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Salvador Dali, La Quête du Graal: La quête du Graal, deluxe edition with extra suite (Field 75-9-A-L), 1975
The complete set comprising 12 drypoints in colors on Arches paper, each signed in pencil and numbered 41/249 (the total edition was 355), with full margins, plus an additional suite of 12 drypoints in colors on Richard de Bas handmade paper, each signed and numbered 41/249, published by Œuvres Graphiques Contemporaines, Paris, with title page, text, original paper wrappers, parchment portfolio with gilt title and characters stamped on the cover, in red fabric covered slipcase.
Titles Include: The Marvellous Steps; Vivian and Lancelot; The Knighting of Lancelot; The Sad Vigil; The Tomb of Lancelot; The Lady of Malehaut; The Tournament of Galore; The Black Knight; The First Meeting; The River of Blood; The Pass of Gadelore; Lancelot and Galahad (24 works)
images various sizes
each sheet 17 7/8 x 12 7/8in (45.3 x 32.8cm)

萨尔瓦多达利，拉库圣杯TE 洛杉矶Te du Graal，豪华版，带额外套房

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SHAKESPEARE, WILLIAM. 1564-1616.:A collection of leaves from the first, second, third and fourth folios:
1. Single leaf, The Life of King Henry the Eighth, from the 1623 First Folio, leaf x1, 326 x 215 mm, small chip to upper headline with minor text loss, THE FIRST PUBLICATION OF HENRY VIII: \"Mens evill manners live in Brasse, their Vertues We write in Water.\"
2. Single leaf, The Life and Death of Richard II, from the 1632 Second Folio, leaf d3, 330 x 213 mm: \"Doubly divorced? Bad men, ye violate / A twofold marriage, \'twixt my crown and me / And then betwixt me and my married wife.\"
3. Single leaf, The Tragedy of Antony and Cleopatra, from the 1664 Third Folio, leaf Bbbb5, 310 x 210 mm, minor staining at margins: \"Its past the size of dreaming: Nature wants stuffe / To vye strange forms with fancy; yet, t\'imagine / An Antony with nature\'s piece, \'gainst Fancy, / Condemning shadowes quite.\"
4. Single leaf, Much Ado About Nothing, from the 1685 Fourth Folio, leaf I6, 340 x 214 mm: \"And yours as blunt as the Fencers foils, which hit but hurt not.\"

莎士比亚，威廉。1564-1616. 第一、第二、第三和第四对开本的叶子集：

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LYCOSTHENES, CONRAD (CONRAD WOLFFHART). 1518-1561. :Prodigiorum Ac Ostentorum Chronicon. Basel: Heinrich Petri, 1557.
Folio (302 x 210 mm). Large woodcut on title, numerous woodcuts in the text throughout, including one double-page and two full-page, woodcut printer\'s device on final verso. [12], 670, [2] pp. Modern quarter red-brown morocco and marbled boards; some light staining at lower margin of portion of text block
Provenance: Étienne Pariset, French physician, 1770-1847 (manuscript note by previous owner that the present volume was bought at the sale of Pariset\'s library, 1849, beneath bibliographic note in unknown hand; small shelf mark in stamp at foot of title).

FIRST EDITION of this copiously illustrated anthology of portents, natural marvels, monsters, curiosities and unsolved mysteries. Includes sightings of Halley\'s Comet and an unidentified flying object sighted in Arabia in 1479 that resembles a spaceship (see p. 494). Adams W-250; Durling 2878; Wellcome I, 3917.

康拉德·利科斯梯尼（康拉德·沃尔夫哈特）。1518-1561. Prodigiorum Ac Ostentorum Chronicon。巴塞尔：海因里希·佩特里，1557年。

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卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)

Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.

Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982

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JUDAICA. :4 titles:
1. Hagadah. Seder Hagadah shel Pesach. According to Roman rite. Hebrew with translation into Judeo-Italian. With commentary Tzeli Esh, R. Judah Modena\'s abridgment of Don Isaac Abrabanel\'s commentary Zevach Pesach. Venice: Alvise Bragadin: 1716. Folio (328 x 230 mm). 24 of 26 leaves. Each page of text enclosed within an elaborate architectonic frame; numerous woodcut initials containing miniature depictions of figures and scenes; large woodcut illustrations placed at the head and/or foot of most pages; smaller woodcuts of Moses, Aaron, David, and Solomon often flanking the text. Trimmed closely. Some leaves with marginal repairs. Modern morocco antique. Based on the 1609 Passover Haggadah published in Venice by Israel Zifroni. Yudlov 131.
2. WAGENSEIL, JOHANN CHRISTOPH. 1633-1705. Exercitationes sex varii argumenti. Altdorf: Johann Heinricus Schoennerstadt, 1687.
4to (217 x 173 mm). 7 engraved headpieces and one full page engraved illustration. 20th-century half calf. A few marginal repairs, some light marginal browning. First illustrated edition with charming views of Altdorf and Prag, See Fürst III, 489.
3. BIBLE, Hebrew. Biblia Hebraica. Edited by Johanne Simonis. Amsterdam, Jacob Wetstein, 1753. 8vo (212 x 123 mm). Engraved title and engraved folding plates. Contemporary vellum. Darlow and Moule, 5155.
4. GANS, DAVID. 1554-1613. Nechmad Vena\'im [Delightful and Pleasant]. Jessnitz: Israel ben Abraham, 1743.
4to (212 x 169 mm). Title within architectural border, numerous astronomical diagrams. Contemporary calf. Without the (often lacking) introduction in Latin.FIRST EDTION, the first Hebrew book to mention Copernicus by name. Vinograd, Jessnitz 49.

犹大。 4个标题：

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MODERN ART. :8 titles:
1. GRIGORIEV, BORIS. Rasseja. Potsdam: 1922. 4to. Color and black and white plates, illustrations in text. Publisher\'s pictorial cloth. Covers slightly warped, toning. Second edition.
2. LEMAIRE, J.P., Editor. Journal des dames et des modes. Numbers 27-52. Paris: 1821. 8vo. Hand-colored engraved plates. 20th century buckram. Foxing, library stamps on first page of each part.
3. HUTTON, EDWARD. Kunst der Gegenwart: William Hogarth. Berlin: [1909]. Folio. Publisher\'s pictorial wrappers. Front cover detached, chipping to edges, browning.
4. BREITENBACH, W. Ernst Haeckel. Die Natur als Künstlerin. Berlin: 1913. 4to. Color lithographic plate, black and white illustrations in text. Publisher\'s printed wrappers. Corners chipped, some staining and creases to wrappers, toning.
5. FRENZEL, H.K., Editor. Hugo Steiner-Prag. Berlin: 1928. Color lithographic illustrations. Publisher\'s cloth. Staining to covers, slightly loose, toning.
6. SCHAEFER-AST, ALBERT. Kunterbunter Frühling. Darmstadt: 1938. 4to. Color lithographic illustrations in text. Loose, as issued, in publisher\'s board portfolio. Limited edition, number 390 of 500.
7. MENDJISKY, MAURICE. Hommage aux combattants martyrs du ghetto du Varsovie. Monaco: 1955. 35 plates. Publisher\'s black cloth, slipcase. Slipcase rubbed, light toning. Limited edition, number 149 of an unknown number of copies.
8. STEINER-PRAG, HUGO. Designs for a Machzor. New York: 1963. Folio. 16 loose plates. Publisher\'s card chemise and green board portfolio stamped in white. Outer portfolio sunned, with some scuffing, minor toning.

现代艺术。 8个标题：

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PLAUTUS, TITUS MACCIUS. C.254-184 B.C.E. :Ex Plauti comoediis XX quarum carmina magna exparte in mensum suum restituta sunt .... Venice: Heirs of Aldus the Elder, 1522.
4to (210 x 138 mm). Woodcut printer\'s devices on title page and colophon. Contemporary vellum, spine with 5 raised bands, inked title on spine. Slightly rubbed and soiled, hinges cracking, dampstaining to some leaves, especially in quire \"l,\" extensive contemporary inked marginalia in more than one hand, scattered spotting.
Provenance: Thomas Ashby, Jr. (1874-1931, Archaeologist and director of the British School at Rome, bookplate).

The only Aldine edition of the comedies of Plautus, published from an earlier copy annotated by Erasmus and Aldus Manutius. Adams P-1487; Renouard p 94.

普拉图斯，蒂图斯·马奇乌斯。C、 公元前254-184年。 从普拉乌蒂，长老的第二十四位同志已经回到他们的餐桌上。威尼斯：阿尔杜斯长老的继承人，1522年。

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Impressive Mookite Jasper Carving of a Rooster--THE STRUTTING PEACOCK OF THE CHINESE ZODIAC\" by Luis Alberto Quispe Aparicio :2014 was the year of the Rooster and this fine carving is sure to attract those born in this year. Quick thinkers who are practical and resourceful, they prefer to stick to what is tried and true rather than taking unnecessary risks. Keenly observant, it is difficult to slip anything past a Rooster, since they seem to have eyes in the backs of their heads! This quality can lead others to think the Rooster is psychic, but that\'s not generally the case; instead, this Sign enjoys a keen attention to detail that makes it a whiz at anything requiring close analysis. The present example is a fully life-sized lapidary figure, carved of an Australian variety of jasper known as Mookite, the rich natural variations in hues of the material are fully exploited to depict the impressive bird. With Russian black obsidian under plumage beneath the gold vermeil feathers, on gold vermeil feet. Raised on a polished natural agate boulder cross-section slab. Measuring 24 x 12 x 8in (61 x 30.5 x 20.3cm)

Luis Alberto Quispe Aparicio的《令人印象深刻的Mookite Jasper公鸡雕刻——中国ZODIAC的挺拔孔雀》 无 题

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HARVEY, WILLIAM. 1578-1657.:Anatomical Exercitations, concerning the Generation of Living Creatures. London: James Young for Octavian Pulleyn, 1653.
8vo (165 x 110 mm). Engraved portrait frontispiece of Harvey by William Faithorne, errata leaf at end. Rebacked contemporary calf, titled in ink on fore-edge, modern cloth chemise and slipcase. Corners bumped, armorial bookplate to verso of title page (Clan Home), spotting throughout.

FIRST EDITION IN ENGLISH with the often lacking portrait of the author. \"Harvey considered this to be the culminating work of his life, and more significant than de Motu Cordis. ... Harvey was among the first to disbelieve the erroneous doctrine of the \'preformation\' of the foetus; he maintained that the organism derives from the ovum by the gradual building up and aggregation of its parts. The chapter on midwifery in this book is the first work on that subject to be written by an Englishman\" (Garrison-Morton-Norman 467, 1651 edition in Latin). Keynes 43; Russell 384; Wing H-1083.

哈维，威廉。1578-1657. 解剖学练习，关于生物的产生。伦敦：詹姆斯·杨（James Young）为屋大维·普莱因（Octavian Pulleyn）创作，1653年。

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KITAGAWA UTAMARO (1754-1806), TORII KIYONAGA (1752-1815), KATSUKAWA SHUNKO (1743-1812), AND OTHERS:Eight woodblock prints
Edo period (1615-1868), 19th century
Seven oban tate-e prints comprising one sheet of a polyptych depicting three courtesans and a gentleman on a veranda, signed Utamaro hitsu; one sheet of a polyptych depicting three beauties looking out into a wintery garden, signed Kiyonaga ga; one sheet of a polyptych depicting a group of women in a pleasure house, signed Shunko ga; a beauty from the series Shokoku meisho zusho (Famous Views of the Provinces Illustrated), signed Kuniyoshi ga; a standing beauty from the series Bijin awase, signed Kochoro Kunisada ga; Suruga Miho (Miho in Suruga Province), from the series Honcho Fukei Bijin Kurabe (Beauties Compared with Scenic Spots of Our Country), signed Kochoro Kunisada ga, published by Sanoya Kihei; a bird\'s-eye view of a large villa with banners flying in celebration of Boys\' Day, signed Shun\'ei ga; an oban yoko-e depicting two samurai (8)
15 3/8 x 10 1/8in (39 x 25.7cm), the largest

北川郁太郎（1754-1806）、菊川拓里（1752-1815）、长川顺子（1743-1812）等 八幅木版印刷品19世纪