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SAITO KIYOSHI (1907-1997):Three large horizontal prints
Showa era (1926-1989)
The first, a winter scene with a figure wearing a mino, an outercoat made of rice straw, crossing a snow-covered bridge headed towards a village buried in the snow, signed Kiyoshi Saito in Roman letters in pencil, and sealed Kiyoshi in Japanese, with an additional seal on the verso suri, Ikegami (printing, Ikegami); the second, a scene of figures, including one wearing fumidawara, bucket-like footwear made of rice straw used for creating paths in the snow, on a snow-covered street with snow-laden buildings behind them, signed Kiyoshi Saito in Roman characters and sealed Kiyoshi in Japanese; the third, of a figure with an ox puddling a rice paddy with structures in the background, signed Kiyoshi Saito in Roman characters and sealed Kiyoshi in Japanese (3)
11 1/2 x 17 1/2in (29.2 x 43.8cm), the largest

斋藤清史（1907-1997） 昭和时代三幅大型横向版画

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FUTAGI SEIHO (1884-1954):A large lacquer sakazuki and stand
Showa era (1926-1989)
The red lacquered wide wood sake cup decorated on the obverse in hiramaki-e of snow-covered Mount Fuji ascending above the clouds in the background, and the Shira-ito Waterfall of Fujinomiya and its accompanying forest of maple and pine trees over a nashiji ground in the foreground, the tendrils of water depicted in gold and silver low-relief maki-e flowing to the very edge of the dish, the surface of the rock of the waterfall cliff decorated with gold Gyobu square flakes, on the reverse of the sakazuki a blossoming prunus tree and clouds in gold in hiramaki-e and low-relief; the accompanying black lacquered stand featuring a rimmed platform with a hiramaki-e motif of two cranes in flight surrounded by gold mist, the indented rounded legs of the stand covered in the stalks and leaves of a bamboo forest, the interior of the stand decorated in nashiji; the designs of the sakazuki and stand together completing the felicitous motif of pine, bamboo, and prunus
With lacquered wood outer tomobako storage box signed Futagi Seiho saku in silver lacquer and sealed Seiho in red lacquer, and the sakazuki with its own lacquered wood tomobako storage box which fits inside the larger box, also signed Futagi Seiho saku in silver lacquer and sealed Seiho in red lacquer
2 5/8 x 7 7/8in (6.7 x 20cm), sakazuki; 8 3/8 x 8 1/2 x 7in (21.3 x 21.6 x 17.8cm), stand

福田成和（1884-1954） 大漆坂崎和标准昭和时代

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Gerald Cassidy: Indian Chief, Sun Dance and Indian in Headdress, Sketch for Master of Ceremonies (Three Works)
the first, signed \'Gerald Cassidy\' (along the lower edge); the second and third, unsigned
each oil on canvas laid to board
8 3/4 x 5 1/4in; 4 3/4 x 4in; 4 1/4 x 4in
framed 14 3/4 x 11 1/4in; 9 1/2 x 9in; 9 1/4 x 9in
Painted circa early 1920s.

杰拉尔德·卡西迪 印度酋长，太阳舞和印度头饰，仪式大师素描8 3/4 x 5 1/4英寸4 3/4 x 4英寸4 1/4 x 4英寸框架14 3/4 x 11 1/4英寸9 1/2 x 9英寸9 1/4 x 9英寸

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威廉·梅里特·蔡斯（William Merritt Chase）的《佛罗伦萨大通别墅的橘园》（Orangerie Of The Chase Villa In Florence）-William Merritt Chase

Orangerie Of The Chase Villa In Florence--William Merritt Chase (美国, 1849-1916)

图片文件尺寸 : 4096 x 2078px

塞缪尔·戴维斯（Samuel Davis）的《远处有乡村别墅的河流场景》（River Scene with a Country House in Distance）-Samuel Davis

River Scene with a Country House in Distance--Samuel Davis (英国, 1757-1819)

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斯坦尼斯拉斯·莱平（Stanislas Lépine）的《雪中人物》（Figures In The Snow，La Rue Corto，Montmartre）-Stanislas Lépine

Figures In The Snow, La Rue Cortot, Montmartre--Stanislas Lépine (法国, 1835 - 1892)

图片文件尺寸 : 2949 x 4096px

约翰·塞尔·科特曼（John Sell Cotman）的《诺福克郡南伯林厄姆教堂的低俗》（Pulpit in South Burlingham Church，Norfolk）-John Sell Cotman

Pulpit in South Burlingham Church, Norfolk--John Sell Cotman (英国, 1782-1842)

图片文件尺寸 : 3880 x 2913px

保罗·休特（Paul Huet）的《盛开的野山毛榉》（A Wild Beech in Full Leaf）-Paul Huet

盛开的野生山毛榉--Paul Huet (法国, 1803-1869)

图片文件尺寸 : 4024 x 2444px

埃德温·奥斯汀修道院（Edwin Austin Abbey）的沙滩场景《船影中的男人》（Man Resting in Shadow of Boat）-Edwin Austin Abbey

Beach scene with Man Resting in Shadow of Boat--Edwin Austin Abbey (美国, 1852 - 1911)