图片文件尺寸 : 4558 x 4791px

HUYGENS, CHRISTIAAN. 1629-1695.:The Celestial World Discover\'d: or, Conjectures Concerning the Inhabitants, Plants and Productions of the Worlds in the Planets. London: Timothy Childe, 1698.
Small 8vo (170 x 118 mm). 5 folding engraved plates. Contemporary paneled calf, rebacked to style, blue cloth chemise and slipcase.

FIRST ENGLISH EDITION, published in the same year as the original Latin edition. Wing H3859.

克里斯蒂安·惠更斯。1629–1695. 发现的天界：或者，关于行星上世界的居民、植物和产品的猜想。伦敦：蒂莫西·柴尔德，1698年。

图片文件尺寸 : 3947 x 2614px

路易吉·万维泰利（Luigi Vanvitelli）的《带门墙设计的建筑草图》（Architectural Sketch for the design of a Wall with Doorway）和两幅较小的窗户或门道设计草图-Luigi Vanvitelli

Architectural Sketch for the design of a Wall with Doorway, with two smaller sketches for the design of windows or doorways--Luigi Vanvitelli (意大利, 1700-1773)

图片文件尺寸 : 2416 x 3872px

约翰·乔治·伍德的《螃蟹蜘蛛》-John George Wood

螃蟹或马托杜--John George Wood (英国, 1827 – 1889)

图片文件尺寸 : 4095 x 5284px

Hendrick Goltzius:The Passion (Bartsch 27-38; New Hollstein 17-28)
Volume containing the complete set of 12 engravings, 1596-8, the first state (of two) before the address of de Wit, with watermark Crest with Fleur-de-lys and letters CVL; together with three further engravings, a copy of plate 7 in reverse, Judith and Holofernes after Bartholomeus Spranger (B.272, H.317), Portrait of Goltzius by E.de Boulonois, bound in leather-covered boards, 268 x 198mm (Vol); after Hendrick Goltzius Ovid\'s Metamorphoses (B.31-82, H.508-559), the set of 52 engravings by various engravers, 1589-1615, bound in paper-covered boards and slipcase, 200 x 280mm (Vol); Philips Galle after Maerten van Heemskerck Acta Apostolorum (H.206-240), the set of 35 engravings, 1575; together with after Stradanus engravings of biblical subjects by various artists, bound in brown leather-covered boards, 250 x 340mm (Vol), good impressions, on laid paper, with small margins or trimmed to the platemark or borderline (3 Vols)

亨德里克·戈尔茨乌斯 激情

图片文件像素：6259 x 4573 px

杰森·马丁，当代艺术I-

Jason Martin * - Zeitgenössische Kunst I-

(born in London in 1970)
Untitled, 2008, oil on steel, 236 x 354 x 11 cm

Provenance:
Private collection Thomas Olbricht, Essen
Van Ham, Cologne, 26 September 2020, lot 333 - acquired there by the present owner

Exhibited:
Hamburg, Deichtorhallen, Zwei Sammler: Thomas Olbricht und Harald Falckenberg, 24 June – 21 August 2011

Literature:
Luckow, Dirk: Zwei Sammler - Thomas Olbricht und Harald Falckenberg, Cologne 2011, p. 52 (without ill.)

The British artist Jason Martin expands the possibilities of painting with his innovative approach in using unusual materials which serve as paint. He attracted international attention with his large, brushed oil paintings, executed in thin layers of paint with self-made comb-like tools – such as the one being auctioned off. Because of the light bouncing off the shiny surface, experiencing the work in person is like walking towards a sculpture rather than a painting.

“There’s never really any single point to review the work or to experience the work, it’s about moving around. But there is a stillness as well, in that the organisation of the marks all collide into a central or suggested central point. […] When you encounter a work of mine, there is an academic approach to the performative act, the gestural act. I have a series of reduced movements that then compile in a composition. And you also look through it, because there is this implied sense of looking through, this illusion. […] I would suggest that my paintings are a hybrid between that naturalism, that looking through, that perspectival space, that implied pictorial depth and the didactic, academic concerns of abstraction, which are for me physical and arm-led, or I immerse my body into the whole making of the work. And they sit very much in between these two places, these two worlds. [...]”
Jason Martin on the exhibition: Convergence. Thaddaeus Ropac, Seoul Fort Hill, 24.2.-16.4.22

图片文件尺寸 : 3690 x 3118px

乔治·莱曼的《两姐妹》-Georges Lemmen

两姐妹或塞鲁伊姐妹--Georges Lemmen (比利时, 1865-1916)

图片文件像素：5925 x 4626 px

Jií（Georg）Dokoupil，当代艺术I-

Jiří (Georg) Dokoupil * - Zeitgenössische Kunst I-

(born in Krnov 1954)
Mis Mus Sian, 2014, titled, several times signed Dokoupil on the overlap, soap-lye and pigments on canvas, 250 x 300 cm or 300 x 250 cm (the work can be hung vertical or horizontal), on stretcher

Provenance:
Studio of the artist
Kasmin Gallery, New York
Private collection, 德国y

Literature:
Kasmin Gallery, Jiří (Georg) Dokoupil, New paintings,
exhibition catalogue, New York 2015
Jiří Georg Dokoupil, Soap Bubble Paintings, Berlin 2015

Exhibited:
Kasmin Gallery, New York, Jiří (Georg) Dokoupil, New paintings,
8 January - 7 February 2015

Jiří (Georg) Dokoupil has been putting his art on canvases since the 1970s - and for much of that time without a brush. He constantly reinvents the production of artworks, expresses his creativity with the most diverse materials, such as breast milk or fruit juices, and thinks \"outside the box\". His oeuvre now comprises about 140 series, which are not at all alike. He is a quick-change artist in the contemporary art world. Like a pop culture star, he completely reinvents his art with each series.

The early flight from his homeland and the associated deprivation of a national, social and personal identity meant the artist never developed a fixed style of his own. (Compare Wilfried Dickhoff, Soap Bubble Thinking, p.5, in: Jiří (Georg) Dokoupil..

Soap Bubble Paintings, Berlin 2015)
The Soap Bubble Paintings series is one of his longest-running series. The work offered here, \"Mis Mus Sian\", is part of it.

Standing on a ladder with a metal hoop, Jiří (Georg) Dokoupil. lowers his soap bubbles onto the canvas. He uses soap suds mixed with shimmering pigments, the exact composition of which he keeps strictly secret. The individual layers of soap bubbles, their shimmering pigments and superimpositions create a sphere of their own. The result is a depth undreamed of in a two-dimensional work, which can only be properly experienced through viewing the work in person. The soap bubbles glitter dynamically on the deep blue background of the painting and evoke movement through their different shapes and orientations. Due to the enormous format of over 250 x 300 cm, the experience of the work is like visiting a giant aquarium. At first, one is overwhelmed by the work’s abundance and appearance and, as time goes by, one dives deeper and deeper into its cosmos. The artist leaves it up to the owner to hang the work in portrait or landscape format. For this reason, he has signed the reverse on two sides.
„It’s all about making something that is not doable“
Jiří (Gerog) Dokupil

图片文件尺寸 : 2709 x 3844px

A.Haddock的《红色夹克》-A. Haddock

Red Jacket--A. Haddock (美国, active 1828 or after)

图片文件尺寸 : 2432 x 3536px

约翰·乔治·伍德的《雄鹿或红鹿》-John George Wood

雄鹿或红鹿--John George Wood (英国, 1827 – 1889)

12 x 18 (30.5 x 45.7 cm)

Jacob Lawrence. Another of the social causes of the migrants leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation. 1940-41

雅各布·劳伦斯。移民离开的另一个社会原因是，有时他们感到不安全，或者深夜在街上找不到最好的东西。他们因轻微的挑衅而被捕。194041-