charing Cross，伦敦14 x 20英寸框架18 x 24英寸
图片文件尺寸 : 4011 x 4475px
Ilya Bolotowsky:
Blue Diamond from the 1776 USA 1976: Bicentennial Prints portfolio, 1975
Screenprint in colors on Arches paper, signed in pencil, dated and numbered 3/75, published by Special Projects Group, Chicago, printed by Fine Creations, Inc., New York, with full margins.
27 3/4 x 16in (70.4 x 40.6cm)
sheet 29 3/4 x 22in (75.5 x 55.8cm)
伊利亚·博洛托夫斯基 来自1776年美国1976年的蓝钻石：二百周年纪念版画组合
图片文件尺寸 : 4847 x 4903px
Christo Jeanne-Claude:Ericsson Display Monitor Unit 3111, Wrapped Project for Personal Computer (Schellmann 120)
Lithograph printed in colours with collage of transparent polyethylene, twine and colour photograph, 1985, on wove, signed, dated and numbered 3/100 in pencil (aside from the 20 Roman numeral edition and 35 artist\'s proofs), printed by Landfall Press, Chicago, published by L.M. Ericsson, New Jersey, the full sheet, 711 x 568mm (28 x 22 3/8in)(SH)
克里斯托和珍妮·克劳德 爱立信显示监视器单元3111，个人计算机包装项目
图片文件像素：6353 x 5789 px
克里斯托（Javacheff Christo，当代艺术I-
Christo * (Javacheff Christo) - Zeitgenössische Kunst I-
(Gabrovo, Bulgaria 1935–2020 New York)
Wrapped Snoopy House (Collage), 2004, signed, dated Christo 2004, cloth, threads, charcoal, pencil, color crayon, paint and adhesive tape on cardboard, 61.2 x 55 cm,
framed under plexiglass
The wrapped Snoopy House is registered in the Christo and Jeanne-Claude Archives, New York.
We are grateful to Jonathan Henery, Christo and Jeanne-Claude Archives, New York, for his scientific support in cataloguing the work.
Provenance:
Studio of the artist
Collection of the printer and fabricator Jack Lemon, Chicago
Private collection, 德国y
Literature:
This work is the prototype for the multiple, published by Schulz Museum, Santa Rosa, California see: Matthias Koddenberg, Jörg Schellmann: Christo and Jeanne-Claude: Prints and Objects. Catalogue Raisonné, p. 213, no 188
Charles M. Schulz (1922-2000) was the cartoonist of the globally successful comic series \"Peanuts\". The 美国 author and illustrator portrayed 美国 suburban life from the perspective of a group of children in the daily comic strips, which ran for decades. Peanuts was special in that it combined pointed wit with philosophical reflection.
Most of the comic strips focus on the main characters Charlie Brown and his dog Snoopy. Snoopy, the white dog with the black floppy ears, is now considered an integral part of our popular culture.
Snoopy lives in a kennel in Charlie Brown\'s garden. There, the beagle spends most of his time lying lazily on the roof of his hut, the so-called Snoopy Dog House, pondering his philosophical thoughts while waiting for his next meal.
In 1975, Charles M. Schulz met the packaging artists Jeanne-Claude and Christo at a discussion group in Colorado. The cartoonist then paid tribute to the artist couple by creating a Peanuts comic strip in 1978 in which Christo wraps Snoopy‘s House in fabric. In the comic strip, Snoopy wonders what Christo will cover next and finds his house wrapped at the end of the sequence. Christo returned the cartoonist\'s compliment by turning the comic image into reality decades later, designing a life-size, three-dimensional doghouse for the Charles M. Schulz Museum and wrapping it in tarpaulin, polyethylene and rope.
The work offered here is an original collage with real fabric wrapping, created by Christo in 1994 as a prototype for the later multiple. The multiple is number 188 in the catalogue raisonné.
This original work came from the estate of printer Jack Lemon, who founded his life\'s work, the Landfall Press, in Chicago in 1970. Lemon and his team printed lithographs by Christo, Philip Pearlstein and Sol LeWitt, among others.
图片文件尺寸 : 4570 x 5119px
EAST ASIAN ART.:10 titles:
1. TAKASHIMA, S. and KAZUMASA OGAWA, photographer. Illustrations of Japanese Life. Yokahama: 1893. 3 volumes. 8vo. 94 collotype photographic illustrations printed on crepe paper. Publisher\'s pictorial crepe paper wrappers, bound with silk twine, custom clamshell box. Rubbing and slight fading to wrappers, stains to clamshell box, light toning and spotting throughout.
2. JACOBY, GUSTAV. Japanische Schwertzieraten. Leipzig: 1904. Folio. 37 heliogravure plates. Publisher\'s pictorial cloth. Browning and staining to covers, slightly loose, even toning and light foxing.
3. BROCKHAUS, ALBERT. Netsuke. Leipzig: 1905. 4to. Numerous chromolithographic plates, wood-engraved and half-tone photographic illustrations in text. Publisher\'s brown suede, stamped in gilt. Suede deteriorating and torn, text block somewhat loose, toning.
4. GROHMANN, ADOLF. Göttersymbole und Symboltiere auf südarabischen Denkmälern. Vienna: 1914. Folio. Publisher\'s printed yellow wrappers, pages uncut. Numerous illustrations in text. Wear and soiling to wrappers, a few small tears to spine edges, toning.
5. KÜMMEL, OTTO. Meisterwerke chinesischer und japanischer Kunst, Sammlung Fuchs. Stuttgart and Berlin: 1910. Folio. 15 photographic plates, text introduction. Loose as issued, in board portfolio with string ties, custom cloth clamshell box. Portfolio rubbed, slight toning.
6. ---. Die Kunst Ostasiens. Berlin: 1922. 4to. 166 black and white photographic plates. Publisher\'s quarter cloth and boards. Staining to spine and covers, text block somewhat loose, toning.
7. GLASER, CURT. Die Kunst Ostasiens. Leipzig: 1920. 8vo. 56 photographic plates, some folding. Publisher\'s quarter cloth and boards. Covers sunned and slightly soiled, chips to spine ends corners bumped, light chipping to some page edges, toning.
8. GUNSAULUS, HELEN C. Japanese Sword-Mounts in the Collections of the Field Museum. Chicago: 1923. 61 photographic plates. Later quarter cloth and boards, original front wrapper laid down to upper board. Covers heavily rubbed and soiled, corners chipped, cloth tape lettering piece applied to spine, text block loose, browning.
9. GROUSSET, RENE. Art of the Far East. New York: 1945. 16 color photographic plates. Publisher\'s pictorial wrappers. Warping, wrappers heavily chipped, staining, light toning to interior.
10. VISSER, H.F.E. Asiatic Art. New York: 1948. Large 4to. Numerous color and black and white photographic plates. Publisher\'s black cloth stamped in gilt. Covers warped, text block slightly loose, slight foxing and browning.
东亚艺术。 10个标题：