图片文件尺寸 : 4436 x 5002px
AFTER KISHI GANKU (1749-1838):Two Tigers by a River
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
A six-panel folding screen in ink, colors, and silver foil of two tigers, their fur modeled with great care, a river running between them and surrounded by pine trees and their boughs; sealed Dokokan
61 x 129in (154.9 x 327.7cm)
源自岸信介（1749-1838） 江户时代或明治时代的两只老虎，19世纪
图片文件尺寸 : 2951 x 4387px
“信不信由你，有些人不会在你输钱的时候把钱还给你，高级债券，你永远不会输掉你的股票。”-Anonymous
Believe it or not, some people dont give you your money back when you lose, premium bonds, you never lose your stake money--Anonymous
图片文件尺寸 : 4593 x 2833px
奥雷利亚诺·德·贝雷特（Aureliano de Beruete）的《从婴儿的工厂看马德里》或《从帕尔多看马德里》-Aureliano de Beruete
View of Madrid from the Plantío de los Infantes or Madrid Seen from El Pardo--Aureliano de Beruete (西班牙, 1845–1912)
图片文件尺寸 : 1919 x 3065px
《伯爵夫人梳头》（Esmérée）或《舞曲》（Esmérèe），埃米尔·伯纳德著-Emile Bernard
Countess Brushes Her Hair (Esmérée) or Dancing Music ( Esmérée)--Emile Bernard (法国, 1868-1941)
图片文件尺寸 : 2914 x 4456px
罗伯特·雅各布·戈登（Robert Jacob Gordon）的《松腹蛔虫（Asclepias cancelata）或松腹瓢虫（Gomphocarpus cancelatus Burm.f.Bruyns）》-Robert Jacob Gordon
松叶子囊藻或松叶黄果藻Burm.f.Bruyns（Cape或Cotton milkweed）--Robert Jacob Gordon (荷兰, 1743 – 1795)
图片文件尺寸 : 4372 x 5183px
Charles Muench:Mt. Carmel or Clouds Over Mt. Carmel, Utah
signed \'C. Muench\' (lower left) and signed again and dated \'1982\' (on the reverse)
oil on canvas
10 x 12 in.
framed 15 x 17 in.
查尔斯·穆恩 犹他州卡梅尔山或卡梅尔山上空的云10 x 12英寸。框架15 x 17英寸。
图片文件尺寸 : 3939 x 4022px
A SMALL GOLD LACQUER BOX AND COVER:Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of overlapping shikishi (poem card) form decorated in iro-e takamkai-e and hiramaki-e with butterflies and shinobu ferns (Davallia mariesii) on a nashiji ground, and chrysanthemum and paulownia blossoms, the interior nashiji with fundame edges
3 7/8 x 3 7/8 x 1 3/4in (9.8 x 9.8 x 4.4cm)
一个小金漆盒和盖子 19世纪江户时代或五月时代
图片文件尺寸 : 4958 x 4822px
Samuel Palmer:
The Early Ploughman, or The Morning Spread Upon the Mountains (Lister 9)
Etching, circa 1861, on laid paper, the eighth state (of nine), 17.5 x 25.5cm (7 x 9 7/8in)(PL); together with The Morning of Life (L.10), 1860-61, on chine appliqu, the final seventh state, with etched lettering \'Samuel Palmer\'. The Morning of Life. 13\' below the image, published in 1872 as plate 10 in Etchings for the Art Union of London, 14.5 x 21.5cm (5 3/4 x 8 1/2in)(PL)(2)
塞缪尔·帕默 《清晨的农夫》或《晨曦漫山遍野》
图片文件尺寸 : 5097 x 4937px
KAJIKAWA LINEAGE:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold and colored takamaki-e against a gold hirame ground with a mass of flying cranes covering the entire surface, the interior gold nashiji, signed Kajikawa; onyx ojime
3 5/8in (9.2cm) high
KAJIKAWA谱系 19世纪江户时代或明治时代的金漆四箱
图片文件尺寸 : 4257 x 4809px
George Phippen:A Near Miss or The Loose Cinch
signed with the artist\'s device and dated \'Geo. Phippen / 55\' (lower left) and titled (on the stretcher bar), artist reproduction rights stamps (on the reverse and stretcher bars)
oil on canvas
25 x 30 in.
framed 32 x 37 1/4 in.
乔治·菲彭 差点错过或松散的Cinch 25 x 30英寸。框架32 x 37 1/4英寸。
图片文件尺寸 : 4436 x 5002px
AFTER KISHI GANKU (1749-1838):Two Tigers by a River
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
A six-panel folding screen in ink, colors, and silver foil of two tigers, their fur modeled with great care, a river running between them and surrounded by pine trees and their boughs; sealed Dokokan
61 x 129in (154.9 x 327.7cm)
源自岸信介（1749-1838） 江户时代或明治时代的两只老虎，19世纪
图片文件尺寸 : 2951 x 4387px
“信不信由你，有些人不会在你输钱的时候把钱还给你，高级债券，你永远不会输掉你的股票。”-Anonymous
Believe it or not, some people dont give you your money back when you lose, premium bonds, you never lose your stake money--Anonymous
图片文件尺寸 : 4593 x 2833px
奥雷利亚诺·德·贝雷特（Aureliano de Beruete）的《从婴儿的工厂看马德里》或《从帕尔多看马德里》-Aureliano de Beruete
View of Madrid from the Plantío de los Infantes or Madrid Seen from El Pardo--Aureliano de Beruete (西班牙, 1845–1912)
图片文件尺寸 : 1919 x 3065px
《伯爵夫人梳头》（Esmérée）或《舞曲》（Esmérèe），埃米尔·伯纳德著-Emile Bernard
Countess Brushes Her Hair (Esmérée) or Dancing Music ( Esmérée)--Emile Bernard (法国, 1868-1941)
图片文件尺寸 : 2914 x 4456px
罗伯特·雅各布·戈登（Robert Jacob Gordon）的《松腹蛔虫（Asclepias cancelata）或松腹瓢虫（Gomphocarpus cancelatus Burm.f.Bruyns）》-Robert Jacob Gordon
松叶子囊藻或松叶黄果藻Burm.f.Bruyns（Cape或Cotton milkweed）--Robert Jacob Gordon (荷兰, 1743 – 1795)
图片文件尺寸 : 4372 x 5183px
Charles Muench:Mt. Carmel or Clouds Over Mt. Carmel, Utah
signed \'C. Muench\' (lower left) and signed again and dated \'1982\' (on the reverse)
oil on canvas
10 x 12 in.
framed 15 x 17 in.
查尔斯·穆恩 犹他州卡梅尔山或卡梅尔山上空的云10 x 12英寸。框架15 x 17英寸。
图片文件尺寸 : 3939 x 4022px
A SMALL GOLD LACQUER BOX AND COVER:Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of overlapping shikishi (poem card) form decorated in iro-e takamkai-e and hiramaki-e with butterflies and shinobu ferns (Davallia mariesii) on a nashiji ground, and chrysanthemum and paulownia blossoms, the interior nashiji with fundame edges
3 7/8 x 3 7/8 x 1 3/4in (9.8 x 9.8 x 4.4cm)
一个小金漆盒和盖子 19世纪江户时代或五月时代
图片文件尺寸 : 4958 x 4822px
Samuel Palmer:
The Early Ploughman, or The Morning Spread Upon the Mountains (Lister 9)
Etching, circa 1861, on laid paper, the eighth state (of nine), 17.5 x 25.5cm (7 x 9 7/8in)(PL); together with The Morning of Life (L.10), 1860-61, on chine appliqu, the final seventh state, with etched lettering \'Samuel Palmer\'. The Morning of Life. 13\' below the image, published in 1872 as plate 10 in Etchings for the Art Union of London, 14.5 x 21.5cm (5 3/4 x 8 1/2in)(PL)(2)
塞缪尔·帕默 《清晨的农夫》或《晨曦漫山遍野》
图片文件尺寸 : 5097 x 4937px
KAJIKAWA LINEAGE:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold and colored takamaki-e against a gold hirame ground with a mass of flying cranes covering the entire surface, the interior gold nashiji, signed Kajikawa; onyx ojime
3 5/8in (9.2cm) high
KAJIKAWA谱系 19世纪江户时代或明治时代的金漆四箱
图片文件尺寸 : 4257 x 4809px
George Phippen:A Near Miss or The Loose Cinch
signed with the artist\'s device and dated \'Geo. Phippen / 55\' (lower left) and titled (on the stretcher bar), artist reproduction rights stamps (on the reverse and stretcher bars)
oil on canvas
25 x 30 in.
framed 32 x 37 1/4 in.
乔治·菲彭 差点错过或松散的Cinch 25 x 30英寸。框架32 x 37 1/4英寸。