图片文件尺寸 : 6649 x 3607px

卡斯帕·沃尔夫（Caspar Wolf）的《森林中的农舍与骑手》（Farmhouse in a Forest Glade with Riders）-Caspar Wolf

森林中的农舍与骑手--Caspar Wolf (瑞士, 1735 - 1783)

图片文件尺寸 : 3934 x 2511px

丹克瓦特·德雷耶（Dankvart Dreyer）的《福南阿森河上的桥》（Bridge over a Stream in Assens，Funen）-Dankvart Dreyer

福南阿森斯河上的桥--Dankvart Dreyer (丹麦, 1816 – 1852)

图片文件尺寸 : 4899 x 4357px

Larry Zox: A Group of 3 Prints (3 works), 1971
3 screenprints in colors with embossing on J Green handmade paper, each signed in pencil, dated and annotated AP, one numbered \'AP 5/10\' (an artist proof aside from the edition of 41, and one AP is an artist\'s proof aside from the edition of 34), all with full margins. (3 works)
each 17 3/4 x 29 1/2in (45 x 74.9cm); 15 3/4 x 33 1/2in (40 x 85cm); 15 3/4 x 33 1/2in (40 x 85cm)
sheet 25 3/4 x 37in (65.4 x 93.9cm); 23 1/2 x 40 1/2in (59.6 x 102.8cm); 23 1/2 x 40 1/2in (59.6 x 102.8cm)

拉里·佐克斯 一组3张照片

图片文件尺寸 : 4654 x 5879px

Samuel Palmer: The Skylark (Lister 2)
Etching, 1850, on chine appliqu, the seventh state (of eight), with etched lettering \'Samuel Palmer. 17.\' below the image, published in 1857 as plate 17 in Etchings of the Art Union of London, 11.7 x 9.6cm (4 5/8 x 3 7/8in)(PL); together with The Herdsman\'s Cottage (L.3), 1850, on wove paper, the second final state, with Palmer\'s etched initials in the lower left margin, published in 1872 in The Portfolio, 12.4 x 10cm (4 7/8 x 4in)(PL)(2)

塞缪尔·帕默 云雀

图片文件尺寸 : 2918 x 2719px

阿尔弗雷德·雅各布·米勒（Alfred Jacob Miller）的《暴风雪中的洛基山口》（Rocky Pass in a Storm，Caravan Crossing the Heights）-Alfred Jacob Miller

Rocky Pass in a Storm, Caravan Crossing the Heights--Alfred Jacob Miller (美国, 1810-1874)

图片文件尺寸 : 5356 x 5695px

The Connor Brothers:Why Fit In
Hand-painted vintage paperback with acrylic and screenprint in colours, 2019, signed in black ink on a label affixed verso, a unique impression from the edition of two, housed in the artist\'s designated frame, 270 x 207 x 30mm (10 5/8 x 8 1/8 x 1 1/4in)(overall)

康纳兄弟 为什么适合

图片文件尺寸 : 5390 x 5418px

Karel Appel:Looking Like Green; Smiling Face; Heads Like Clouds (3 works), 1970; 1971
3 lithographs in colors on Arches paper, each signed in pencil, dated and numbered 26/100; 26/100; or 77/100, respectively, all with full margins. (3 works)
26 1/4 x 20 1/2in (66.6 x 52cm); 20 1/4 x 26 3/8in (51.4 x 67cm); 26 1/4 x 40 1/4in (66.6 x 102.2cm)
sheet 31 1/2 x 23 5/8in (80 x 60cm); 21 x 30 in (53.2 x 76.1cm); 28 x 41 1/2in (71 x 105.3cm)

卡雷尔.阿佩尔 看起来像绿色笑脸头如云

图片文件像素：5412 x 4936 px

丹尼尔·里希特，当代艺术I-

Daniel Richter * - Zeitgenössische Kunst I-

(born in Lütjenburg in 1962)
Jump from the towers, 2009, signed, dated Daniel Richter 09 on the reverse, oil on canvas, 60 x 50 cm, framed

Provenance:
Private Collection, North Rhine-Westphalia

Daniel Richter is one of 德国y\'s best-known contemporary artists. In a constant balancing act between his left-wing political origins as a squatter in Hamburg and his new lifestyle as a 德国 star painter, Richter uses iconographic representations from art history, mass media and pop culture in his works. He places these as if on a stage onto a reduced, mystical pictorial background often characterised by darkness, depicting the figures themselves in a painterly excess of light and colour.

This pictorial composition is typical of Richter and can also be found in his stage designs for the 2010 Salzburg Festival.

In Jump from the towers, it seems as if the figures are jumping out of the screen with wide-open eyes, as if in panic, in reference to the images of the 9/11 terrorist attack circulating in the media. Their bodies dissolve into streaks and splashes of colour as they move, and their colourfulness is reminiscent of the view through a thermal imaging camera. This connotation fits Richter\'s recurring theme of the total surveillance of society. The figures\' leap into the unknown triggers fascination and at the same time nervousness in the viewer.

图片文件尺寸 : 4887 x 5305px

Mark Tobey:After the Harvest; Devoted, from Transitions; Blossoming Moments (3 works), 1971; 1970
2 etchings and aquatints and 1 screenprint in colors on assorted wove papers, each signed in pencil, dated and numbered 5/75; 25/75; 93/96, respectively, each with the blindstamp of the publisher Editions de Beauclair, Frankfurt am Main, each with full margins. (3 works)
12 1/2 x 9 1/2in (31.7 x 24cm); 12 1/2 x 9 1/2in (31.7 x 24cm); 19 x 13 1/2in (48.2 x 34.2cm)
sheet 21 x 17in (53.3 x 43.1cm); 21 x 17in (53.3 x 43.1cm); 26 x 19 7/8in (66 x 50.5cm)

托贝 收获后专注于过渡绽放的瞬间