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RELIGIOUS PHILOSOPHY. :4 titles:
1. CLARKE, SAMUEL. 1599-1682. A Mirrour or Looking-Glasse both for Saints, and Sinners. London: Printed for Thomas Newberry, 1654. 8vo (163 x 107 mm). Engraved portrait, additional engraved title with historiated border. Modern quarter morocco and marbled boards. Portrait laid down and trimmed into image border at outside edge, spotting and some staining.
2. [PEYRERE, ISAAC DE LA. 1596-1676.] Men before Adam. Or a Discourse upon the twelfth, thirteenth, and fourteenth verses of the Fifth Chapter of the Epistle of the Apostle Paul to the Romans. London: 1656. 8vo (165 x 100 mm). Engraved folding map of the holy lands. Contemporary mottled calf, rebacked, morocco gilt lettering piece on spine. Extensive ink notations on recto and verso of front blank and rear endpaper, ink ownership inscription on title, some ink marginalia, browning and minor staining, margins and edges of map trimmed.
3. DALE, ANTHONY. 1638-1708. De oraculis veterum ethnicorum dissertiones duae.... Amsterdam: Henric and Theodor Boom, 1700. 8vo (210 x 159 mm). Title page in red and black with woodcut printer\'s device, 8 folding engraved plates. Modern half calf and marbled boards. Library stamp on title (Ex Bibliotheca Viennensis), crudely erased; light spotting. Second edition. Caillet 10999.
4. WILLIAM OF TYRE. 1130-1186. Geschichte der Kreuzzuege und des Koenighreichs Jerusalem. Stuttgart: Adolph Krabbe, 1840. 8vo. Publisher\'s mottled boards. Wear and chipping to covers, corners bumped, lacking 2 plans and a chart, spotting and foxing. First German edition of Historia rerum in partibus transmarinis gestarum, translated by E. and R. Kausler.

宗教哲学。 4个标题：

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SPARTIANUS, AELIUS, et al.:[Historia Augusta], Aelius Spartianus: De vita Hadriani.... Venice: [Joannes Rubens and] Bernardinus Rizus, Novariensis, 1498.
Folio (307 x 208 mm). 104 leaves, Roman letter text, spaces for initial capitals. Early 20th century half calf and cloth, edges colored in blue. Rubbed, dampstaining throughout, margins slightly trimmed, some ink annotations.

Part 2 only, lacking Suetonius, Vitae XII Caesarum, not included here. This edition was printed through quire C by Joannes Rubens, the remainder of the quires being struck and issued by Bernardinus Rizus, including the colophon which lists him as printer, and is dated October 1489. The credited authors of Historia Augusta include Aelius Spartianus and six other authors, although their true identities or even their actual existence has never been verified — the names may have been nothing more than satirical pseudonyms. Goff S-341; GW M-44252; Hain 14562; Proctor 4951.

SPARTIANUS、AELIUS等人。 [奥古斯塔历史]，阿尔留斯·斯帕蒂努斯：德维塔·哈迪亚尼……威尼斯：[乔安妮·鲁本斯和]贝尔纳丁斯·里祖斯，诺瓦里安西斯，1498年。

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HYGINUS, CAIUS JULIUS. C.64 BCE-17 ADE.:Poeticon astronomicon, ad veterum exemplarium eorumque manuscriptorum fidem diligentissime recognitum, ab innumeris, quibus scatebat, uitiis repurgatum. Cologne: Johann Soter, 1534.
Folio (275 x 192 mm). Woodcut printer\'s device on title page and colophon, 47 woodcut illustrations in text. Modern quarter calf and marbled boards, gilt titles on spine. Old ink notations on title page, scattered browning and spotting.

Second Soter edition, published in the same year as the first, but with a notice to the reader on the final page of text, by Caspar Medebach. The woodcuts are by Anton Woensam, depicting 40 constellations and 7 allegorical representations of planets. The text, attributed to to the prolific Roman author Hyginus, was first published in an unillustrated edition in Ferrara in 1475. VD16 H 6483.

希吉努斯，凯尤斯·朱利乌斯。C、 12月17日上午64点。 例如，天文诗已经得到了作家们最勤奋的信仰的认可，从他散布的数字来看，并得到了重建。科隆：约翰·索特，1534年。

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安杰洛·萨韦利-

Angelo Savelli * - Zeitgenössische Kunst I-

(Pizzo Calabro 1911–1995 Dello/Brescia)
Untitled, 1973, signed and dated on the reverse, acrylic on canvas on tulle, 163 x 136 cm, framed

This work is registered in the Archivio Angelo Savelli curated by Luigi Sansone and is accompanied by a photo certificate of authenticity

Provenance:
Kodama Collection, Osaka (label on the reverse)
European Private Collection

Angelo Savelli. The master of white
Angelo Savelli. The master of white, Marca, Catanzaro, until 30 March 2013
Calabrese by birth, Roman by training and 美国 by maturity, Savelli continues to be an isolated case within post-war art.

Savelli’s season of transition from figuration to abstraction is, under the banner of light, a sort of dynamic of the sign that weaves nervous filaments in an entirely emotional space.

Then, at the turn of the 1950s, came the choice to work exclusively in white. This was nothing to do with the Monochrome Malerei and the Manzonian achromia of the same years. Savelli thinks differently, of a purified idea of structure, of the point at which the formal mechanism manifests itself to the essential degree, before any attribution.

Savelli works primarily on the spatial dimension. He gives life to real places that breathe a formal mysticism that becomes a transcendental mood: one could say he works through paradox, giving an appropriate and unrelated physical consistency to the abstractness of geometry.

His work is above all silent. It is the poetic condition that Savelli chooses, and never relinquishes in decades of lucid, sweetly estranged research.

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KIRCHER, ATHANASIUS. 1602-1680. :Romani Collegii Societatus Jesu Musaeum Celeberrimum. Amsterdam: Janssonius van Waesberge, 1678.
Folio (375 x 260 mm). Engraved additional title, engraved portrait of Kircher, 17 engraved plates (9 folding), 4 engravings and numerous woodcuts to text, initials, tailpieces. Later half vellum and boards; few stray pen marks to rear cover, margins of text toned and spotted, final few leaves foxed.

FIRST EDITION of the first catalogue of the Museo Kircheriano at the Roman College, a detailed inventory of Kircher\'s cabinet of curiosities of Chinese and Egyptian antiquities, scientific instruments, optical devices and ancient musical instruments. Kircher \"was in an excellent situation, at the hub of the Jesuit order, to gather relics, specimens, manuscripts, and any other oddities or rarities his fellow Jesuits brought back to Rome from all parts of the world ... In 1678 , the Museo Kircheriano was at its peak, with a new exhibit hall and a printed catalogue\" (Merrill, p xxvii). A second catalogue was published in 1709 followed by a long period of decline in the maintenance of the collection. Much of Kircher\'s collection was eventually incorporated into the Museo Nazionale. Caillet 5784.

阿塔纳修斯·基尔彻。1602-1680. Romani Collegii Societatus Jesu Museum Celeberrrimum。阿姆斯特丹：Janssonius van Waesberge，1678年。

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FUCHS, LEONHARD. 1501-1566. :Historia Stirpium Commentarii insignes. Basel: Michael Isengrin, 1542.
Folio, (340 x 237 mm). Greek, roman and italic types. 509 full-page botanical woodcuts, 3 smaller cuts in the text, by Veit Rudolph Speckle after Heinrich Fullmauer and Albert Meyer, full-page full-length portrait of Fuchs on title verso, portraits of the 3 artists on fff5r, printer\'s device on title, repeated on final verso, historiated initials in several sizes. Modern calf, spine gilt. Title re-margined, first text leaf torn and repaired, O4-6 torn and repaired some mostly marginal staining, a few leaves with marginal tears and repairs.

FIRST EDITION. \"Perhaps the most celebrated and most beautiful herbal ever published... important in the history of botanical illustration particularly because of the size and beauty of the woodcuts\" (PMM). Leonhard Fuchs professor of medicine at Tübingen, gives accurate descriptions of nearly 500 plants, of which forty had never before been depicted, the majority being native German plants. Amongst the foreign plants are some from America including corn, pumpkin, chili pepper, and snap bean. The illustrations were realized by Heinrich Füllmaurer, Veit Rudolph, and Albert Meyer, who drew the original images from life, mostly using samples from Fuchs\' garden. Their portraits, with that of the author, appear in the book and represent \"one of the earliest examples of such a tribute paid to artists in a printed book\" (PMM). Adams F-1099; Nissen BBI 658; Pritzel 3138; PMM 69; VD16 F 3242.

富克斯，莱昂哈德。1501-1566. 史蒂皮姆评论标志。巴塞尔：迈克尔·伊森格林，1542年。

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ARCHAEOLOGY AND ANTIQUITIES. :5 titles:
1. PATIN, CHARLES. Familiae Romane In Antiquis Numismatibus. Paris: 1663. Oblong 8vo. Engraved allegorical half-title, engraved dedication page, and 249 engraved plates. Contemporary calf. Crude older rebacking in pigskin, covers heavily chipped and stained, dedication page trimmed to plate line at lower margin, scattered staining and browning.
2. PERUCCI, FRANCESCO. Pompe funebri di tutte le nazioni del mondo. Verona: 1638. Folio. Engraved title page and 30 engraved illustrations in text. Modern quarter calf antique. Light soiling, especially to title page.
3. BIANCHINI, FRANCESCO. Camera ed inscrizioni sepulcrali. Rome: 1727. Folio. 7 engraved plates (2 folding). Contemporary vellum. Soiling to covers, foxing througout.
4. RAMBACH, JOHANN JACOB. Nachrichten zur Geschichte der herculanischen Entdeckungen. Halle: 1773. 8vo. Later marbled paper wrappers, hand-inked cloth lettering piece on spine. Wrappers warped, with tears, lettering piece loose, some rolling of corners, soiling and ink markings to title page, scattered spotting.
5. CHAMPOLLION, JEAN FRANÇOIS. Panthéon égyptien, collection des personnages mythologiques de l\'ancienne Egypte Paris: 1823. 4to. Original blue-green upper wrapper bound in as title page, 84 plates (83 hand-colored). Modern quarter morocco and cloth. Lacking 6 plates, lower margin of wrapper trimmed, foxing and offsetting.
6. SPIEGEL, FR. Die altpersischen Keilinschriften. Leipzig: 1881. 8vo. Gift inscription from the author on front paste-down. Contemporary quarter calf and marbled boards. Upper joint cracking, toning.
7. ERMAN, ADOLF. Aegyptische Chrestomathie. Berlin: 1904. 8vo. Hieroglyphic transcriptions. Publisher\'s cloth. Rubbed, ink notations on front flyleaf, some dampstaining.
8. WEBER, OTTO. Altorientalische Siegelbilder. Leipzig: 1920. 2 parts in 1 volume. 8vo. Numerous black and white photographic illustrations. Publisher\'s quarter cloth and printed boards. Some staining and spotting to covers, text portion in wrappers, loosely inserted into case.

考古和文物。 5个标题：

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KEPLER, JOHANNES. 1571-1630. :Tabulae Rudolphinae, quibus astronomicae scientiae, temporum longinquitate collapsae restauratio continentur. Ulm: Jonas Saur, 1627.
Folio (330 x 226 mm). Roman and italic types, double column, printed shoulder notes. Engraved allegorical frontispiece designed by Kepler, depicting Hipparchus, Ptolemy, Copernicus, Brahe, and Kepler gathered in the Temple of Urania, numerous woodcut diagrams in text, including a full-page of diagrams on k3v, woodcut initials, large woodcut device on part 2 section title. With the 4-leaves \"Sportula genethliacis missa\" (q4) printed in Sagan and dated 1629, inserted after the tabulae. Early 18th-century half-sheep and mottled boards, spine gilt in 7 compartments with red and green morocco lettering piece, red speckled edges, a few gatherings (including \"Sportula\", sig. q, issued in 1629) browned (as often). Provenance: Co. Riccati (Jacopo Francesco Riccati (1676-1754, Venetian mathematician; bookplate on title verso).

FIRST EDITION OF KEPLER\'S LAST LIFETIME PUBLICATION AND HIS CROWNING ACHIEVEMENT, THE \"FOUNDATION OF ALL PLANETARY CALCULATIONS FOR OVER A CENTURY\" (Sparrow). Third state, with second quire [):():(⁴] on different paper, albeit trimmed here to the same size as the adjacent leaves. \"The tables are extraordinarily important, for they document in a unique way Kepler\'s great contributions to astronomy\" (Gingerich). \"Besides the planetary, solar, and lunar tables and the associated tables of logarithms it includes Tycho Brahe\'s catalog of 1,000 fixed stars, a chronological synopsis, and a list of geographical positions ... Kepler was an astronomer\'s astronomer. It was the astronomers who recognized the immense superiority of the Tabulae Rudolphinae. For the professionals the improvement in planetary predictions was a forceful testimony to the efficacy of the Copernican system\" (Sparrow). Based on Tycho Brahe\'s observations, the tables were then supplemented by Kepler\'s own observations. The calculations were a major mathematical achievement, as of course, Brahe\'s data applied erroneously to \"perfect\" circular orbits. Kepler had discovered the true elliptical shape of the planetary orbits, and thus, had to recalculate everything according to his new laws. The printing history of the book, during the 30 years\' war, is quite complex. There were 1000 copies printed in Ulm in 1627, with three known states, affecting the title and the first two gatherings. Some copies are known with a posthumously published world map, and some have a posthumous appendix - neither is present in this copy. \"In excusing the long delay in publication... [Kepler] mentioned in the preface [p. 6] not only the difficulties of obtaining his salary and of the wartime conditions but also \'the novelty of my discoveries and the unexpected transfer of the whole of astronomy from fictitious circles to natural causes, which were most profound to investigate, difficult to explain, and difficult to calculate, since mine was the first attempt\'\" (DSB). Caspar 79; Gingerich Johannes Kepler and the Rudolphine tables; Houzeau and Lancaster 12754; Lalande p 190; Norman 1208; Sparrow 116.

开普勒，约翰内斯。1571-1630. 鲁道夫的桌子被称为天文学，包括餐厅倒塌的时间。乌尔姆：乔纳斯·索，1627年。

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