图片文件尺寸 : 5178 x 4275px
MARUYAMA BANKA (1867-1942):Blossoming Wisteria by Steps to a Shrine Gate
Taisho (1912-1926) or Showa (1926-1989), early 20th century
Watercolor on paper, signed B. Maruyama
20 x 13 3/4in (50.8 x 34.9cm)
丸山银行（1867-1942） 20世纪初，在通往大正或昭和神社的台阶上盛开紫藤
图片文件尺寸 : 2435 x 3871px
“塞普蒂米乌斯·塞维鲁斯拱门（上图）的平面图（或平面图）和居里院（下图），作者：Jan Goeree-Jan Goeree
Ichnographia (or groundplan) of the Arch of Septimius Severus (above) and the Curia Hostilia (below)--Jan Goeree (荷兰, 1670-1731)
图片文件尺寸 : 5162 x 4078px
“天鹅和鸭子，有朱莉的肖像（天鹅和鸭子，有朱莉的肖像，或天鹅和鸭子，散文），伯思·莫里索-Berthe Morisot
Swan and Duck, with portraits of Julie (Cygne et canard, avec portraits de Julie, or Cygne et canard, essai)--Berthe Morisot (法国, 1841-1895)
图片文件尺寸 : 3460 x 2365px
乔瓦尼·巴蒂斯塔·纳塔利三世的《带窗帘的顶饰设计（雨棚上部或窗户处理）》-Giovanni Battista Natali III
Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment)--Giovanni Battista Natali III (意大利, 1698-1765)
图片文件尺寸 : 4089 x 4817px
ADAMS, GEORGE. c. 1709-1773. :Micrographia Illustrata, or the Knowledge of the Microscope Explain\'d: Together with an Account of a New Invented Universal, Single or Double, Microscope.... London: Printed for and Sold by the Author, and by Samuel Birt, 1747.
4to (223 x 180 mm). 65 folding engraved plates. Modern half calf and marbled paper; spine faded, margins toned, small hole to plate 18 with some loss to image, top margin of plate 34 soiled.
SECOND EDITION, a reissue of the first of 1746, with 65 plates and the 20-page catalogue of Adams\' instruments at the end. Probably intended as a manual to accompany the sale of Adams\' own microscopes from his shop at \"Tycho Brahe\'s Head in Fleet Street,\" the work contains six plates illustrating Adams\' instruments followed by 59 plates depicting all manner of objects to be viewed beneath the lens, from spermatozoa to lice and snow. ESTC T53415; Poggendorff I, p 10.
乔治亚当斯。c、 1709-1773年。 Micrographia Illustrata，或解释的显微镜知识：连同一个新发明的通用、单或双显微镜的描述……伦敦：作者和塞缪尔·伯特（Samuel Birt）于1747年印刷并出售。
图片文件尺寸 : 4950 x 3838px
让-托马斯·蒂鲍特的《马达加斯加的艾利斯卡或L’Habitante》第二幕舞台布景设计-Jean Thomas Thibault
Design for Stage Set for the Second Act of Elisca or LHabitante de Madagascar--Jean Thomas Thibault (法国, 1757-1826)
sheet: 12 × 17 (30.5 × 43.2 cm)
Louise Bourgeois. I Pick on Everyone, Dead or Alive, no. 4 of 9, from the series, What Is the Shape of This Problem?. 1999
路易丝·布尔乔亚。我选了《这个问题的形状是什么？》系列中的第4位，共9位？。1999-
图片文件尺寸 : 2380 x 3399px
乔瓦尼·巴蒂斯塔·纳塔利三世的“带有家族纹章的镜子或屏幕的两种可选设计”-Giovanni Battista Natali III
Two Alternative Designs for a Mirror or Screen with Family Coat of Arms--Giovanni Battista Natali III (意大利, 1698-1765)
plate: 11 15/16 x 8 7/16 (30.4 x 21.5 cm); sheet: 24 15/16 x 19 1/2 (63.4 x 49.6 cm)
Trenton Doyle Hancock. Miracle Machine # 1 or Vegan-Made Moundmeat Fountain from The Ossified Theosophied. 2005
特伦顿·道尔·汉考克。奇迹机器#1或来自骨化的智者的素食者制作的Moundmeat喷泉。2005-
图片文件尺寸 : 4785 x 4412px
Victor Vasarely:
Dia-Or CC (Benavides 575), 1967
Screenprint in colors on wove paper, signed in pencil and annotated \'EA\' (an epreuve d\'artiste, aside from the edition of 250), with the blindstamp of publisher Denise René Editions, Paris, printed by Atelier Arcay, Paris, with full margins.
23 1/12 x 23 1/2in (59.7 x 59.7cm)
sheet 26 3/4 x 26 3/4in (68 x 68cm)
维克托·瓦萨雷里 直径或CC
图片文件尺寸 : 5178 x 4275px
MARUYAMA BANKA (1867-1942):Blossoming Wisteria by Steps to a Shrine Gate
Taisho (1912-1926) or Showa (1926-1989), early 20th century
Watercolor on paper, signed B. Maruyama
20 x 13 3/4in (50.8 x 34.9cm)
丸山银行（1867-1942） 20世纪初，在通往大正或昭和神社的台阶上盛开紫藤
图片文件尺寸 : 2435 x 3871px
“塞普蒂米乌斯·塞维鲁斯拱门（上图）的平面图（或平面图）和居里院（下图），作者：Jan Goeree-Jan Goeree
Ichnographia (or groundplan) of the Arch of Septimius Severus (above) and the Curia Hostilia (below)--Jan Goeree (荷兰, 1670-1731)
图片文件尺寸 : 5162 x 4078px
“天鹅和鸭子，有朱莉的肖像（天鹅和鸭子，有朱莉的肖像，或天鹅和鸭子，散文），伯思·莫里索-Berthe Morisot
Swan and Duck, with portraits of Julie (Cygne et canard, avec portraits de Julie, or Cygne et canard, essai)--Berthe Morisot (法国, 1841-1895)
图片文件尺寸 : 3460 x 2365px
乔瓦尼·巴蒂斯塔·纳塔利三世的《带窗帘的顶饰设计（雨棚上部或窗户处理）》-Giovanni Battista Natali III
Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment)--Giovanni Battista Natali III (意大利, 1698-1765)
图片文件尺寸 : 4089 x 4817px
ADAMS, GEORGE. c. 1709-1773. :Micrographia Illustrata, or the Knowledge of the Microscope Explain\'d: Together with an Account of a New Invented Universal, Single or Double, Microscope.... London: Printed for and Sold by the Author, and by Samuel Birt, 1747.
4to (223 x 180 mm). 65 folding engraved plates. Modern half calf and marbled paper; spine faded, margins toned, small hole to plate 18 with some loss to image, top margin of plate 34 soiled.
SECOND EDITION, a reissue of the first of 1746, with 65 plates and the 20-page catalogue of Adams\' instruments at the end. Probably intended as a manual to accompany the sale of Adams\' own microscopes from his shop at \"Tycho Brahe\'s Head in Fleet Street,\" the work contains six plates illustrating Adams\' instruments followed by 59 plates depicting all manner of objects to be viewed beneath the lens, from spermatozoa to lice and snow. ESTC T53415; Poggendorff I, p 10.
乔治亚当斯。c、 1709-1773年。 Micrographia Illustrata，或解释的显微镜知识：连同一个新发明的通用、单或双显微镜的描述……伦敦：作者和塞缪尔·伯特（Samuel Birt）于1747年印刷并出售。
图片文件尺寸 : 4950 x 3838px
让-托马斯·蒂鲍特的《马达加斯加的艾利斯卡或L’Habitante》第二幕舞台布景设计-Jean Thomas Thibault
Design for Stage Set for the Second Act of Elisca or LHabitante de Madagascar--Jean Thomas Thibault (法国, 1757-1826)
sheet: 12 × 17 (30.5 × 43.2 cm)
Louise Bourgeois. I Pick on Everyone, Dead or Alive, no. 4 of 9, from the series, What Is the Shape of This Problem?. 1999
路易丝·布尔乔亚。我选了《这个问题的形状是什么？》系列中的第4位，共9位？。1999-
图片文件尺寸 : 2380 x 3399px
乔瓦尼·巴蒂斯塔·纳塔利三世的“带有家族纹章的镜子或屏幕的两种可选设计”-Giovanni Battista Natali III
Two Alternative Designs for a Mirror or Screen with Family Coat of Arms--Giovanni Battista Natali III (意大利, 1698-1765)
plate: 11 15/16 x 8 7/16 (30.4 x 21.5 cm); sheet: 24 15/16 x 19 1/2 (63.4 x 49.6 cm)
Trenton Doyle Hancock. Miracle Machine # 1 or Vegan-Made Moundmeat Fountain from The Ossified Theosophied. 2005
特伦顿·道尔·汉考克。奇迹机器#1或来自骨化的智者的素食者制作的Moundmeat喷泉。2005-
图片文件尺寸 : 4785 x 4412px
Victor Vasarely:
Dia-Or CC (Benavides 575), 1967
Screenprint in colors on wove paper, signed in pencil and annotated \'EA\' (an epreuve d\'artiste, aside from the edition of 250), with the blindstamp of publisher Denise René Editions, Paris, printed by Atelier Arcay, Paris, with full margins.
23 1/12 x 23 1/2in (59.7 x 59.7cm)
sheet 26 3/4 x 26 3/4in (68 x 68cm)
维克托·瓦萨雷里 直径或CC