图片文件尺寸 : 5237 x 5975px
Follower of Giovanni Francesco Barbieri, called il Guercino:Study of a man, standing, three-quarter-length
bears signature \'Guercino\' (lower right)
pen and brown ink and brown wash laid down on paper
18.8 x 11.7cm (7 3/8 x 4 5/8in).
unframed
乔凡尼·弗朗西斯科·巴比里的追随者 研究一个男人，站着，四分之三长，无框
图片文件尺寸 : 5085 x 4674px
Follower of Giovanni Francesco Barbieri, called il Guercino:
Study of a man, standing, three-quarter-length
bears signature \'Guercino\' (lower right)
pen and brown ink and brown wash laid down on paper
18.8 x 11.7cm (7 3/8 x 4 5/8in).
unframed
乔凡尼·弗朗西斯科·巴比里的追随者 研究一个男人，站着，四分之三长，无框
图片文件尺寸 : 4419 x 4306px
Margaret Fitzhugh Browne:Two Girls
signed \'MARGARET FITZHUGH BROWNE\' (lower left)
oil on canvas
48 x 40 in. (121.9 x 101.6 cm)
framed 54 1/2 x 46 1/2 x 2 1/2 in.
玛格丽特·菲卓·布朗 两个女孩48 x 40英寸。框架54 1/2 x 46 1/2 x 2 1/2英寸。
图片文件尺寸 : 4568 x 5505px
NATURAL HISTORY. :8 titles:
1. BRADLEY, RICHARD. A Philosophical Account of the Works of Nature. London: 1721. 4to. Numerous engraved plates. Rebacked contemporary calf, spine gilt with 5 raised bands. Chipping to corners, joints starting, light toning and browning.
2. JOBLOT, LOUIS. Observations d\'histoire naturelle, faites avec le microscope. Paris: 1754-1755. 2 parts in 1 volume. 4to. Numerous engraved plates. Rebacked contemporary calf. Rubbed, spine ends chipped, scattered spotting and toning.
3. SCHAEFFER, JACOB CHRISTIAN. Piscium bavarico-ratisbonensium pentas. Regensburg: 1761. 4 hand-colored plates. Contemporary boards, with later tape reinforcement on spine. Light toning.
4. GOLDFUSS, GEORG AUGUST. Ueber die Entwicklungsstufen des Thieres. Nuremburg: 1817. 8vo. Folding diagram. Modern quarter vellum and marbled. Scattered spotting.
5. LE CLERC, GEORGE LOUIS and HENRY AUGUSTUS CHAMBERS. A History and Theory of the Earth BOUND WITH: A History of Birds, Fishes, Reptiles and Insects. London: 1821. 2 volumes. 4to. Numerous engraved plates, many hand-colored. Rebacked contemporary tree calf. Scattered browning and spotting.
6. FUNK, ADOLF FREDERICK. De salamandrae terrestris. Berlin: 1827. Folio. 3 engraved plates. Modern quarter vellum and marbled boards, original front wrapper bound in. Foxing, some heavy.
7. AUERER, ALOIS. Die Entdeckung des Natursebsdruckes. Vienna, 1854. Folio. Color lithographic plates. Rebacked contemporary brown cloth. Foxing.
8. LEY, WILLY. Konrad Gesner. Munich: 1929. 8v0. Publisher\'s printed wrappers. Tape repairs, some staining, toning throughout.
自然历史。 8个标题：
图片文件尺寸 : 5387 x 4599px
MASAYOSHI:A lacquer five-case inro
Edo period (1615-1868), late 18th century
Of lenticular profile, with integral cord-runners, decorated in gold, silver, and brown hiramaki-e and takamaki-e against a dark brown-lacquer ground sprinkled with hirame, depicting swallows and wisteria, the interior fundame with patches of nashiji, signed Masayoshi saku; fitted with a brass ojime formed as a jar
3 3/8in (8.6cm) high
正雄 18世纪晚期江户时代的漆五箱
图片文件尺寸 : 4047 x 4798px
English School:
Portrait of a gentleman, half-length, in a brown velvet coat and a white cravat, within a painted oval
oil on canvas
75.4 x 62.4cm (29 11/16 x 24 9/16in).
英语学校 一位绅士的肖像，半身，身穿棕色天鹅绒外套，系着白色领带，画着椭圆形
图片文件尺寸 : 5071 x 5851px
Walton Ford:Limed Blossoms (Deluxe Edition)
Etching and aquatint printed in colours, 2007, on wove, signed, dated and numbered 65/100 in pencil, from the deluxe edition, printed by Wingate Studio, New Hampshire, published by Taschen, New York, with the printer\'s blindstamp, with full margins, loose as issued, housed in the original brown cloth-covered slipcase, 468 x 354mm (18 3/8 x 14in)(SH); together with the accompanying book \'Walton Ford: Pancha Tantra\', additionally stamp-numbered \'0065\' and signed in black ink on the title page, all housed in the original brown cloth-covered solander box, overall size 552 x 425 x 85mm (21 3/4 x 16 3/4 x 3 3/8in)(Folio)(2)
沃尔顿·福特。 石灰花
图片文件尺寸 : 5267 x 4043px
MICROSCOPY.:7 titles:
1. HOOKE, ROBERT. 1635-1702. The Posthumous Works of Robert Hooke. London: Samuel Smith and Benjamin Walford, 1705. Folio (320 x 202 mm). Half-title, title page in red and black, 15 engraved plates. Modern quarter vellum and marbled boards, morocco lettering piece on spine. Half-title laid down, title page tipped to stub, worming with some loss of text in front matter, dampstaining and browning throughout, ink ownership inscription on title page.
2. NEEDHAM, M. Nouvelles observations microscopiques. Paris: Louis-Etienne Ganeau, 1750. 16mo (168 x 96 mm). 8 folding engraved plates. Recased in contemporary mottled calf, 5 raised bands on spine, red morocco lettering pieces. Repairs to spine ends, dampstaining.
3. BAKER, HENRY. 1698-1774. Het Microscoop gemakkelyk gemaakt. Amsterdam: Isaak Tirion, 1744. Title page in red and black type, 14 engraved plates, folding table. 19th century half red morocco and marbled boards. Joints tender, rubbed, scattered spotting.
4. ---. Employment for the Microscope, in Two Parts. London: R. Dodsley, 1753. 8vo (195 x 120 mm). 17 engraved plates. Rebacked contemporary calf. Worming to lower margins, tear to outside margin of last plate with loss to corner, bookplate on front paste-down, browning and spotting.
5. ---. The Microscope Made Easy. London: J. Dodsley, 1769. 8vo. (210 x 128 mm). 15 engraved plates, some folding, folding table. 19th century calf, 5 raised bands on spine, red morocco gilt lettering piece. Joints tender, some ink marginalia, scattered spotting. Provenance: William Brodie of Brodie (bookplate).
6. LEDERMÜLLER, MARTIN FROBENIUS. Mikroskopische Gemüths- und Augen-Ergötzung. Nuremburg: Adam Wolffgang Winterschmidt, 1763. 4to (240 x 193 mm). Engraved allegorical frontispiece, engraved dedication portrait of Frederick of Brandenburg, 100 engraved plates, most tinted or hand-colored. Contemporary calf, rebacked. Frontispiece supplied from another copy, with top and margins trimmed, light dampstaining along top edge, browning and spotting.
7. GORING, C.R. 1792-1840, and ANDREW PRITCHARD. 1804-1882. Micrographia. London: Whittaker Co., 1837. 8vo (222 x 135 mm). Folding engraved frontispiece, 2 engraved full-page plates, 6 pp printer\'s ads at back. Contemporary tan buckram over plain boards. Covers soiled, corners bumped, shelfwear, library tape labels on spine, hinges cracked, a little loose, browning and spotting.
显微镜检查。 7个标题：
图片文件尺寸 : 4451 x 5896px
Circle of Michael Dahl:
Portrait of a gentleman, said to be Sir Robert Godstone half-length, in a brown velvet coat
oil on canvas
95 x 73.8cm (37 1/4 x 29in).
迈克尔·达尔的圈子 一位绅士的肖像，据说是罗伯特·戈德斯通爵士半身，穿着棕色天鹅绒外套
图片文件尺寸 : 4570 x 5119px
EAST ASIAN ART.:10 titles:
1. TAKASHIMA, S. and KAZUMASA OGAWA, photographer. Illustrations of Japanese Life. Yokahama: 1893. 3 volumes. 8vo. 94 collotype photographic illustrations printed on crepe paper. Publisher\'s pictorial crepe paper wrappers, bound with silk twine, custom clamshell box. Rubbing and slight fading to wrappers, stains to clamshell box, light toning and spotting throughout.
2. JACOBY, GUSTAV. Japanische Schwertzieraten. Leipzig: 1904. Folio. 37 heliogravure plates. Publisher\'s pictorial cloth. Browning and staining to covers, slightly loose, even toning and light foxing.
3. BROCKHAUS, ALBERT. Netsuke. Leipzig: 1905. 4to. Numerous chromolithographic plates, wood-engraved and half-tone photographic illustrations in text. Publisher\'s brown suede, stamped in gilt. Suede deteriorating and torn, text block somewhat loose, toning.
4. GROHMANN, ADOLF. Göttersymbole und Symboltiere auf südarabischen Denkmälern. Vienna: 1914. Folio. Publisher\'s printed yellow wrappers, pages uncut. Numerous illustrations in text. Wear and soiling to wrappers, a few small tears to spine edges, toning.
5. KÜMMEL, OTTO. Meisterwerke chinesischer und japanischer Kunst, Sammlung Fuchs. Stuttgart and Berlin: 1910. Folio. 15 photographic plates, text introduction. Loose as issued, in board portfolio with string ties, custom cloth clamshell box. Portfolio rubbed, slight toning.
6. ---. Die Kunst Ostasiens. Berlin: 1922. 4to. 166 black and white photographic plates. Publisher\'s quarter cloth and boards. Staining to spine and covers, text block somewhat loose, toning.
7. GLASER, CURT. Die Kunst Ostasiens. Leipzig: 1920. 8vo. 56 photographic plates, some folding. Publisher\'s quarter cloth and boards. Covers sunned and slightly soiled, chips to spine ends corners bumped, light chipping to some page edges, toning.
8. GUNSAULUS, HELEN C. Japanese Sword-Mounts in the Collections of the Field Museum. Chicago: 1923. 61 photographic plates. Later quarter cloth and boards, original front wrapper laid down to upper board. Covers heavily rubbed and soiled, corners chipped, cloth tape lettering piece applied to spine, text block loose, browning.
9. GROUSSET, RENE. Art of the Far East. New York: 1945. 16 color photographic plates. Publisher\'s pictorial wrappers. Warping, wrappers heavily chipped, staining, light toning to interior.
10. VISSER, H.F.E. Asiatic Art. New York: 1948. Large 4to. Numerous color and black and white photographic plates. Publisher\'s black cloth stamped in gilt. Covers warped, text block slightly loose, slight foxing and browning.
东亚艺术。 10个标题：
图片文件尺寸 : 5237 x 5975px
Follower of Giovanni Francesco Barbieri, called il Guercino:Study of a man, standing, three-quarter-length
bears signature \'Guercino\' (lower right)
pen and brown ink and brown wash laid down on paper
18.8 x 11.7cm (7 3/8 x 4 5/8in).
unframed
乔凡尼·弗朗西斯科·巴比里的追随者 研究一个男人，站着，四分之三长，无框
图片文件尺寸 : 5085 x 4674px
Follower of Giovanni Francesco Barbieri, called il Guercino:
Study of a man, standing, three-quarter-length
bears signature \'Guercino\' (lower right)
pen and brown ink and brown wash laid down on paper
18.8 x 11.7cm (7 3/8 x 4 5/8in).
unframed
乔凡尼·弗朗西斯科·巴比里的追随者 研究一个男人，站着，四分之三长，无框
图片文件尺寸 : 4419 x 4306px
Margaret Fitzhugh Browne:Two Girls
signed \'MARGARET FITZHUGH BROWNE\' (lower left)
oil on canvas
48 x 40 in. (121.9 x 101.6 cm)
framed 54 1/2 x 46 1/2 x 2 1/2 in.
玛格丽特·菲卓·布朗 两个女孩48 x 40英寸。框架54 1/2 x 46 1/2 x 2 1/2英寸。
图片文件尺寸 : 4568 x 5505px
NATURAL HISTORY. :8 titles:
1. BRADLEY, RICHARD. A Philosophical Account of the Works of Nature. London: 1721. 4to. Numerous engraved plates. Rebacked contemporary calf, spine gilt with 5 raised bands. Chipping to corners, joints starting, light toning and browning.
2. JOBLOT, LOUIS. Observations d\'histoire naturelle, faites avec le microscope. Paris: 1754-1755. 2 parts in 1 volume. 4to. Numerous engraved plates. Rebacked contemporary calf. Rubbed, spine ends chipped, scattered spotting and toning.
3. SCHAEFFER, JACOB CHRISTIAN. Piscium bavarico-ratisbonensium pentas. Regensburg: 1761. 4 hand-colored plates. Contemporary boards, with later tape reinforcement on spine. Light toning.
4. GOLDFUSS, GEORG AUGUST. Ueber die Entwicklungsstufen des Thieres. Nuremburg: 1817. 8vo. Folding diagram. Modern quarter vellum and marbled. Scattered spotting.
5. LE CLERC, GEORGE LOUIS and HENRY AUGUSTUS CHAMBERS. A History and Theory of the Earth BOUND WITH: A History of Birds, Fishes, Reptiles and Insects. London: 1821. 2 volumes. 4to. Numerous engraved plates, many hand-colored. Rebacked contemporary tree calf. Scattered browning and spotting.
6. FUNK, ADOLF FREDERICK. De salamandrae terrestris. Berlin: 1827. Folio. 3 engraved plates. Modern quarter vellum and marbled boards, original front wrapper bound in. Foxing, some heavy.
7. AUERER, ALOIS. Die Entdeckung des Natursebsdruckes. Vienna, 1854. Folio. Color lithographic plates. Rebacked contemporary brown cloth. Foxing.
8. LEY, WILLY. Konrad Gesner. Munich: 1929. 8v0. Publisher\'s printed wrappers. Tape repairs, some staining, toning throughout.
自然历史。 8个标题：
图片文件尺寸 : 5387 x 4599px
MASAYOSHI:A lacquer five-case inro
Edo period (1615-1868), late 18th century
Of lenticular profile, with integral cord-runners, decorated in gold, silver, and brown hiramaki-e and takamaki-e against a dark brown-lacquer ground sprinkled with hirame, depicting swallows and wisteria, the interior fundame with patches of nashiji, signed Masayoshi saku; fitted with a brass ojime formed as a jar
3 3/8in (8.6cm) high
正雄 18世纪晚期江户时代的漆五箱
图片文件尺寸 : 4047 x 4798px
English School:
Portrait of a gentleman, half-length, in a brown velvet coat and a white cravat, within a painted oval
oil on canvas
75.4 x 62.4cm (29 11/16 x 24 9/16in).
英语学校 一位绅士的肖像，半身，身穿棕色天鹅绒外套，系着白色领带，画着椭圆形
图片文件尺寸 : 5071 x 5851px
Walton Ford:Limed Blossoms (Deluxe Edition)
Etching and aquatint printed in colours, 2007, on wove, signed, dated and numbered 65/100 in pencil, from the deluxe edition, printed by Wingate Studio, New Hampshire, published by Taschen, New York, with the printer\'s blindstamp, with full margins, loose as issued, housed in the original brown cloth-covered slipcase, 468 x 354mm (18 3/8 x 14in)(SH); together with the accompanying book \'Walton Ford: Pancha Tantra\', additionally stamp-numbered \'0065\' and signed in black ink on the title page, all housed in the original brown cloth-covered solander box, overall size 552 x 425 x 85mm (21 3/4 x 16 3/4 x 3 3/8in)(Folio)(2)
沃尔顿·福特。 石灰花
图片文件尺寸 : 5267 x 4043px
MICROSCOPY.:7 titles:
1. HOOKE, ROBERT. 1635-1702. The Posthumous Works of Robert Hooke. London: Samuel Smith and Benjamin Walford, 1705. Folio (320 x 202 mm). Half-title, title page in red and black, 15 engraved plates. Modern quarter vellum and marbled boards, morocco lettering piece on spine. Half-title laid down, title page tipped to stub, worming with some loss of text in front matter, dampstaining and browning throughout, ink ownership inscription on title page.
2. NEEDHAM, M. Nouvelles observations microscopiques. Paris: Louis-Etienne Ganeau, 1750. 16mo (168 x 96 mm). 8 folding engraved plates. Recased in contemporary mottled calf, 5 raised bands on spine, red morocco lettering pieces. Repairs to spine ends, dampstaining.
3. BAKER, HENRY. 1698-1774. Het Microscoop gemakkelyk gemaakt. Amsterdam: Isaak Tirion, 1744. Title page in red and black type, 14 engraved plates, folding table. 19th century half red morocco and marbled boards. Joints tender, rubbed, scattered spotting.
4. ---. Employment for the Microscope, in Two Parts. London: R. Dodsley, 1753. 8vo (195 x 120 mm). 17 engraved plates. Rebacked contemporary calf. Worming to lower margins, tear to outside margin of last plate with loss to corner, bookplate on front paste-down, browning and spotting.
5. ---. The Microscope Made Easy. London: J. Dodsley, 1769. 8vo. (210 x 128 mm). 15 engraved plates, some folding, folding table. 19th century calf, 5 raised bands on spine, red morocco gilt lettering piece. Joints tender, some ink marginalia, scattered spotting. Provenance: William Brodie of Brodie (bookplate).
6. LEDERMÜLLER, MARTIN FROBENIUS. Mikroskopische Gemüths- und Augen-Ergötzung. Nuremburg: Adam Wolffgang Winterschmidt, 1763. 4to (240 x 193 mm). Engraved allegorical frontispiece, engraved dedication portrait of Frederick of Brandenburg, 100 engraved plates, most tinted or hand-colored. Contemporary calf, rebacked. Frontispiece supplied from another copy, with top and margins trimmed, light dampstaining along top edge, browning and spotting.
7. GORING, C.R. 1792-1840, and ANDREW PRITCHARD. 1804-1882. Micrographia. London: Whittaker Co., 1837. 8vo (222 x 135 mm). Folding engraved frontispiece, 2 engraved full-page plates, 6 pp printer\'s ads at back. Contemporary tan buckram over plain boards. Covers soiled, corners bumped, shelfwear, library tape labels on spine, hinges cracked, a little loose, browning and spotting.
显微镜检查。 7个标题：
图片文件尺寸 : 4451 x 5896px
Circle of Michael Dahl:
Portrait of a gentleman, said to be Sir Robert Godstone half-length, in a brown velvet coat
oil on canvas
95 x 73.8cm (37 1/4 x 29in).
迈克尔·达尔的圈子 一位绅士的肖像，据说是罗伯特·戈德斯通爵士半身，穿着棕色天鹅绒外套
图片文件尺寸 : 4570 x 5119px
EAST ASIAN ART.:10 titles:
1. TAKASHIMA, S. and KAZUMASA OGAWA, photographer. Illustrations of Japanese Life. Yokahama: 1893. 3 volumes. 8vo. 94 collotype photographic illustrations printed on crepe paper. Publisher\'s pictorial crepe paper wrappers, bound with silk twine, custom clamshell box. Rubbing and slight fading to wrappers, stains to clamshell box, light toning and spotting throughout.
2. JACOBY, GUSTAV. Japanische Schwertzieraten. Leipzig: 1904. Folio. 37 heliogravure plates. Publisher\'s pictorial cloth. Browning and staining to covers, slightly loose, even toning and light foxing.
3. BROCKHAUS, ALBERT. Netsuke. Leipzig: 1905. 4to. Numerous chromolithographic plates, wood-engraved and half-tone photographic illustrations in text. Publisher\'s brown suede, stamped in gilt. Suede deteriorating and torn, text block somewhat loose, toning.
4. GROHMANN, ADOLF. Göttersymbole und Symboltiere auf südarabischen Denkmälern. Vienna: 1914. Folio. Publisher\'s printed yellow wrappers, pages uncut. Numerous illustrations in text. Wear and soiling to wrappers, a few small tears to spine edges, toning.
5. KÜMMEL, OTTO. Meisterwerke chinesischer und japanischer Kunst, Sammlung Fuchs. Stuttgart and Berlin: 1910. Folio. 15 photographic plates, text introduction. Loose as issued, in board portfolio with string ties, custom cloth clamshell box. Portfolio rubbed, slight toning.
6. ---. Die Kunst Ostasiens. Berlin: 1922. 4to. 166 black and white photographic plates. Publisher\'s quarter cloth and boards. Staining to spine and covers, text block somewhat loose, toning.
7. GLASER, CURT. Die Kunst Ostasiens. Leipzig: 1920. 8vo. 56 photographic plates, some folding. Publisher\'s quarter cloth and boards. Covers sunned and slightly soiled, chips to spine ends corners bumped, light chipping to some page edges, toning.
8. GUNSAULUS, HELEN C. Japanese Sword-Mounts in the Collections of the Field Museum. Chicago: 1923. 61 photographic plates. Later quarter cloth and boards, original front wrapper laid down to upper board. Covers heavily rubbed and soiled, corners chipped, cloth tape lettering piece applied to spine, text block loose, browning.
9. GROUSSET, RENE. Art of the Far East. New York: 1945. 16 color photographic plates. Publisher\'s pictorial wrappers. Warping, wrappers heavily chipped, staining, light toning to interior.
10. VISSER, H.F.E. Asiatic Art. New York: 1948. Large 4to. Numerous color and black and white photographic plates. Publisher\'s black cloth stamped in gilt. Covers warped, text block slightly loose, slight foxing and browning.
东亚艺术。 10个标题：