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Joos de Momper的《夏日风景与人物带来丰收》-Joos de Momper
夏日风景,人物带来丰收--Joos de Momper (Flemish, 1564 - 1634)
大约有600幅作品符合查询(搜索耗时:0.0332秒)
Jií(Georg)Dokoupil,当代艺术I-
Jiří (Georg) Dokoupil * - Zeitgenössische Kunst I-
(born in Krnov 1954)
Mis Mus Sian, 2014, titled, several times signed Dokoupil on the overlap, soap-lye and pigments on canvas, 250 x 300 cm or 300 x 250 cm (the work can be hung vertical or horizontal), on stretcher
Provenance:
Studio of the artist
Kasmin Gallery, New York
Private collection, 德国y
Literature:
Kasmin Gallery, Jiří (Georg) Dokoupil, New paintings,
exhibition catalogue, New York 2015
Jiří Georg Dokoupil, Soap Bubble Paintings, Berlin 2015
Exhibited:
Kasmin Gallery, New York, Jiří (Georg) Dokoupil, New paintings,
8 January - 7 February 2015
Jiří (Georg) Dokoupil has been putting his art on canvases since the 1970s - and for much of that time without a brush. He constantly reinvents the production of artworks, expresses his creativity with the most diverse materials, such as breast milk or fruit juices, and thinks \"outside the box\". His oeuvre now comprises about 140 series, which are not at all alike. He is a quick-change artist in the contemporary art world. Like a pop culture star, he completely reinvents his art with each series.
The early flight from his homeland and the associated deprivation of a national, social and personal identity meant the artist never developed a fixed style of his own. (Compare Wilfried Dickhoff, Soap Bubble Thinking, p.5, in: Jiří (Georg) Dokoupil..
Soap Bubble Paintings, Berlin 2015)
The Soap Bubble Paintings series is one of his longest-running series. The work offered here, \"Mis Mus Sian\", is part of it.
Standing on a ladder with a metal hoop, Jiří (Georg) Dokoupil. lowers his soap bubbles onto the canvas. He uses soap suds mixed with shimmering pigments, the exact composition of which he keeps strictly secret. The individual layers of soap bubbles, their shimmering pigments and superimpositions create a sphere of their own. The result is a depth undreamed of in a two-dimensional work, which can only be properly experienced through viewing the work in person. The soap bubbles glitter dynamically on the deep blue background of the painting and evoke movement through their different shapes and orientations. Due to the enormous format of over 250 x 300 cm, the experience of the work is like visiting a giant aquarium. At first, one is overwhelmed by the work’s abundance and appearance and, as time goes by, one dives deeper and deeper into its cosmos. The artist leaves it up to the owner to hang the work in portrait or landscape format. For this reason, he has signed the reverse on two sides.
„It’s all about making something that is not doable“
Jiří (Gerog) Dokupil
克里斯托(Javacheff Christo,当代艺术I-
Christo * (Javacheff Christo) - Zeitgenössische Kunst I-
(Gabrovo, Bulgaria 1935–2020 New York)
Running Fence (Project for Sonoma County and Marin County, State of California) - Estero Road, 1975, signed, dated Christo 1975, fabric, pencil, charcoal, crayon, gouache and technical data collage on board, 55.5 x 70.5 cm, framed under plexiglass
This work is registered in the Christo and Jeanne-Claude Archives, New York.
We are grateful to Jonathan Henery, Christo and Jeanne-Claude Archives, New York, for his scientific support in cataloguing the work.
Provenance:
Studio of the artist
Joan Sonnabend, Obelisk Gallery Massachusetts, 1975
Villa Grisebach, Berlin, 29 November 2008
Private collection, 德国y
The installation Running Fence, which was installed in 1976 and lasted for 14 days, is considered one of the most impor¬tant early works by the famous artist duo Christo and Jeanne-Claude. Standing 5.5m tall and stretching over 39km across Sonoma County and Marin County in California. The white fabric billowed in the wind, reflecting light at a variety of angles and shades, cre¬ating dazzling, shimmering contours that cut across the landscape in soft yet sharp lines. The sheer beauty of the play of light and weather on the fence contrasted sharply with the theme of separation and boundary that fences generally convey. According to the artists, a fence embodies a larger theme of human freedom and limitation.
All costs of the project were covered with the sale of studies, preparatory drawings and collages, scale models and original lithographs. The artwork being auctioned off is an original drawing which was created in this process.
大约有600幅作品符合查询(搜索耗时:0.0332秒)
Jií(Georg)Dokoupil,当代艺术I-
Jiří (Georg) Dokoupil * - Zeitgenössische Kunst I-
(born in Krnov 1954)
Mis Mus Sian, 2014, titled, several times signed Dokoupil on the overlap, soap-lye and pigments on canvas, 250 x 300 cm or 300 x 250 cm (the work can be hung vertical or horizontal), on stretcher
Provenance:
Studio of the artist
Kasmin Gallery, New York
Private collection, 德国y
Literature:
Kasmin Gallery, Jiří (Georg) Dokoupil, New paintings,
exhibition catalogue, New York 2015
Jiří Georg Dokoupil, Soap Bubble Paintings, Berlin 2015
Exhibited:
Kasmin Gallery, New York, Jiří (Georg) Dokoupil, New paintings,
8 January - 7 February 2015
Jiří (Georg) Dokoupil has been putting his art on canvases since the 1970s - and for much of that time without a brush. He constantly reinvents the production of artworks, expresses his creativity with the most diverse materials, such as breast milk or fruit juices, and thinks \"outside the box\". His oeuvre now comprises about 140 series, which are not at all alike. He is a quick-change artist in the contemporary art world. Like a pop culture star, he completely reinvents his art with each series.
The early flight from his homeland and the associated deprivation of a national, social and personal identity meant the artist never developed a fixed style of his own. (Compare Wilfried Dickhoff, Soap Bubble Thinking, p.5, in: Jiří (Georg) Dokoupil..
Soap Bubble Paintings, Berlin 2015)
The Soap Bubble Paintings series is one of his longest-running series. The work offered here, \"Mis Mus Sian\", is part of it.
Standing on a ladder with a metal hoop, Jiří (Georg) Dokoupil. lowers his soap bubbles onto the canvas. He uses soap suds mixed with shimmering pigments, the exact composition of which he keeps strictly secret. The individual layers of soap bubbles, their shimmering pigments and superimpositions create a sphere of their own. The result is a depth undreamed of in a two-dimensional work, which can only be properly experienced through viewing the work in person. The soap bubbles glitter dynamically on the deep blue background of the painting and evoke movement through their different shapes and orientations. Due to the enormous format of over 250 x 300 cm, the experience of the work is like visiting a giant aquarium. At first, one is overwhelmed by the work’s abundance and appearance and, as time goes by, one dives deeper and deeper into its cosmos. The artist leaves it up to the owner to hang the work in portrait or landscape format. For this reason, he has signed the reverse on two sides.
„It’s all about making something that is not doable“
Jiří (Gerog) Dokupil
克里斯托(Javacheff Christo,当代艺术I-
Christo * (Javacheff Christo) - Zeitgenössische Kunst I-
(Gabrovo, Bulgaria 1935–2020 New York)
Running Fence (Project for Sonoma County and Marin County, State of California) - Estero Road, 1975, signed, dated Christo 1975, fabric, pencil, charcoal, crayon, gouache and technical data collage on board, 55.5 x 70.5 cm, framed under plexiglass
This work is registered in the Christo and Jeanne-Claude Archives, New York.
We are grateful to Jonathan Henery, Christo and Jeanne-Claude Archives, New York, for his scientific support in cataloguing the work.
Provenance:
Studio of the artist
Joan Sonnabend, Obelisk Gallery Massachusetts, 1975
Villa Grisebach, Berlin, 29 November 2008
Private collection, 德国y
The installation Running Fence, which was installed in 1976 and lasted for 14 days, is considered one of the most impor¬tant early works by the famous artist duo Christo and Jeanne-Claude. Standing 5.5m tall and stretching over 39km across Sonoma County and Marin County in California. The white fabric billowed in the wind, reflecting light at a variety of angles and shades, cre¬ating dazzling, shimmering contours that cut across the landscape in soft yet sharp lines. The sheer beauty of the play of light and weather on the fence contrasted sharply with the theme of separation and boundary that fences generally convey. According to the artists, a fence embodies a larger theme of human freedom and limitation.
All costs of the project were covered with the sale of studies, preparatory drawings and collages, scale models and original lithographs. The artwork being auctioned off is an original drawing which was created in this process.